When you look at the general gaming zeitgeist, it’s clear that it goes through distinct ages.
- Battle Royale
- Open world
We are currently in an age of survival. Not literally (OK, also literally), but of survival games. Which is good news to me as it is clearly one of my favorite genres, but even I have been surprised at the recent volume and game companies involved. Let’s take a look of what’s coming up according to PC Gamer.
Retreat to Enen (Aug 2022) is about becoming one with nature rather than chopping down all the trees. Forever Skies (Early Access late 2022) is survival and exploration in a blimp base above the ruins of Earth. I Am Future (2022) is another sort of “skyscrapers above the mist” setting but is supposedly more jolly in perhaps a My Time at Portia sort of way. Above Snakes (2023) is isometric survival with Native Americans in which you place down your own tiles to explore. Derelicts (TBA) is a 1-man developed survival game that looks like Satisfactory with actual survival elements. Sons of the Forest (Oct 2022) is a sequel to The Forest, ’nuff said. Nightingale (Early Access late 2022) is described as “Victorian gaslamp fantasy” and certainly looks cool, although it strikes me as less survival and more adventure/story progression.
That article was focusing on new survivals games that weren’t “chop wood, mine ore, repeat” though.
In the pipeline is an open-world Terminator survival game. Ubisoft is making Skull & Bones, which is Assassin’s Creed: Black Flag + survival. Wild West Dynasty is the next game from the publisher of Medieval Dynasty. Jagex is working on an open-world survival game based on RuneScape. ARK 2 is coming, featuring in-game Vin Diesel. My Time at Sandrock is a thing.
What kind of inspired the post though, was Square Enix announcing Harvestella, a “life sim farming game.” I know that farming sims aren’t technically survival games, but it’s kind of a wolf vs dog situation.
[Edit] I cannot believe I forgot the other example: Blizzard’s unnamed survival game.
The thing that I am discovering about myself through all this is that my tastes and predilections have not shifted much. That in of itself is not an epiphany, of course. But 11 years ago I wrote a post about Bean Counting and how I recognized that as the sort of root of fun I dig at in every game I play. For a long time, MMOs satisfied that desire. And regular RPGs like the Witcher, and several F2P games, and Open World games, and so on.
With Survival (and farming) games, I feel I have come to perhaps the purest Form of Bean Counting.
Of course, Novelty is also important… otherwise I would be playing Minecraft and calling it a day. And so I feel it rather fortuitous that I happen to be living through this age, and its embarrassment of survival riches. If you don’t like punching trees or watering plants, well, I’m sorry. I’ll just have to horde crafting supplies enough for the both of us.
I’ve been playing some games. Let’s talk about it.
Subnautica: Below Zero
My experiences thus far can be summed up by this meme:
There is an interesting philosophical debate as to whether Below Zero is a DLC or a sequel, but I think the truth is that it’s neither: it’s a map pack. Almost everything is literally the same: same drop pod, same resources, same recipes, same fish, same upgrades, same base building components, same progression. The moment I stepped out of the drop pod (it is a short walk from opening scene), I said “OK, time to make a scanner and build a Sea Glide.” I didn’t know there was a Sea Glide in this game, but I knew. The last time I touched the original game was 2018, by the way.
The bigger marine fauna is different… sorta. You won’t see any Sand Sharks or Stalkers or Bonesharks. Instead, you have the Brute Shark and Cryptosuchus and another bitey creature you swim away from, because who cares? They all make the same scary-at-first roaring noises as they try to take an easily-ignored percentage of your HP bite. Things are so bad in this department that I didn’t even realize I had encountered the Reaper of Below Zero – named Chelicerate, which totally rolls off the tongue – until I got into a special “totally being eaten whole right now” sequence. Then I said “huh, okay” and swam away because nothing one-shots you from full HP.
So what I’m saying is that the novelty is 100% gone for me. There’s a new story and perhaps some additional lore and new set pieces and such. But what I am finding is that it’s not good enough to justify the short-comings inherent to the Subnautica formula.
For example, new items are unlocked via scanning (3) pieces on the ocean floor. Ostensibly, this is to encourage and reward exploration. The problem is that navigating a 3D underwater environment in 30-40 second increments with hostile creatures and no map is difficult. More difficult still is knowing something is there in the first place. You might be in an area with pieces of an item you already unlocked, and not realize there was a second disassembled item available. Or maybe you found 1 of 3 pieces and now for the life of you can’t remember the area where you found that. And maybe that one piece was part of the Ultra-High Capacity Oxygen Tank, which would double the amount of time you can further explore. And so every minute you play the game not having found the remaining pieces you remember how much more restricted you are exploring anything else for not having it.
