It’s interesting to think about how much life can change. Four years ago, I would have been living up this coronavirus shelter-in-place self-isolation. MMOs for days! Even two years ago would have been good, just chillin’ with my then-fiancee.
Pandemics are a bit different with a baby, though.
This coming week, the daycares are shutting down in my area. My wife has been working from home for the last few weeks, and I will be joining her shortly. Technically I am “essential personnel” but we worked out a rotating skeleton crew schedule at my job. I took the first shift to support the rollout of nearly a hundred mobility solutions for other essential personnel to work from home. By the end of the week, I’ll be working from home as well for the next 3-4 weeks before my on-site shift comes back around. And so on, until… whenever. Through the entirety of April, at least.
Good luck and stay safe, everyone.
The topic of purposeful obtuseness in game design is tricky. Limitations can actually spark creativity, whereas definitive answers typically cannot. But sometimes I think game designers try to be more “clever” than they should.
The most recent example I have experienced is in playing Factorio. There are Conveyor Belts, which move items along them. Each Conveyor Belt tile actually has two tracks: Left and Right. There are robotic arms which can transfer items from wherever and place them on the Conveyor Belt. These same robotic arms can pull items off the Conveyor Belt from either track. However, the robotic arm will only set items onto the Conveyor Belt on the far side.
My question: why? No, seriously, why the fuck can’t we choose which side to set things on?
There are convoluted “solutions” out there for methods on how to move all items from, say, the Left track to the Right track. There are also solutions on how to construct paths such that a multi-track line is then later split off. None of these solutions involve, you know, telling robotic arms to place items on specific tracks. Maybe there is some huge programming reason why each robotic arm cannot be told to place on one track versus another. But you could certainly add a “near-side robotic arm” machine to the game and call it a day.
Or perhaps the devs are being obtuse on purpose.
Oxygen Not Included is not immune to shenanigans. There is a Tepidizer in the game that you can use to heat up water. There is an limit to how hot it can get the water though, presumably because it would be too easy to create Steam systems otherwise. So the solution is to create an Aquatuner – a machine that cools down liquid and heats up itself – and then have the extremely hot Aquatuner boil water into Steam, which then will cool down the Aquatuner in the process. It’s “clever” and involves more steps/physics than simply heating up water via Tepidizer but it’s arbitrary as hell.
Drawing that line would be difficult indeed. But I do think there is a noticeable line somewhere. People have done some ludicrous, literal programming in Minecraft using the Redstone switches and such. That programming would be a lot easier with blocks that automatically did X or whatever. The difference, I think, is that the Redstone system is “simple.” It has the basest of building blocks. In Oxygen Not Included you already have the Tepidizer. In Factorio you already have robotic arms that place items on the far side of Conveyor Belts but are capable of grabbing items from both sides. No one can say Notch or whomever didn’t add something to the Redstone system to limit it on purpose.
Incidentally, other examples of purposeful obtuseness is when a game will feature crosshairs for everything other than weapons in which it would be OP. For example, the bow in Kingdom Come: Deliverance. An arrow to the face pretty much kills anyone but the balancing mechanism is apparently taking away the crosshair so you have to learn the trajectory by muscle memory. Or download a mod. Or dangle a piece of string down your computer monitor. Balanced!
So maybe the line is artificial limitations. I’m willing to accept no bow crosshairs if there were no crosshairs for anything else in the game. Similarly, I’d accept no easy Steam generators if the Tepidizer (or Aquatuner) didn’t exist. And finally, I’d accept lack of granularity with robotic arms and Conveyor Belts in Factorio if robotic arms could only retrieve items from the far side of the belt.
But they don’t, so I don’t.
I was gifted Factorio from one of my friends whom I had gifted Rimworld. We’re cruel like that. Given how much I enjoyed Rimworld and Oxygen Not Included and other resource-collecting/crafting games, it seems like Factorio should be right up my alley.
For some reason though… it’s not.
I am in the very early stages of the game. The tutorial, in fact. And while I very much enjoy crafting/survival-esque games and colony management games, Factorio is neither. It is an automating and stand-around-waiting game. You directly control an engineer and initially collect resources 1 at a time until you build machines that can do it for you automatically.
For example, you discover an iron ore field. You can mine it yourself, one nugget at a time, until you can build a Stone Furnace to smelt the ore into an Iron Plate. Use those Iron Plates to build a Burner Drill, which will automatically mine whatever you set it on top of, e.g. iron ore. Then you build conveyor belts so the iron ore can fall out of the Drill and be moved elsewhere, where you build robotic arms that can place iron ore into Stone Furnaces and more robotic arms to place the Iron Plates directly into a storage box. Or onto other conveyor belts to move it to Assemblers which can convert them to Iron Gears, which are necessary to produce the next dozen things down the tech tree. You will also need a similar setup to mine/process copper, stone, and coal to power everything.
