Category Archives: Commentary
Current Humble Bundle up is the Humble Indie Bundle 12, featuring:
- SteamWorld Dig
- [BTA] Papers, Please
- [BTA] LUFTRAUSERS
- [BTA] Gone Home
- [BTA] ???
- [$10+] Prison Architect
Prison Architect by itself is a $29.99 Early Release game that has only ever hit $9.99 before… in Humble Bundle’s own store, in fact. So for the price of that one game, you get at least four other titles that have made some waves (i.e. Gaming Journalism™) in the indie scene: Gunpoint, Papers Please, LUFTRAUSERS, and Gone Home. Granted, most of these were topical back in 2013, but still, those four games were on my watch list (and I even bought two of them last year) without even considering Prison Architect.
As some Reddit commenters point out though, it is precisely bundles like this one that cement the “bundle or bust” mentality that surrounds indie games. I mean, let’s face it, I probably shouldn’t be buying any more games anyway, but it’s to the point these days that I don’t even bother checking Steam sales for most of these titles. If I hadn’t bought Gunpoint and Papers, Please last year, I could have gotten even more consumer surplus for that sweaty Hamilton. Which makes me think “maybe I should remove Transistor, Spelunky, Banished, Child of Light, and Ironclad Tactics from my Steam wishlist and wait for a bundle sale.”
Is that good for, well, anybody? I’ll save some dollars at the expense of being topical and relevant, perhaps. I suppose the creators of SteamWorld Dig and Hammerwatch get a win in the form of a “sale” that they would likely have never made otherwise. Who knows, maybe I’ll find those games super fun and end up eagerly awaiting their next release? Of course, by “eagerly awaiting” I likely mean eagerly waiting for the next bundle.
If you are confused as to what this #GamerGate thing is… you are not alone. Because it really isn’t one thing any more, but a series of things that have all sort of been mixed together. For a summary of ongoing events, I recommend this Forbes article. In the meantime, I wanted to touch on the three main elements in reverse order.
I pretty much agree with the recent Slate article titled “Gaming Journalism is Over.”
The attacks on the press have ranged from well-reasoned to offensive to paranoid, but the gaming journalists unwisely decided to respond to the growing, nebulous anger by declaring that “gamers” were dead. Such articles appeared concurrently in Gamasutra (“ ‘Gamers’ are over” and “A guide to ending ‘gamers’ ”), Destructoid (“There are gamers at the gate, but they may already be dead”), Kotaku (“We might be witnessing the ‘death of an identity’ ”) and Rock, Paper, Shotgun (“Gamers are over”), as well as Ars Technica (“The death of the ‘gamers’ ”), Vice (“Killing the gamer identity”) and BuzzFeed (“Gaming is leaving ‘gamers’ behind”). These articles share some traits in common besides their theses: They are unconvincing, lacking in hard evidence, and big on wishful thinking. A good number of them link to an obscure blog post by academic Dan Golding, “The End of Gamers,” which argues, again without evidence, that “the gamer identity has been broken” and that the current unrest “is an attempt to retain hegemony.” Kotaku writer Nathan Grayson linked to a similarly obtuse piece of academic argot (“ ‘Gamer’ is selfish … conservative … tribalistic”), which in Grayson’s words “breaks down the difference between ‘gamer’ as a manufactured identity versus loving games on multiple levels.” I’ve written essays comparing games to the work of artist Kurt Schwitters and poet Kenneth Rexroth, and even I can’t muster this level of vacuous self-importance on the subject.
Returning to the real world, the biggest problem with all these claims is that they are demonstrably untrue. A quick glance at financials shows that “gamers” are not going anywhere. If “gamers” really are dying, no one told the marketing departments for these publications, which continue to trumpet their “gamer” demographic to advertisers. What is going on instead is projection. As long as these journalists held a monopoly on gaming coverage, they could maintain a dismal relationship with their audience in spite of the fact that “most games coverage is almost indistinguishable from PR,” in the words of disaffected game columnist Robert Florence, who himself wrote about corruption in gaming journalism before quitting Eurogamer. But all that’s changing with the rise of long-form amateur gaming journalism and game commentating on YouTube and Twitch.tv, the latter of which was just bought by Amazon for $1 billion as the gaming press was declaring the end of gamers.