“Look it up, then.” I did. Then I saw the rest of the game automatically play out in my mind.
I may ultimately go back and finish Below Zero, but it will be with the reluctance one has in going through the motions of inevitable victory in a Civilization game. In my search for the other Oxygen Tank pieces, I ended up landing on basically every other major location/story node and seeing 80% of what they offered. Part of the whole appeal of discovery is doing whatever you want, but what I want is to not drive around the map in a slow-ass Sea Truck back to the same areas I was blocked from accessing the rest of, due to some item I hadn’t scanned yet.
Which included the Habitat Builder, by the way. You know, the thing that allows you to build a base and utilize 90% of the tech you scan? It was apparently sitting right on a box next to everything else I scanned, but I missed it somehow and had to look that shit up too. I understand that there are a lot of people who don’t like hand-holding or arrows over objectives, but the Habitat Builder is a huge chunk of the appeal of the game. I don’t think anything is improved by allowing that to be missed.
And that kinda sums it up: Below Zero improves nothing on the original.
Novelty is a finite resource. The best we can hope for in a game is that it ends before the novelty wears off. Too soon and the game feels like it missed its full potential (which it literal did). Too late, and well… we feel relief when the credits finally roll. Assuming we can bring ourselves to crawl across the finish line at all.
As mentioned previously, I have been playing Hollow Knight. It’s a decently fun game (with some reservations) with amazing music and visuals. It also has an almost tangible sense of novelty that you can feel slipping by, as sand through your fingers. Unfortunately, the last third of the game is the “gritty fingers” part of the experience.
Metroidvanias have a delicate balancing act. The hallmarks of the genre are exploration, boss fights, character progression, and backtracking. Specifically, you explore new areas, fight new bosses, unlock new powers and/or movement abilities, and then go back to previously unreachable areas to unlock new zones. Repeat until done.
The problem is when either the new zone or new power steps become exhausted and the game just continues on. This is what happens in the Hollow Knight. The base game “ended” around hour 15 but it took an additional 10 hours to finish.
Now, technically I unlocked the ability to fight the end boss and achieve an ending before the map and/or powers were totally completed. The issue is that this would have been a Bad Ending, and who the hell wants that? So I continued on, capping my movement abilities, and essentially farming harder versions of bosses I already fought for a currency to unlock the Real Ending(s). And there were technically new areas to explore too… but they weren’t the same.
A lot of games work this way, but the latter half of Hollow Knight basically transforms from what it originally was… into Super Meat Boy/Dark Souls. The White Palace area straight-up abandons any pretext of grounded world-building and populates halls with floating buzzsaws and thrusting spears. I was fine with the platforming aspects earlier in the game, because the thorns and spikes made in-universe sense. But what lumber were these subterranean bugs cutting in the stone palace, exactly?
Why are we going to such extremes to begin with? Bosses and puzzles getting harder over time is Game Design 101. But at a certain point, an ever-higher ceiling turns your living room into an auditorium into a cathedral. The entire purpose of the room changes. In an MMO, the transition is necessary as you move from the solitary leveling game into a daily/weekly set of multiplayer chores in order to keep players subscribed. Single-player games have no such need. It’s certainly disappointing when the final boss is weaker than a prior boss – be it due to greater player skill or character power – but I’m not sure erring on the side of absurdity is much better.
I did end up defeating the “true boss” in the base game a few days ago. It was an incredibly frustrating experience, because each time you fail, you have to defeat the “fake boss” all over again just to get another shot. Rather than satisfaction at finally completing a difficult task, all I felt was relief that my toil was finally over.
Those who enjoy the Super Meat Boy/Dark Souls experience will likely be happy with endgame content, and happier still with all the extended DLC that supposedly ups the ante even further. Anyone else who fell in love with Hollow Knight’s first 15 hours of gameplay, on the other hand, can presumably go fuck themselves.
