Category Archives: Impressions
As I alluded to before, I ended up refunding my purchase of Isaac: Rebirth. Deciding I was still in the mood for a roguelike, I put that $10 into purchasing Darkest Dungeon instead. Now more than dozen hours in, I myself feel like a character succumbing to mania over the experience.
The core gameplay loop of Darkest Dungeon is simply superb. Pick a group of four adventurers, buy them supplies for a dungeon delve, and then crawl through said dungeon killing and looting. Successful completion or not, those four particular adventurers are likely going to need a break to recover from the ordeal, so spend a bunch of your gold on (mentally) healing them. For the rest of the profits, use heirlooms to build up the Hamlet, then spend gold to upgrade the gear of another set of four adventurers… who then will need provisions for their own expedition. Wash, rinse, and repeat.
That might sound boring or perhaps grindy, but there are so many considerations and decisions to be made on a micro level that I find the hours melting away in a Civilization “One more turn” kind of way. For example, you can’t recruit just anyone: you get a small pool of recruits to choose from each “week.” Even if it’s a class that you wanted, out of the 8 possible Skills that class has, they will have 4 random ones. You can spend gold training the specific ones you desire, of course, but that’s 1000g less you have to spend on something else. Other times you have exactly the class and spec you want for your particular dungeon strategy, but they end up accumulating too many Diseases or negative Quirks such that it’s easier/cheaper to just let them go than keep them. Finally, even if you upgrade the Stagecoach such that you get higher-level recruits hand-delivered to you with full upgrades out of the box, they might not have enough positive Quirks to justify the limited roster space.
None of this even gets into the combat and dungeon exploring parts of the game.
At the beginning, I thought the combat system was kinda dumb. Each character has the ability to do one thing each round in a turn-based manner. There are priest-esque classes and others with healing abilities, but they can only perform these actions in combat. Yeah, that’s a particular “gamey” limitation, but the longer I played, the more I realized how the entire point of this game is resource management. A turn spent healing is a turn not spent attacking.
However, considering that HP is only a concern in a dungeon, whereas Stress carries over into town and future dungeons, you have to start considering the relative merits of either. Leaving up the weak spellcaster who “only” inflicts Stress on your team so that you can spend multiple rounds healing your team to full HP might not be worth (literally) the trouble. Then again, if you have to end up Retreating from a battle/quest because everyone is about to die, well, they end up getting penalized with Stress/quirks regardless.
Then you have the boss fights, which possibly toss aside all your carefully laid plans. I defeated an Apprentice Necromancer with barely an issue already. Fighting the Wizened Hag though? I have faced her three times thus far, and retreated each time, nevermind the three other attempts that were aborted before even reaching her chambers.
The Hag has a Cookpot that takes up the first two “positions” on the field, with herself in the last two. Invariably, one of your team members gets thrown in the Cookpot and takes damage each individual turn until released. Thus, not only do you lose the actions of that team member, but your remaining members are usually out of their normal position (most abilities have position limitations), and then you have to consider whether to attempt to free the person or attack the Hag. Freeing the person is fine… but the Hag will throw someone else in the pot almost immediately afterwards.
Which can be the same person. /sigh
Having been defeated by this encounter so many times before, I am now in a holding pattern of leveling up my lower-level people to get a pool of acceptable candidates to try and kamikaze my way through the encounter, or perhaps overwhelm her with higher-level gear. Repeated dungeon clears of the other locations unlock additional bosses though, so perhaps I ignore her for now. And, oh, this other quest offers a pretty good trinket for that one class, so perhaps I grab that first.
Around and round I go… loving every single minute of it.
So, yeah. I’ll be curious to see how I end up towards the endgame; if this gameplay loop still entertains or if I get ground down by the repetition/familiarity. I ended up choosing Radiant difficulty based on the, ahem, horror stories from others who played originally. Indeed, some of the original mechanics sounded outright dumb: the inability to take characters back into the final dungeon more than once, for example. Some of those have been address since the game’s launch, but it’s a bit sobering to read that Radiant was designed to bring down the play-time “from 80 hours to about 40.”
Fake Edit: took down the Hag with this handsome group of characters:
It’s kinda funny, looking back and seeing my original review of The Binding of Isaac being posted in November 2011. 11/11/11, in fact. Nearly six years ago is a pretty long-ass time. And yet here I am buying the re-release of a game and its expansion for another go-around. Maybe.
The truth is: I don’t know.