I am not entirely sure whether there is anything to add to that.
Well, I guess I will say that this “reckoning” (assuming anything at all actually changes) was a long time in coming. After all, how long have we existed with a review rubric in which numbers 1-6 did not exist on the 10-point scale? Professional gaming journalism simply doesn’t occur without the “charity” of the game developers’ review copies, or access for interviews, or any number of similar perks that understandably evaporate into the ether the moment an honest reviewer costs the company tens of thousands of sales. I was given a free Press™ pass for Darkfall: Unholy Alliance, but do I anticipate another such email from Aventurine? No, I do not. Unless perhaps I’m such small fries that their PR person doesn’t bother purging the rolls. (Assuming they still have a job.)
But even these small perks are becoming increasingly irrelevant in an age of paid Alphas and Steam Early Releases. With the notable exception of Hearthstone, I pretty much have had the same access to the games I have written about as anyone who reads the posts. Obviously, “real” game journalists get all-expenses paid trips to conventions and hands-on impressions with AAA games that might be coming out, but the margin between gatekeeper and gamer is narrowing. You don’t need to trust an established game journalist as to whether the latest release is worth $60 anymore, assuming you could trust them in the first place – just play the alpha/beta/early release yourself.
Indeed, at this point the most valuable person in gaming is whomever is out there telling you that a given game exists at all.
Who Are Gamers?
If I were being a purist, I would argue that Bhagpuss’ inadvertent definition is best:
And that’s probably at the root of why I don’t identify as a Gamer. It’s not an age thing. It’s a prestige thing. After university, where having the high score on Galaxians was something to be envied, I rarely encountered any social situation where identifying as a Gamer wouldn’t have been socially damaging.
In other words, you are a Gamer if you say you are a Gamer, accepting all the consequences of the admission.
I will admit a certain level of envy for the gamers just now entering high school, as they will likely not experience near the abuse that my generation (and older) endured when gaming was the reserved domain of nerds and outcasts. No doubt it was the same for comic book readers and others. There is indeed a sense of belonging that occurs amongst a persecuted group, and yes, identity. However, any sense of diminishment by widespread gaming acceptance is purely psychological. And, frankly, backwards.
Your identity as a Gamer should be tied to your unashamed passion for games. Full stop. Anything extra is a separate, superfluous identity you tacked on after the fact. “I liked this thing when it was hard to do so.” Great… so you are a Gamer and a Pariah. Do you want a cookie?
Zoe Quinn, Anita Sarkeesian, etc
There really is no conclusion to this post, other than a rather mild surprise as to how much has melted down in the past three weeks or so. Seven gaming publications basically simultaneously asserting their readers no longer exist (or are horrible)? Who the shit has the time to browse internet articles about games but Gamers? Hell, I didn’t even play a game today due to reading gaming forums and writing this post.
Nevertheless, gaming journalism is one area in which I believe a total breakdown in “the establishment” will have a good outcome in the long-run. I mean, right now we have highly politicized real-world news monopolies (Fox vs CNN vs MSNBC) that only serve to insulate and divide people from alternate viewpoints. That’s bad. But the same thing really can’t exist in the gaming world because we ultimately play the games. If the game is shit, it’s shit, no matter who told you it was roses. And now you have 10,000 alternative voices that will admittedly likely coalesce into a few power-brokers, but again, reality will be the final arbiter.