I was browsing my game library yesterday, desperately looking for something that could grab my interest, and it occurred to me just how much of it is filled with unfinished games. Not “unfinished” in the sense of my not completing them – there are plenty of those too – but rather them being literally unfinished by the developers:
- The Long Dark
- Dirty Bomb
- The Forest
Those are just the ones that came to mind. Some of those are in a more finished state than others, of course. What especially irks me about this scenario though is how badly I want to be playing most/all of these titles… but know I shouldn’t.
For example, I did break down the other day and start playing Starbound. I had an itch for collecting and counting proverbial beans, and it seemed especially suited to that task. The game even looks mostly finished. But it’s not. Or at least the game is paced bizarrely enough that I hope that it is unfinished, because I was about done in 20 hours whereas Terraria held my attention for 50. Even when I decided to settle in with the more freeform nesting gameplay, I realized that most of the blocks/tilesets I wanted to use were random drops rather than craftable items.
Is that intended? I don’t know. I don’t know if even the designers know.
And now, even if the devs end up finishing Starbound, I will have already consumed the lion’s share of the game’s novelty – that ever-finite motivational resource. No more character wipes? Then I’m already at endgame. Character wipes? I already know where to go, what to look for, how to overcome the obstacles, and basically speed my way through normal progression. Assuming I can be bothered to do so a second time.
“Play something else.” I tried, man, I tried. When you get the urge to play something in particular, trying to play anything else just feels worse. It’s like taking a big swig of what you thought was water, but it ended up being Sprite. They both might quench your thirst in the abstract, but in that particular moment you will be choking and sputtering.
So my PSX problems from the other day were mostly solved by stumbling across an emulator website that specifically had a PSX-2-PSP section that already did the heavy lifting for you in terms of format conversion. From there, I simply had to choose any of their 1301 offerings
on sale to download.
And therein lies the rub: what would I actually play?
This September, I will be 31-years old. Holy shit, right? I grew up on the crest of the videogame revolution and rode it rather thoroughly until the end of the PS2. I was there to play games like A Link to the Past and Chrono Trigger and FF6 and Super Metroid while they were current. I still remember, with perfect clarity, unwrapping the Playstation for Christmas and popping in FF7 for the first time. When Tifa and Barret appeared onscreen together in the 7th Heaven Bar, my father walked by and quipped “Wow, that’s pretty progressive of them to include interracial dating.” This was in 1997, mind you. After that, I made sure to never play RPGs when other people were around.
Point being, the original Playstation era was one of unparallelled nostalgia for me. These were prime gaming years in my prime (14-17 years old). I still remember the shivers I felt when watching the promo video for Xenogears that was included in the packaging for Parasite Eve. In fact, I just spent 30 minutes trying to find that video, and I felt those same shivers sixteen years later.
Nevertheless, I sat looking at the PSX game list for a good ten minutes without selecting anything. Believe me, I understand the intoxicating effects of nostalgia and the risk one takes in replaying old games generally; not only is the game unlikely to hold up, you risk souring your memories by subjecting yourself to downright primitive graphics and design. But all of that was not actually my concern. My concern was: I still remember all these games.
For example, I was looking pretty intensely at SaGa Frontier 2 for a bit, as I remember it being a fun game with a beautiful art direction. But… I still remember the strategies I used to defeat the game, the places where I got stuck, and the end result of the progression. I’m pretty sure I remember crafting a pistol that shot rockets in Parasite Eve – and that awful final boss encounter. I have talked about Novelty being the essence of fun before, and my particular problem is that the intervening decades have not diminished my memory of the experience of these games. “Something something riding bikes,” in other words.
There were some exceptions in the list. I let out an audible squeal when I saw Tactics Ogre. That and Final Fantasy Tactics seemed perfect for this little PSP experiment of mine, as they remain games I still somehow consider fun despite knowing everything about their systems. Maybe it is because a tactical game has many more possible permutations than your average RPG battle system? I felt no hesitation with Xenogears either, nor Castlevania: Symphony of the Night, although I’m going to hold off on FF7 until I play it via Steam.
For the rest of the list, I think what I’ll end up doing is actually picking titles I haven’t played. Enough people have talked about Legend of Dragoon to overcome my memories of renting the game and setting it down 15 minutes later. Suikoden 2 has been hyped beyond all reason, so that’s another easy one to test. Beyond that though? I dunno. I would solicit answers from you, dear readers, but I fear it would just be a bunch of “already played that” replies.
So allow me to turn the tables a bit: what PSX games would you actually play? Is there a title you would like to play again, or perhaps one you’d like to check off your bucket list? Would you even play any at all?