Ostensibly, I bought Rebirth (and Afterbirth DLC) because it was on sale and I had read all the people praising it on Reddit as being far better than the original. One person mentioned that it was simply relaxing to play. Certainly, I felt slightly similar back when I first played the game insofar as I compared it to Solitaire. Just something to play for a little bit without a sense gravity.
At the same time, I constantly found myself pausing the game and going to the Wiki. What does this Tarot card do? What the hell is this buff? Why is this room empty aside from a spike pit in the middle? These mysterious things are traditional trappings of roguelikes in general, but I feel like Isaac spends an inordinate amount of time in being obtuse. Random effects or items? Fine. Obfuscated abilities? Not fine.
It took me three runs to make it down to and defeat Mom, which resulted in about 15 achievements. Among other things, this unlocks the other half of the game (post-Mom), new items that get added to the random pool, new characters to play as, and Challenges. The latter is new to me, but is basically normal Isaac runs with some kind of penalty added on. In fact, pretty much everything I’ve seen so far is just piling on difficulty.
I’m not sure this is me anymore though. It was certainly relaxing to play in the moment… until I started pausing every other room to double-check the Wiki. I’m not going to stop doing that either, as I find blind choices fairly abhorrent. I don’t need to win every time I play a roguelike, but I’m also not going to let myself ruin an otherwise good run with some bullshit “Gotcha!” moment either.
So, yeah. Perhaps this will be my 2nd Steam refund.
The experimental version of Alpha 16 for 7 Days to Die (7DTD) came out over the weekend, and I have sunk close to a dozen hours into it already. Much as I was hoping before, the changes have revitalized my interest in the game generally. However, some of the same changes exacerbate underlying design problems with character progression.
Character progression in 7DTD has never really been smooth. Starting from Stone tools, you eventually craft a bow, some arrows, and a wooden club for defense. From there, the next “tier” requires the creation of a Forge, which requires a Bellows, which requires Leather and a Short Iron Pipe. The Leather can be collected by skinning animals you kill or breaking down leather couches in buildings. The Short Iron Pipe though, is either found as random loot or crafted. In a Forge. That you are trying to build.
The game is actually riddled with these regressive, bootstrap requirements. The Workbench is a necessary structure to craft mid-to-late tier items, and requires a Wrench to be consumed in the construction. Meanwhile, the Wrench can only be constructed with Forged Steel, which is an endgame resource material that requires a high player level. Oh, and a Workbench. You need a Workbench to create a Wrench so you can craft a Workbench. But hey, sometimes you can find a Workbench out in the world, so you can dismantle it and place it back at your base… provided you have a Wrench.
[Fake Edit: Just kidding, Workbenches in the world can’t be dismantled anymore.]
These problems already existed in Alpha 15, but it’s kinda worse now. The devs introduced “Sleeper” zombies, which basically means they seeded every corner and basement of every building with zombies that can wake up while you’re trying to loot. This makes looting houses much more tense and exciting, for sure. However, they also reduced zombie loot without actually increasing it elsewhere. Ergo, you end up having to do more fighting with less rewards, while stuck with worse tools for longer.
Another example of regressive design? The devs reduced the amount of Wood gathered with Stone Axes, and eliminated the Last-Hit bonus (generally +20 Wood when a tree is finally felled). “Better tools result in better yields” makes sense, right? Sure, conceptually. The problem is that by the time you have a Forge up and running to craft an Iron Fireaxe, your need for Wood has considerably decreased. In fact, considering the rate that even a Stone Shovel gives you Small Stone and Clay, it’s actually easier to create a base out of Cobblestone than Wood.
Alpha is Alpha, of course. That said, I think there is a lot that the devs can do to bridge the progression gap and otherwise tighten up with the core gameplay loops. Some suggestions:
Introduce a Scrap Iron tier of weapons/tools.
The current progression path is Stone –> Forged Iron. That is quite the jump, especially with such considerable gaps in coverage in some areas. For example, your first knife is a Bone Shiv, and the next requires Forged Iron AND a Blueprint (Hunting Knife). You can craft Iron Arrowheads all day, no problem, but a sharp piece of a iron? Impossible.
I would also suggest making the Cooking Pot craftable with general Iron, rather than requiring a Forge. The Cooking Pot is just too integral to basic survival given that there are zero non-loot sources of fresh water in the game otherwise. Well, you can create Yucca Juice from harvesting cacti in a pinch, but you can’t cook/craft with that.