Let’s play a game called “In what context would this ever be a good idea for developers to write on internet forums?” First up, Lead Engine developer for a recently Kickstarted 16-bit action-RPG Elysian Shadows:
You know, half of what you said was actually fairly useful, but then the other half went into opinionated, biased, tangential bullshit, and you lost me entirely. Bump mapping? Have you LOOKED at our Kickstarter? Our sprites are CLEARLY bump mapped, and they’re also specularly highlighted. There’s even a section clearly describing that. Our later screenshots are also all billboarded and are entirely aligned to camera-space. Your divine wisdom would have been appreciated considerably more if you had refrained from being a total douche in the end… I was actually going to ask for your email and talk development with you… But instead I think I’ll just head on back to Kickstarter and watch the money roll in for this abomination of an indie RPG coming to a Dreamcast near you! Funny, considering the majority of the backers are coming for the Dreamcast, then OUYA is doubling our funds from $150k to $300k. ;)
The correct answer is: none. I don’t even care that the actual context was a bitter
vet dev expressing frustration that his/her own game went nowhere and even went on so far as to say “[...] your entire Kickstarter is everything I hate about “indie retro 16-bit RPGs [...].” That basically anonymous poster the dev was responding to? Nobody gives two shits about them thirty seconds after closing the tab. But the dev? I’m walking away from the comment exchange thinking to myself “hey, that Falco Girgis dude is an asshole – I sort of hope his game crashes and fails.”
Maybe that sentiment says more about me than anything else.
Regardless, what the dev gave up here was an opportunity to sell another copy of the game, perhaps demonstrate the competency of the team, and, you know, not be another asshole on the internet. We’re full up, dude, we don’t need any more.
But congrats on the game, or whatever. Maybe I’ll check it out in an Humble Bundle in which I allocate zero dollars to your team.
Okay, okay. I’m starting to see why everyone is all “one… more… turn” when it comes to Civ 5.
After I wrote the post on Wednesday, I sat down to what ended up being an unintentional marathon gaming session. On reflection though, I am not even entirely sure why. I mean, yeah, “one more turn.” But that was sort of because A) I did nothing of any meaning the last four turns, and B) something was actually occurring. I suddenly sat up in my chair, pointed at the screen, and said “No you fucking didn’t!”
Whoops, that’s actually a screenshot I took because I had no idea what was going on. Good on the Civ team for going the extra, multicultural mile there, but I’ve been playing against these computers for nearly 4000 years and I still couldn’t tell you who Harun al-Rashid or Haile Selassie are, where Addis Ababa is located, how a trade route even gets plundered, or why I should really care when I can make another Caravan in 2 turns.
It is sort of funny because I ended up in the same position I remember being in way back in Civ 2: running out of things to build and just clicking End Turn until the next technology is unlocked. Pretty early in the game my capital ended up being a Wonder Farm, pumping out colossus statues and Big Bens every 5 turns until that well went dry. Then I seemed to have missed the religion boat entirely, at least until the Missionaries started pouring in from the North, giving my cities ecclesiastical whiplash every few turns.
And then… goddamn Brazil ruined everything. Or more specifically my hopes of a cultural victory.
It’s funny how a little unprovoked continental warfare suddenly increases your average Decisions-Per-Turn. I wasn’t able to muster enough forces to crush the last city – 107 Defense power, what? – but that’s fine. I got the time… until nukes.
Just a few more turns…
As you may know, I have an embargo of sorts on buying brand new games. Not only are new games more expensive, but there rarely is any benefit to buying it early – assuming you are physically capable of waiting for a week or two, you will have a lot more information about whether a given game lives up to your expectations or not. And even if you’re sure that it will be everything you dream it to be, it’s possible the game will be a bug-ridden, unplayable mess those first few days/weeks. Remember Fallout: New Vegas? Or basically any Bethesda game, I suppose.
So anyway, I pre-purchased Civilization: Beyond Earth.
In my defense, Sid Meier’s Alpha Centauri was a seminal classic that still occupies a lot of my mindspace decades after the fact. Those quotes, man, those quotes. I still have a .TXT file on my computer that is full of profound nuggets of wisdom, many of which were transcribed from that game. Sure, most are real-world quotes that the game simply appropriated, but this was the means by which I was introduced to them for the first time. It sort of reminds me of how much Magic: the Gathering expanded my vocabulary and the fact that I experienced Moonlight Sonata by Beethoven for the first time in that bizarre intestinal parasite level in Earthworm Jim 2.
In any case, Beyond Earth was selling for $12.50 off on GreenManGaming. So… savings!
After re-watching some of the coverage for the game, it occurred to me that it looks a lot like Civ 5, which I have owned for months without ever having booted it up. And now that I have booted it up, I am beginning to sweat my decision a bit. Because, so far, my experience with Civ 5 is mirroring my experience with Crusader Kings 2 – namely as games that other people seem to enjoy way more than it seems likely or even possible.