In principle, this is the same sort of thing you’re doing in Oxygen Not Included. But that game… is fun. I’m not sure what Factorio is yet.
There’s a rather annoying part of the tutorial in which you are specifically tasked with creating 50 gun magazines per minute while also consuming 12 technology per minute. I get that the point of the exercise is to push the player into understanding you can build a dozen Lab buildings to accelerate research, and same with the mass-production of magazines (to feed turrets to fend off hostile wildlife). That said, I was the closest to quiting the game outright at that moment. All prior tutorial steps were “build X, which takes a half dozen steps,” which was fine. The magazine/tech thing was arbitrary though, and I was a little worried I would run out of technology to research before I successfully built enough Labs. Nevermind how many extraneous magazines were crafted as I trialed-and-errored my way to figuring out how to achieve that, again, arbitrary rate.
At this point, I may abandon the tutorial altogether and give the “real” game a try. Not having any express goals is not something I typically enjoy in gaming generally, but is not something that bothered me in Rimworld or Oxygen Not Included.
We’ll see if I have the same sort of success (read: fun) in Factorio.
It has actually been a while since I first started playing Kingdom Come: Deliverance (KC:D), but in that time I have put in around 50 hours. I am not certain that I will put in any more time to complete the game, but figured I would go ahead and dedicate some virtual real estate to my experience.
In short, KC:D is for a very specific type of player. And I’m not it.
There are a lot of things to like about the game. Visually stunning. Novel setting and premise, insofar as it’s a no-magic, no-hero medieval adventure. Immersive without needing quotes – first-person perspective in which you can see your feet, helmets getting in the way, walking (or riding) through the muck and rain. Arbitrarily hardcore, even at the expense of fun… which some people enjoy.
Again, I’m not one of them. Or maybe I can be, but not entirely this particular flavor.
The best example is with the combat. You have probably encountered dozens of variations of “you start out as an illiterate blacksmith’s son with no combat experience, OF COURSE combat is hard at first!” I mean, yes and no. Yes in that you start off as a level 1 character with literally no skills or points to put them in until you get XP. No in that the combat system is still trash at max level, as you typically just perform the same moves you have been doing the whole time, except this time you have enough skill points for shit to matter. That’s about as realistic as World of Warcraft or literally any RPG ever made. Except here you are still stuck stabbing faces (lest you be unbeatably countered) while waiting for your opponents to attack (so you can unbeatably counter them).
Oh, and occasionally you will be surrounded by peasants and murdered because lock-on targeting jank. Which is “realistic,” I guess. About as realistic as clipping through a bush or under some stairs and attacking back with impunity.
Another vaunted feature is the whole “the world goes on without you” bit. Example: if someone asks you to meet them tomorrow at sunrise at the crossroads, they will simply go on without you if you don’t show. REALISM. Except… that doesn’t always happen. Some quests will wait for you for months, including Crossroads Boy before you talk to him. Which is handy when you unexpectedly get locked up in jail for in-game weeks after attacking sleeping bandits who were scripted to ambush you, but apparently count as innocent villagers when you pre-murder them.
Which, philosophically, well… huh. Morally though, I think I’d feel worse if the voice of god had not automatically whispered my witness-less deeds to every guard in the kingdom.
But, real talk, are you the type of player who is fine permanently failing quests you did not realize were timed? I’m not. Which means I had to do a lot of Googling on every upcoming quest to figure out when I was “allowed” to go explore the game and when I was locked on rails lest I run out the invisible clock. One of the biggest failings of the Witcher 3’s story (IMO) was a false sense of urgency with the primary quest, which made the overall impetus for action a joke. But Kingdom Come: Deliverance’s seemingly random adherence to the clock feels worse in practice.
Most RPGs do the false sense of urgency thing. But most RPGs don’t try to present themselves as some kind of immersive sim either. I don’t hold a Final Fantasy to the same sort of standard, even if the fate of the world is supposedly at stake.
At the end of all that, I still put in 50+ hours, so that’s saying something. I did not encounter TOO many bugs beyond some combat jank. I did lose probably around 4 total hours of progress to the asinine saving system, which involves you needing to manually drink some liqueur. There are mods to fix that (and other issues) but I could not be bothered to manually install them. Instead, I simply stole everything not bolted down from everyone I could to pay for my Quick Save addiction, which was still not good enough to prevent me from losing progress in dumb ways (e.g. peasant dog-piles).
If you’re looking for Skyrim 2.0, Kingdom Come: Deliverance is not it. But it’s also not the worst thing in the world. Just go into it knowing a lot of systems are obtuse on purpose, and not always because it’s good game design.
Nevertheless, sometimes the novelty of brazzeness counts for more than you think.