Perform a general sanity check on existing Blueprints
I am hoping that the current Blueprint system is a placeholder that eventually gets revisited, because it really makes zero sense sometimes. For example, the general progression of clubs is Wood Club, Iron Reinforced Club, and Spiked Club. You can craft the first two without Blueprints (although the Iron Reinforced Club requires a whopping 100 Iron), but the Spiked Club requires both Forged Iron and a specific Blueprint. For a piece of wood with spikes on it.
What makes the Spiked Club even more ridiculous is that you can craft Barbed Wire with simple Iron right from the beginning of the game. And Barbed Wire Fence for that matter. Barbed Wire + Wood is fine, but Barbed Wire wrapped around a piece of wood is way too complicated. Or using the Claw Hammer and some Nails on a piece of wood.
Reduce the Bootstrap Gating
I mean, I kinda get the thought process here. In crafting games like Terraria, Minecraft, and others, the limiting factor that gets you out the door of your base is resources: you need that Platinum/Diamond/Magic Ore/etc. Resources are needed in 7DTD too, but the overwhelming impetus to scavenge is the simple fact that you can’t just slowly work your way up the crafting tree. You need Short Iron Pipes to craft the Forge that makes Short Iron Pipes, and you need a Wrench to build a Workbench that can make Wrenches.
At the same time, the difference between finding a Wrench/Cooking Pot/etc on Day 1 and not finding anything for 7+ in-game days is enormous. Random loot is exciting, and there is absolutely still a place for that. But I think there should at least be the possibility of a bridge between Nothing and Everything. Perhaps a Crude Wrench, or Makeshift Cooking Pot. Make them have the chance for failure or ruined ingredients so that the Real Deal is still desirable, if no longer strictly required.
In any case, I still find the game to be quite entertaining, although I’m unlikely to derive the same 60+ hours of fun I did when everything was new. Which is likely good news to the people more interested in my potential thoughts on the upcoming FFXIV and Guild Wars 2 expansions.
How ’bout that character generator, eh?
I remember the hubbub from back before the US release, where the character generator was a sort of standalone piece of software. It is still quite impressive, all this time later, even if most of the options end up turning your character into nightmare fuel more often than not. Still, for those that care about proper placement of their character’s dimples, I am sure that this sort of refinement is welcome.
What the character generator did not prepare me for is the rest of the game looking… washed out?
To be clear, the game does not look bad. There is just a weird sort of dissonance between having an avatar constructed in incredibly minute detail… traversing a landscape with shrubbery that has a lesser polygon count than their eyebrows. The two simply feel out of place right away. As I was running around, all I could think about is whether or not Guild Wars 2 looked better.
Combat has been one-shot city thus far, and I think I’m technically level 17 at this point. It is certainly an interesting Action combat system, as it plays more like, well, Action RPGs. Hold Left-Click to perform a series of attacks, Right-Click starts another, LMB + RMB is something else, W + F is another attack, etc, etc etc. Technically there is also a hotbar you can utilize, but the in-game prompts warn you that it costs more resources (MP) to perform when not manually keying in the combo. Given that nothing has survived more than two hits of “hold down LMB,” I have not yet seen whether that’s relevant.
In fairness, the class I chose was Dark Knight. Which was selected based on the little video that play of the various classes and my research into what was Flavor of the Month. So maybe the class is just OP. Wizard/Witch were #1 and #2 in the FOTM ranking, but the experience of FFXIV’s abysmal Arcanist experience has soured ranged classes in new (to me) MMOs. Despite that, it was actually the Ranger that piqued my interest the most originally. Perhaps I’ll check that out later.
One factor that is going to limit my playtime right away is the garbage localization and questing. Quests are quests, but Black Desert has discovered a way to make them even less interesting. For most NPCs, you have to click on a Quest tab in a menu to bring up their quest, then they have two poorly-translated lines per screen to convey the information, and while they are “talking” they spout off their idle dialog that has nothing to do with the words on the screen. I suppose I shouldn’t expect much more from a game with an “auto-run to quest objective” feature built-in, but it’s a bit disappointing nonetheless.
I have not spent much time with the remaining game systems, including Node management and leaving the game running overnight/during work so you can AFK gain millions of silver for reasons. From what I understand, this absurd economy is mainly based around the principle that you’ll be throwing tens of millions of silver away in the gamble that is upgrading endgame gear. As in, to upgrade a 20 million silver sword to the next level, you have smash it together with another 20 million silver sword. Success means you get an upgraded 100 million silver sword. Failure means you get a silver sword one enchantment level less; not only have you lost the 20 million silver item, but you’ll have to buy more swords to smash together just to get back to where you were originally. Accessory enchanting works the same way, except that on a failure you lose both items.