Full disclosure: aside from Alpha Centauri, the only other Civ game I have played was Civ 2… on the Super Nintendo. I played the hell out of it and Alpha Centauri both, but these games aren’t my wheelhouse per se.
I did a sort of beginner’s match in Civ 5 and just started a second game on normal difficulty/Civ spread. With things approaching 1000 AD, I am sort of wondering when the fun starts. The problem from my perspective is that I don’t seem to actually be making any decisions very often. I’m perfectly fine playing the “long game” in strategy titles, but I’m not particularly fine with spam-clicking Next Turn for 200 years. Moving a War Chariot around looking for Barbarians isn’t exactly cutting it.
What I cannot quite figure out is whether this whether this is a sign of A) me doing something wrong, B) Civ 5 being a departure from prior games, or C) my own evolving tastes. I mean, I think it used to be that having a dozen cities was par for the course in older Civ titles, yes? Now I’m in the Classical age and just founded my 3rd city after some hemming and hawing. The beginner match I played was basically me rolling over my opponents militarily – with numerous interesting decisions to make each turn – but the warnings I kept getting every time I annexed a city and the penalties are leading me to believe that offensive units are only useful against Barbarians and Gandhi.
So, Civ 5 fans, am I doing it wrong? If it matters, I have all the DLC loaded already.
Tobold has a post up talking about the fate of the subscription model. Namely, that while TESO and Wildstar devs are heroically trying to swim against the F2P current, the hard numbers and future MMO releases paint a different, more bleak picture. As somewhat hilariously pointed out by commenter Mike Andrade in that post, this sort of subscription analysis appears to be a Tobold yearly August tradition, but nevermind.
Both Gevlon in the comments and SynCaine in a post come out of the gate with a rather blistering one-two retort: 1) maybe recent sub games are floundering because the games themselves are bad, and 2) where are all the F2P successes then?
Granted, SynCaine moved the goal-posts a bit by specifying “day-1 F2P,” when the facts of the matter are (likely) that subscription games that have made the F2P transition are only still online because of said transition. In other words, SWTOR and LOTRO and Aion and DDO and STO and TSW (etc) are perfectly valid examples of F2P success stories by virtue of those games still being online and profitable. That all of them would prefer the giant piles of initial subscriber cash isn’t really saying anything about the long-term sustainability of the model itself. Why would any of them start off F2P if it’s possible to not leave that money on the table?
But if we’re looking ahead, I suppose ArchAge and SOE’s flagship EverQuest Next being F2P might be potential candidates day-1 F2P success (however that ends up being defined).
The subscription counter-example a lot of people have been using is FF14, which frankly shocked me in terms of subscriber numbers. Apparently there are 2 million of them? If legitimate, that would rocket it past all non-WoW MMOs to be one of the most successful subscription games of all time. Of course, it sells for $15 on Steam every three weeks, there’s a sizable console market for the game (something not many MMOs can achieve), and it technically got a do-over that allowed it to “launch” with years of content instead of the normal zero. But still! That’s impressive.
Okay, actually FF14 has two million “registered accounts,” which is sort of like subscribers in the same way F2P games are “free to play.” Still, subscriptions! 500,000 people log on at least once per day! For now, anyway.
Ultimately, I think a lot of the subscription game musing is sort of missing the point. While there are subtle pressures involved when you look at a subscription game – worrying about getting your money’s worth even if $15/month is pocket change normally – I agree with people like SynCaine that say if a game is worth it, you’ll pay the money… to a point. Because when you are talking about MMOs, the quality of the content itself is almost a tertiary concern to retention. Don’t believe me? Then tell me how a game like WoW can get away with having zero new content from September 2013 to today and “only” lose around ~10.5% of its population. It’s the people, stupid. Yeah, there’s an underlying game space that needs to be entertaining enough to collect everyone in one spot and having fun during downtime, but how long is anyone really subscribing to a single-player game? You can have the most entertaining base game in the world, but if nobody is making those sticky social connections – perhaps because they already have social networks elsewhere – then they are just going to leave in three months anyway.