Kiddo got sick at daycare. Which got us sick. And then kiddo stayed sick enough that we’ve had to keep him from daycare six days and counting. So, that’s been my week.
P.S. Norovirus is no joke.
P.P.S. Seriously, hand sanitizer doesn’t kill it.
It has been a long time coming, but I have fully surrendered into post-ownership mindset.
The transition is largely semantic. Nobody “owns” a Steam game in their library and never have – just a non-transferable, revocable license… unless you lucked out and live in a sane country that allows resellable digital goods. Nevertheless, a game library was a thing that had value and meaning, you know? It was exciting seeing Steam sales and bargain hunting so you could accumulate stuff.
At least that is what it felt like.
The final, frictionless step was seeing Final Fantasy XV appearing on the Xbox Game Pass. I was already a bit crestfallen seeing how Kingdom Come: Deliverance was on the Epic Store free-game docket, but FF15 just flipped the metaphysical lights off. It’s not that I felt like a chump for spending $12 on the Humble Bundle that included Kingdom Come or, well, however the hell I acquired FF15. It just became increasingly obvious that I don’t need to do anything anymore. Games just happen.
I beat The Outer Worlds on the Game Pass, and I will never play that game again. I also beat Children of Morta, and I will never play that game again either. I just started on Metro: Exodus, and it’s possible I don’t even bother getting through the tutorial. Why force myself to? The game cost nothing other than download time. Compare that to Outward, the first game I purchased in the Epic Store, and how getting my $5.99 refund request denied made me very salty (bought during the Winter sale and first played much later than 14 day limit).
It’s rote to say Netflix obliterated any desire of mine to own physical movie DVDs. And not even really all that accurate – it was Netflix and Hulu and HBO Go and Disney+ that obliterated all desire. Your favorite movie might have fallen off one service, but likely landed on another. Or perhaps the sheer number of choices, which would keep you busier than any free time you had available, simply made the concept of “favorite” meaningless. Who is rewatching movies anyway?
I will, of course, still be purchasing games on occasion. Probably. Final Fantasy 7 Remake isn’t going to just show up Day 1 on PS+ or wherever. Probably. But what I’m getting at is that if my Steam library just up and vanished – which is entirely possible, and unable to be appealed – I don’t know if I would be mad. Or even really notice. The last time I played something on Steam was December 8th. And damn near everything I would play is already on the Game Pass.
As I wrap up Children of Morta, I can reflect that it has consistently demonstrated excellent game design. That is the case even when I don’t necessary enjoy the gameplay of some of the characters. For example, Kevin is a rogue-ish character that uses daggers with ever-increasing attack speed and has a lot of dodging ability. Those two elements are at odds with each other, especially when you encounter enemies who don’t get “stunlocked” by his attacks. That said, some people might like the challenge of that back-and-forth playstyle, and there are some levels in which that fast attack will stunlock every relevant enemy.
The one area in which the game stumbles a bit though? The final boss fight.
I’m not going to go into the details of the fight, just the setup. Which is… spawn in, get three random items, fight boss. None of the boss fights leading up to this point have been so straight-forward. Which is nice on the one hand, because it avoids the frustration of going through three floors of monsters only to die and have to re-clear. On the other hand, it obsoletes nearly a half-dozen or so upgrade paths that you may have spent money on AND prevents you from potentially getting some nice single-run buffs.
This could technically be good roundabout design, insofar as it encourages you to farm gold and XP in other dungeons so you can purchase those last few upgrades to damage (etc) you might have skimped out on. If you are great with reflexes and pattern recognition, go beat the final boss; everyone else can make the fight progressively easier by farming.
Given how many other games completely change all the rules for the final boss fight, I’m inclined to give Children of Morta a pass on this one. I have died a few times already without making much progress through the phases, so I am a tad salty about the change-up. And given how close to the end I am, the thought of farming isn’t exactly appealing. But this final bit is the capstone of a very enjoyable game otherwise, so yeah, I will play along.
[Fake Edit]: I ended up beating the game last night.
After completing the “meaty” Outer Worlds, I decided I wanted to play something lighter via the Xbox Game Pass. The first thing that caught my eye was Children of Morta. And somehow, I have been playing it in longer sessions than I ever did with Outer Worlds.
Fundamentally, Children of Morta (CoM) is an indie Diablo-esque roguelite. Well, that might be over-selling it a bit much. Perhaps an isometric Rogue Legacy? You basically run around procedurally-generated levels and kill monsters, leveling up and collecting gold you use to purchase upgrades for the entire Bergson family. There are no permanent equipment drops or anything, just random relics and runes and other temporary, just-this-run type of augmentations.
Having said that, there are a lot of design decisions that enhance and smooth the gameplay loops.