Under that sort of insane rubric, being able to make millions while AFK fishing is OK.
…wait, no it isn’t. It’s still fucking nonsense, but whatever.
A few (dozen) more hours in, and things are humming along.
In these early stages of the game, three abilities do not feel like nearly enough. I came across a website that suggested that Barricade – a Tech power that constructs cover on demand – was the bee’s knees. After a boss-ish encounter that saw me kiting an armored beast around for 5 minutes, I’d suggest it’s more akin to bee’s ass. Energy Drain and Pull were rather ineffectual with Barricade as the wildcard, and it’s too early in the game for my weapons to have much of an impact on anything.
Indeed, I have talked about uneven difficulty in games before, and Andromeda seems poised to follow the same patterns. In Divinity: Original Sin, the difficulty was uneven in the early game because enemy CC was powerful while you lacked options towards ending encounters quickly, e.g. by blowing up the team with OP spells. In Andromeda, you can specialize yourself into a corner by not selecting all of the abilities, or perhaps not bringing the right kind of weapons. Andromeda allows you to actually change the three abilities you have in the middle of combat, but that won’t help you if you never spared the Skill points to buy them.
That said, I don’t actually like Andromeda’s swapping Skill system.
While the game goes out of its way to make the process mostly smooth – you can swap Favorite loadouts with a couple clicks – I find the entire process too… metagame-y. Ryder’s ability to switch abilities on the fly is given an in-universe explanation, but that doesn’t prevent the flow of combat from being broken whenever you pause the game to become an entirely different “class.” It’s like… why? I would agree that this is better than being able to paint yourself into an unwinnable corner by choosing the “wrong” abilities, but only barely. Why not allow us to equip more abilities at once?
Ah, right… consoles.
In any event, I will continue chugging right along. I am warming up to the characters a bit more, and going out of my way to complete most of the side-quests in typical Mass Effect style. It is hard to tell how far along in the game I am, but I’m guessing it might be closer to halfway than anything.
Bad facial animations are bad.
It is difficult to know whether I would have noticed the details on my own had it not been for the hilarious (and sad) examples spread across the internet. I would like to imagine that I’d notice, but maybe not. The toothpaste is out of that tube though, and straight into the fish-lips of every member of humanity that survived the journey to Andromeda. Maybe cryogenics causes one’s skin to slog off the bone.
About 5 hours into Mass Effect, all I can say is holy shit.
One of the most groundbreaking things occurred in the city after the first “dungeon.” In talking with a receptionist to the Consort, she winked at me.
… and then a few months later:
My favorite aspect of the original Mass Effect was the integration of non-verbal dialog into the narrative, and the general narrative itself. In ME2, that is kicked up a notch^². Characters smile, nod, gesture, facepalm, wink, and otherwise emote in subtle, natural ways. Indeed, these little actions end up becoming part of the dialog, creating nuance and meaning that words themselves could not convey.
Perhaps the novelty has worn off. Perhaps the Witcher series has ruined facial expressions for other games for me. Or perhaps the animations in ME: Andromeda are really that bad. At the moment, I am leaning towards the latter. Ryder pretty much looks drunk all the time.
I have only played about an hour or two thus far, but the rest of the game seems okay. The gunplay does not seem as tight, but it could be the learning curve of the Frostbite engine. Or perhaps my low-level guns. I like how you can swap out abilities and such, but don’t like how apparently I’m limited to three abilities at a time. I suppose in the paradigm of quick recharging Biotic skills, it would be too much to be just slinging more mass effect fields than bullets.
Still, I always question whether these sort of decisions are made based on solid design principles, or whether it was to dumb down the game for consoles.
This past week I ended up running the dreaded early dungeon gauntlet in FF14 again – you know, the three early dungeon Square Enix requires everyone to do in order to move the Main Story Quest forward. Things more or less went as well as last time.
The first dungeon run went comically bad. As soon as we zoned in, the healer just ran through half the dungeon and aggroed all of the mobs. This, of course, resulted in a wipe. The healer never rezzed themselves though, which is pretty indicative that his/her behavior was intentional trolling. Unfortunately, you cannot Vote Kick someone within X minutes of zoning into the dungeon, so we all had to wait.