Frankly, the biggest issue with subscriptions are companies whom vastly overestimate their own popularity, and otherwise set themselves up for failure. If you budget your MMO such that you need 500,000 people paying $15/month just to survive, you’re going to have a bad time. The lower that floor is, the more space you will have to grow the audience later. Or, hell, just maintain the people you have currently.
So while I do not believe the subscription model itself is going anywhere, I do think that it’s only going to be particularly sustainable to those games which have tightly-wounded social pockets. Creating said pockets out of thin air is incredibly tough, but that’s not going to stop games like TESO and Wildstar from at least capitalizing on 6-12 months of bonus revenue they would not have otherwise had if they went with B2P and/or F2P.
So, hey, how about that. Leave the country for just two weeks and look what happens.
Blizzard Q2 2014 Investor Call
The big news, of course, is the fact that WoW has dropped 800k subs and is down to 6.8 million from Q1. MMO-Champion has a rather interesting interactive graph on the linked page, but let’s go ahead and take a screenshot for posterity:
Honestly, it is hard to add anything to that; the graph really speaks for itself. I guess it is interesting to note that we are now well below the numbers of vanilla WoW at this point. It is also interesting to note that the number of subscribers WoW lost in the last few months is larger than the total reported subs for The Elder Scrolls Online. Or Wildstar + EVE. So anytime someone happens to discount WoW as a fluke and/or “not representative of the genre as a whole,” just remember that this is a fluke on scale with the supermassive black hole at the center of the galaxy.
There are bigger games, of course, like League of Legends. There still ain’t any bigger MMOs. And let’s face it: there isn’t likely to ever be any.
Back to that investor call, and the unintentionally hilarious corporate doublespeak:
Starting off with World of Warcraft. The franchise remains healthy with revenues up year-over-year. This is due in part to ongoing interest in Warlords of Draenor presales, which now exceed 1.5 million, and the character boost, which suggests strong support for the expansion by the community.
Yeah, sure, I can see it that way, Mike Morhaime. Someone who purchases a(n additional) character boost is likely a person preparing to use said boosted character in the next expansion. At the same time, is a boosted character not also a vote of no confidence of all the content that it was boosted past? Shit, the expansion is not out for another three months, and this is a report of player behavior from earlier in the year anyway. I’m not one of those guys who cry over planned obsolescence, but c’mon man, this is a sword with two edges. Be careful where you pick it up.
In looking over the rest of the call transcript, most of it had to do with Destiny and Call of Duty questions. Hearthstone was a surprise darling, but we sort of knew that already.
Warloads of Draenor
I pretty much agree with the prevailing blogging opinion that the Warlords trailer is excellent on a technical level and somewhat of a horrible trainwreck on grokkable level. Are we supposed to know who these orcs are? It might be a little racist, but I can barely tell any of them apart. And then you get the confused sympathy going on, which results in you thinking the final boss of the expansion is actually a good guy. I mean, we just saw him kill a demon and everything! To the average person watching this thing, they aren’t going to know that the final scene is meant to imply the “good guys” will soon be invading an alternate timeline in which they don’t exist, only to be pushed back into their own world again and beaten silly by 10 or 25 kleptomaniacs in silly costumes.
And when I put it like that, I still almost feel bad for them.
Then I remember that alternate timelines and time travel in general is literally the worst narrative gimmick in literature (and all mediums, really), possibly tied with “it was all a dream.” It is always total bullshit because nobody ever treats it seriously, least of all the authors themselves. Bioshock Infinite, anyone? Warlords is all just another Metzen Horde masturbation fantasy that plumbs the shockingly shallow depths of the Warcraft RTS plot in search of remaining nuggets (or crumbs thereof) which can be squeezed and bled before the swan song of an Emerald Dream expansion.