For one thing, death is not permanent. This is not Rogue Legacy where you end up having totally new family members taking over. While you do lose the progress you made in the dungeon itself, the dungeon is only 3 stages long (with a boss fight). The gold you collect is permanent and accumulates, which means that even several brief failures might allow you to purchase an upgrade or two to HP, Damage, or any of the other characteristics.
That less-harsh roguelite theme continues in other areas as well. For example, you can collect a separate, temporary currency during runs that allow you to purchase various (single-run) Relics and such from a merchant, if he happens to spawn. Or you can use this same currency to open chests that contain mostly gold. I can easily imagine “clever” designers making the player choose between using gold for permanent, generic upgrades versus spending gold in-dungeon for temporary buffs to potentially get an edge against an upcoming boss. Luckily, that is not case here.
Another welcome design is how the story sort of moves forward regardless of success or failure. During any particular run, there can be a bonus room with a snippet of lore or a short quest that otherwise results in a cutscene back outside the dungeon. While there are limits to how far the story will go before a particular boss dies, it was incredibly welcome to know that a particularly embarrassing run would not result in a total walk of shame.
I have not completed the game yet, but I have unlocked all the playable characters and am working on the second area of three known ones. Each of the characters plays very different than the others, but a few are more unbalanced than others. Oh, but did I mention that as you level up specific characters they automatically unlock bonuses that apply to the whole family? This design element ensures that you spend time changing up your play style instead of sticking with just one person all the way to the end. Well, that and the fact that Fatigue can build up the longer you play just one character. But the former design element softens the blow of the latter.
Overall, I am very much enjoying the experience.
When I started playing The Outer Worlds back in December, I was not impressed. Having just completed the game yesterday, I can report that the game did not particularly redeem itself.
To be clear, the game may have been rigged from the start, so to speak. This was Obsidian, makers of Fallout: New Vegas! With a brand new IP! Like some kind of Mass Effect x Fallout space western! Except it wasn’t. At all. Like not even remotely close.
Was that Obsidian’s fault? Probably not, but they suffer the consequences of the hype just the same.
Regardless, the game did not improve. I was playing on Hard difficulty and the combat was just a mess from start to finish. Companion AI is tough to get right in any game, but here they are glorified abilities that you press once per combat, as they typically die immediately after they use them. Exploration was pointless, rewarding trash consumables or weapon mods you never have need of using. The whole Tinker/Upgrade system for level-based gear starts out as a promising way of keeping unique weapons (etc) relevant, but the escalating cost of doing so spirals out of control. When it’s easier and cheaper to just buy guns from a vending machine rather than try to upgrade the super-special gear you spent time exploring/questing for, you know things have fallen off the rails.
Quest-wise, things did not improve either. If you treat the game overall as a comedy, things might play out better from a tone perspective. And indeed there is some witty dialog to be had. Aside from that though, there was precisely one moment towards the end of the game in which I was surprised at the visual impact of a particular decision. Arguably though, it was surprising precisely because nothing else was ever taken seriously.
Overall… well, I was going to suggest to give this game a pass, but I myself played it for a whole dollar via the Game Pass, so… do what you want. If you get past the first planet and aren’t feeling it though, don’t feel bad about moving on. It’s not going to scratch a Fallout itch, a Mass Effect itch, a BioShock itch, or any itch beyond a bizarre one for BBB Unreal engine comedy games.
And if you have one of those, you might want to see a dermatologist instead.
Word on the streets is that PS4-exclusive Horizon: Zero Dawn is coming to PC this year.
Will it release for $9.99 or less, as it was priced this recent holiday season? Probably not. Will it be just a slap-dash port locked at 30 fps or some nonsense? Possibly. But the big deal here is that Sony is taking its first steps towards releasing first-party games on another system. As someone who was prepared to buy a PS4 just to play 3-4 games, this is good news to me.
It does make you think about the future though. Nintendo is pretty much the last reasonable hold-out when it comes to the console wars, always coming up with some proprietary zaniness for their hardware and making everyone pay full MSRP because they can. The Apple of the console world, if you will.
Indeed, everyone originally thought that this console-to-PC shift was a natural result of consoles basically more and more becoming little PCs with custom cases. But in the final analysis, it is probably more due to the mobile market drinking everyone’s milkshake than anything else. Mobile gaming was 45% of the entire gaming market in 2019. While that doesn’t necessarily mean that less money was spent in the console world, it does mean that the opportunity cost for keeping your bestselling titles silo’d away is higher. I mean, it was always there, with the hope being that it pushed some hardware sales along the way.
Honestly though? These days I am thinking mighty long and hard on whether a $300+ console is going to be a better purchase than a $300 phone. The latter is something I use for hours every single day, even when I don’t find the time to boot up the PC, much less a third gaming device.