Then it turned out that the healer and the other DPS voted to kick the tank, which happened to be frequent In An Age commenter, MaximGtB (who offered to help me through these early dungeons). It took me a while to figure out what even happened though, because FF14 does not allow you to Whisper or receive a Whisper while in a dungeon. And I did not know if there was an easy way to teleport out of a dungeon you were in.
So, yeah, comically bad.
After that, MaximGtB shepherded me through the three dungeons without major incident. In two of the dungeons, we had a Thaumaturge or Black Mage or whatever that insisted on using a knockback in their spell rotation, much to my Pugilist’s (and the tank’s) annoyance. It was also kind of annoying fighting 3-4 mobs at a time with zero AoE abilities. I suppose that might be a feature rather than a bug at this stage, as it would be easy for new players to spam that sort of thing and get aggro.
My overall impression about FF14’s dungeons have not really changed. There is zero reason for these early dungeons to be mandatory and/or exist. They are apropo of nothing. I don’t remember if Wailing Caverns had any lead-in, but other early WoW dungeons like Deadmines were the culmination of zone-wide storylines. That the devs required these three irrelevant dungeons for the MSQ simply boggles my mind. Mandatory is one thing, zero story is another.
In any event, further progress on my character will have to wait, as Square Enix is “moving data centers” and that apparently requires two full days of downtime. Which is almost enough time to be tempted to pop another WoW Token.
…think I’ll start Mass Effect: Andromeda instead.
One of the most contentious things about Hearthstone’s main competition in the CCG space is its art. Shadowverse is primarily a mobile-optimized CCG that originated in Japan and closely follows typical Japanese gaming conventions style-wise. And while it may seem silly for the art of a card game to be a factor into its overall gameplay feel… let’s just say that it matters in Shadowverse’s case.
By the way, this post is probably NSFW – due solely to me posting Shadowverse cards.
While I am padding space for the NSFW warning, I also want to stress that I actually really enjoy anime aesthetic, generally. As you might have noticed in the sidebar to the right, I have a link to a MyAnimeList detailing pretty much every anime I have seen. Some of them are more graphic than others, but even the more tame ones typically have “hot springs” or beach interludes featuring rampant fanservice. This sort of thing does not turn me off (or on), but I do recognize that it limits the possible appeal of these shows.
On the other hand, sometimes (anime) fanservice is a reason to start or continue playing a game at all. There are undoubtedly individuals who choose Shadowverse for precisely that reason. And if so, good for them.
The real question then becomes the interval and degree of fanservice you are willing to accept. Luckily for you, I have some numbers: 62% of currently available Shadowverse cards are perfectly fine. This of course means that over one third of the remaining Shadowverse cards are either borderline or outright lewd. And, in fact, a full 26% of cards are total fanservice.
These numbers are fairly exact because I looked at all 624 pieces of Shadowverse artwork. Well, technically there are more than that, because each creature in Shadowverse has one normal and one Evolved state. Regardless, I went and looked at every card in Shadowverse and made a corresponding entry in this Google Drive sheet. Art is subjective though, so let me walk you through my thought process.
First, Normal cards are Normal. In fact, some of them are quite amazing:
I want to stress that Shadowverse isn’t just about anime. There are absolutely some cards in there that follow the sort of grand Magic: the Gathering style. The variety of art styles is decently impressive. Well… for at least two thirds anyway.
The second category are the borderline cards. I considered something borderline if it featured technically unnecessary cleavage/upper thigh but otherwise fit with the theme of the card. Or if the clothing was fine, but the pose deliberately sexual (which happens a lot). Some examples:
Some of the cards that were borderline borderline, are cards like Vampiric Kiss, Elf Prophetess, and Desert Rider. In those cases though, the angles and focus points appear both reasonable and in reasonable taste. With those, I erred on the side of Normal.
Others like Serpent Force might might be debatably lewd – the bare legs, the dragon tail coming through the crotch, etc.
At the same time, I didn’t get the impression that it was being deliberately sexual. Which might sound odd given how “phallic object coming through the crotch” is pretty classically sexual, but we really haven’t gotten to the actually overt lewd section yet.
If you want overtly lewd, Shadowverse has you covered. Or uncovered, as the case may be:
Among the lewd cards, some stand out on an egregious tier all their own. These I have marked with an entry in the Max column. Examples of those are:
While some of those may technically make artistic sense – Beast Dominator might be taking its theme a bit too on the
toe nose, for example, but it at least has a theme – many of them do not. Could you guess what Arcane Enlightenment does based on its art? It draws cards. Actually, it draws more cards the more spells you cast while it is in your hand. What that has to do with a dress made of belts, I have no idea.