In my attempt at researching the possibility that the Warlords narrative could be saved by Naaru somehow, I stumbled upon this blog post which does a good job at asserting the fact that we might be battling high lieutenants of the Burning Legion by the end. Up to and including Sargeras. I like the research supporting that position, but again, it all highlights for me the reason why time travel is stupid everywhere. Because now there is an infinite number Sargerases, and Titans, and McGuffins such that the likelihood of the “original” world existing at all is vanishingly small. Maybe the Bronze Dragonflight are supposed to keep all that shit on lockdown, but all it takes is a single “he/she went insane” and suddenly they are attacking every reality.
…which is sort of how the Burning Legion are described. Hmm.
Nah. The writers over there aren’t that clever.
So hey, there is another sale on Origin right now – pretty much the entire EA catalog (all six games) is reduced by 50% or more. Know what isn’t reduced in price though? Goddamn Mass Effect DLC:
That’s right, you can buy the entire Mass Effect franchise for $15. If you want to get all the canon DLC though, that will be an additional $64. For a 2+ year old game. For DLC that has never been on sale.
At this point I can no longer tell if Bioware is just stupid, or evil, or what. Is the nefarious plan to rope in new players at the $15 price-point and then squeeze the $64 out of the few who become super-enamored with the game? Or is the marketing department asleep at the wheel (or fired) and they just never got around to running the numbers on having a Bioware point sale? Or, you know, migrating from the goddamn ridiculous point system like every other game company?
I suppose the good news is that Casey Hudson, project director for KOTOR and the entire Mass Effect series, left Bioware last week. While I still have some sour grapes (more like sour raisins at this point) over the ME3 ending debacle, the fleshed-out endings went a long way in regaining my trust. I do not idolize content creators as a rule – individual works are the only thing that deserves respect – but this move makes it more likely that Bioware will be left with games I won’t be compelled to play, thereby making it easier to both hate them and not give them money simultaneously.
But seriously, Bioware, put that goddamn Mass Effect DLC on sale and I will buy it.
Almost exactly two years ago, I asked “Where are all the bodies?” in terms of a trend of flight from MMOs. Last week, Wilhelm presented the SuperData Research group’s June report. The two slides of note are below:
As pointed out in the comments over on TAGN, the accuracy of numbers and legitimacy of the research company itself might be in question. For one thing, neither FFXI nor FFXIV are even on that list. The absence of Guild Wars 2 makes a little sense given the criteria for inclusion (subscription option), but the others? I dunno. Perhaps they are being implied in the missing 26% of market share. Which, incidentally, covers $756 million of the total revenue on the chart.
In an attempt to compare the subscription revenue graph to the last update from MMOData.net, I got the following result:
My methodology was to squish the one graph until the years lined up. Regardless, I have a hard time imagining the precipitous drop in subscription revenue on their chart is correlated in reality. There is a very real decline in overall MMO population – we have reached the same population levels from mid-2008 at this point – but revenue can’t be that bad. Can it?
What is sorta interesting though is in the small text below the graph, which states the data was pulled from “36.9 million digital gamers.” If you take that figure and multiply it by the market share, you get 13,284,000 as the WoW population. Of course, WoW did not have 13+ million subscribers in 2013. Discrepancy! Or is it? If you assume a 5% churn rate each month, at the end of the year you are left with 7,178,143. That is somewhat close to the estimated 7.6 million from this year. In other words, it’s entirely possible that 13+ million players played WoW at some point during the year and 6 million of them cycled out.
On the other hand, when you plug EVE into that same equation, you get 1,107,000 players throughout 2013. So… maybe it’s all bullshit.
Accuracy aside, I think the takeaway from all this is twofold. First, the MMO market has clearly peaked and we are transitioning into a much lower (presumed) equilibrium. Second, it’s still surprising how money there is in the genre. I mean, look at SWTOR there. $165 million in revenue last year? It actually took this Forbes article to kind of shock me into the realization (emphasis added):
And what may be a surprise to many is that Star Wars: The Old Republic is actually #4 on the list, bringing in $165M in revenue last year. While much of the game went free-to-play after a disappointing debut, there’s still a subscription model that has made the MMO profitable for EA. Often SWTOR is regarded as a cautionary tale in the industry in terms of bloated budgets, over-ambition and emulating competitors, but looking at the numbers, the game has evolved into a profitable enterprise for EA, and has made even its massive budget back at this point.
I don’t even know if that is true for sure, but remember, SWTOR budget was somewhere in the neighborhood of $200 million. So… are we still allowed to call the game a “failure?” The criteria gets a little goofy when you are making ~44% more than the paragon of subscription growth¹, EVE. We can maybe say that it could/should have earned more, but (presumably) profitable businesses really speak for themselves.
As always, I believe key to success is keeping realistic expectations and budgeting around that. If you need 500,000 or 1 million subscriptions to stay afloat, maybe you should calm your shit, Icarus. The entire market is like 18 million subs, and more than a third of those are locked down in Blizzard HQ. If you can get by with 50k or 100k, you should have no problems capturing a least a portion of the 500k+ people that seem to appear on MMO release days and leave a month later. Now more than any other time, you need to start small and work your way up.
¹ Which is more historical fact than current event. As far as I’m aware, EVE has lost subs at this point like all mortal MMO endeavors.
So my PSX problems from the other day were mostly solved by stumbling across an emulator website that specifically had a PSX-2-PSP section that already did the heavy lifting for you in terms of format conversion. From there, I simply had to choose any of their 1301 offerings
on sale to download.
And therein lies the rub: what would I actually play?
This September, I will be 31-years old. Holy shit, right? I grew up on the crest of the videogame revolution and rode it rather thoroughly until the end of the PS2. I was there to play games like A Link to the Past and Chrono Trigger and FF6 and Super Metroid while they were current. I still remember, with perfect clarity, unwrapping the Playstation for Christmas and popping in FF7 for the first time. When Tifa and Barret appeared onscreen together in the 7th Heaven Bar, my father walked by and quipped “Wow, that’s pretty progressive of them to include interracial dating.” This was in 1997, mind you. After that, I made sure to never play RPGs when other people were around.
Point being, the original Playstation era was one of unparallelled nostalgia for me. These were prime gaming years in my prime (14-17 years old). I still remember the shivers I felt when watching the promo video for Xenogears that was included in the packaging for Parasite Eve. In fact, I just spent 30 minutes trying to find that video, and I felt those same shivers sixteen years later.
Nevertheless, I sat looking at the PSX game list for a good ten minutes without selecting anything. Believe me, I understand the intoxicating effects of nostalgia and the risk one takes in replaying old games generally; not only is the game unlikely to hold up, you risk souring your memories by subjecting yourself to downright primitive graphics and design. But all of that was not actually my concern. My concern was: I still remember all these games.
For example, I was looking pretty intensely at SaGa Frontier 2 for a bit, as I remember it being a fun game with a beautiful art direction. But… I still remember the strategies I used to defeat the game, the places where I got stuck, and the end result of the progression. I’m pretty sure I remember crafting a pistol that shot rockets in Parasite Eve – and that awful final boss encounter. I have talked about Novelty being the essence of fun before, and my particular problem is that the intervening decades have not diminished my memory of the experience of these games. “Something something riding bikes,” in other words.
There were some exceptions in the list. I let out an audible squeal when I saw Tactics Ogre. That and Final Fantasy Tactics seemed perfect for this little PSP experiment of mine, as they remain games I still somehow consider fun despite knowing everything about their systems. Maybe it is because a tactical game has many more possible permutations than your average RPG battle system? I felt no hesitation with Xenogears either, nor Castlevania: Symphony of the Night, although I’m going to hold off on FF7 until I play it via Steam.
For the rest of the list, I think what I’ll end up doing is actually picking titles I haven’t played. Enough people have talked about Legend of Dragoon to overcome my memories of renting the game and setting it down 15 minutes later. Suikoden 2 has been hyped beyond all reason, so that’s another easy one to test. Beyond that though? I dunno. I would solicit answers from you, dear readers, but I fear it would just be a bunch of “already played that” replies.
So allow me to turn the tables a bit: what PSX games would you actually play? Is there a title you would like to play again, or perhaps one you’d like to check off your bucket list? Would you even play any at all?
[Fake Edit]: The PSX-2-PSP website didn’t actually solve anything; all the PSX come up as “corrupted files” even though they are fine on my computer. It’s almost enough to drive a man to legitimacy.