And honestly, that’s one of my biggest problems with a lot of these cards. Yeah, I get it – a card called Succubus is probably going to “sexy.” In fact, it might be easy to give Bloodcraft in general a pass considering that class is all about vampires and demons and such. Overall, 45.68% of Bloodcraft cards are borderline or lewd, so that’s one hell of a pass, but whatever.
The problem is that Runecraft is also 45.68% borderline+. Why is Multipart Experiment and Fiery Embrace in competition with Succubus?
“What’s the big deal?” “Who cares?” A reasonable enough question. I personally care for two reasons. First, unless you are trying to take an ideological stance on a venture, it matters what kind of headwinds said venture might run into. Shadowverse has already grown into the #2 mobile CCG on the market, so it is probably fine over the long term. That said, the above cards limits the appeal of the game, period. Perhaps there are enough hentai whales out there to make up for it, but it is a strictly unnecessary risk nevertheless.
Second? I find the game kinda embarrassing to play. I am not offended by the titillation, but I still wouldn’t actually want people to walk by and see that shit up on my screen. There is something to be said about how videogames and anime in general only became normalized by the people willing to subject themselves to derision by admitting they partake in it. Still, Shadowverse as it is, is not the hill I’m willing to die on.
If you want to defend cards like Shrine Knight Maiden, go ahead. The newer sets might have fewer extreme examples, but the most recent Bahamut set still has Sadistic Night, Luxhorn Sarissa, Necroassassin, and so on. I think it is safe to say that this type of art is part of the Shadowverse aesthetic now and going forward.
As for Shadowverse gameplay, that will need to be saved for another post.
My early impressions of Divinity: Original Sin (D:OS) is that this is the funnest tactical game I’ve played in years… in those few moments the game allows me to play. And I don’t mean that the game is crashing or anything – it’s just a few battles interspersed with long periods of fetch quests/running around town. Which is a real shame, because the combat is amazing.
Right from the start, I knew the D:OS battle system was for me, as it seemed to blend a whole bunch of mechanics from my favorite games. First, it’s character turn-based with a prominent display of upcoming turns, which reminded me of Final Fantasy Tactics or even FFX. Second, it uses Action Points just like with the old-school Fallout games. Third, speaking of Fallout, the movement system is non-grid based, as with Fallout Tactics. Finally, unused AP from the end of your turn is carried over to the next, providing additional tactical considerations.
What really takes the cake though, are the relatively novel innovations. For example, right from character creation I was able to learn the Teleport ability. Now, this is an offensive teleport whereby you drop someone (or something) from 20 ft in the air, but the sheer number of uses is extraordinary. In the beginning town, there was a joke about how a rope was preventing my character from reaching a treasure chest. Teleport it over to my area. Spellcaster hiding behind melee? Teleport him in front of your own. Considering how a main component of D:OS are environmental combos – shooting a lightning bolt into the water to electrify everyone standing inside – it is extremely convenient to be able to place people where you want them.
The other thing I appreciate? Spells have cooldowns. This prevents spellcasting from being too OP in combat itself (e.g. Teleport), while still giving you amusing out-of-combat options – aforementioned Teleport, casting a Rain spell on a boat on fire, etc. While this does affect game balance quite a bit in the sense that healing spells are effectively infinite, the sort of D&D/Baldur’s Gate style of resource management just means you can’t do fun things.
While I am enjoying my time thus far, D:OS does have some annoying design decisions. Inventory management is a righteous pain in the ass. The designers were very generous in the inventory slot department, for example, but they also went the Skyrim route of having nearly everything lootable, e.g. dishes, soap, individual gold pieces, etc. That’s on top of the baffling decision to make it so that inventory isn’t combined when selling things. Start a trade and realize you dumped the expensive goods on your mule partner? Can’t switch characters during a trade. Ooooookay… let me just manually shuffle items around and get right back into the dialog later.
As I mentioned, the pacing is weird too. There is a tutorial of sorts with enemies and traps and treasure. And then you are just kinda dumped into a city to investigate a homicide. The Witcher series has this exactly same issue, actually, but Witcher’s combat was awful so I enjoyed not having to slot through the nonsense. With D:OS, I’m hoping for fights.
In any case, this is fairly early on in the game, so I’m hopeful that things improve from here.