[Fake Edit]: The PSX-2-PSP website didn’t actually solve anything; all the PSX come up as “corrupted files” even though they are fine on my computer. It’s almost enough to drive a man to legitimacy.
Rohan posted the other day that the modern MMO tendency towards making leveling alts easier runs afoul of Raph Koster’s Theory of Fun¹. “Leveling alts should be harder, not easier!” Allow me to offer an alternative Theory of Fun: it’s about Novelty, not Challenge.
While I have forwarded this thesis almost three years ago, I am more convinced than ever that the Novelty theory better explains fun than Challenge. For one thing, when was the last time you were truly challenged in a videogame? When were your abilities pushed to their maximum? Okay, now think about the last time you had fun playing a videogame. Did you ever have fun without being challenged? QED.
Part of this debate is semantic – Challenge is Novel by definition, else it would not be challenging. But Challenge does not model the demonstrated ability of players to derive fun and entertainment from picking herbs, mining copper nodes, exploring the map, fishing, and so on. Neither Skyrim nor MineCraft are particularly challenging, and yet people can sink MMO-esque amounts of time into them.
What challenge is taking place in the imagination of a child at play?
The other problem with Challenge as Fun is how clearly there is a hard limit on it. Even if you avoid crossing the line into too challenging to complete, sustained challenge can be exhausting. Which makes sense, as challenge is an exertion of effort above the median. Sustained challenge also presupposes a sort of boundless limit for self-improvement. Even if I believed that everyone could do anything if they simply put their mind to it (I don’t), it’s undeniable that one’s effort hits diminishing returns rather quickly. Is it worth 15 hours of additional practice to realize 1% gains? Maybe someone thinks so. I raided with a Hunter back in ICC whose DPS improvement was literally squeezing in one, single additional Kill Shot into an eight-minute fight. But even he would be unlikely to spend 30, 60, 90 more hours to squeeze in a second one.
Plus, you know, he did end up quitting WoW despite there being plenty of challenge left.
The way I am describing Novelty is not necessarily as “a completely unique experience.” All it has to do is simply feel new to you. The subjectivity is an important facet, just as with Challenge, and it explains how someone can still have fun picking herbs when the action itself is fairly rote and well-defined. For myself, I consider Progression to be Novel; increasing in power and effectiveness is fresh and exciting to me. I start making plans for my ever-increasing hoard of Peacebloom (etc), or imagine what I could purchase after selling it. Others could see the act-in-time to be Novel – they have never picked Felweed at this particular time and place before, and who knows if a member of the opposite faction could be lurking around the corner. Of course, there is also the people-element that can make the most mundane of tasks into cherished memories.
In the end, I might almost say that the most universal quality in fun games is Engagement. Challenge can be engaging, Novelty can be engaging. However, it is not particularly useful to suggest a game be more Engaging any more than it is useful suggesting a game be more Fun. One can certainly suggest a game be more Challenging or Novel though. I would just suggest going with the latter.
¹ I have not actually read Koster’s book, so it’s entirely possible he isn’t arguing Challenge > everything. In fact, I seem to recall it being more about learning things, which puts it more in line with my Novelty argument. Nevertheless, I don’t feel like a game has to be Challenging to be fun, and I have no idea why challenge is so fetishized in game design.
In a recent post, Tobold says:
After Everquest Next announced dynamic spawns with an ecosystem, destructible environment, and open world player housing, several people dismissed these claims as unrealistic with the argument that Ultima Online tried that and failed: Players kill mobs faster than they can reproduce, gather resources so fast that whole forests are turned into deserts, and build houses everywhere until no more flat surface is left. While that history is correct, the conclusion isn’t. As a counter-example look at Star Wars Galaxies, where open world housing clearly worked a lot better than in Ultima Online. So what is the difference, and how can a virtual world with a stable ecosystem be created without players destroying everything? The answer is simply in the size of the world, and the scale of the ecosystem.
Two paragraphs later though, he sort of undermines his own argument a bit (emphasis mine):
The Ultima Online ecosystem failed due to its small size and technical limitations of the time. But a procedurally generated world can be much bigger, even infinite. People don’t run out of world to modify in Minecraft. And if the world is big enough, you can put in enough mobs so that players can’t possibly make them extinct.
Er… if players cannot possibly make the mobs extinct, what’s the point in having an “ecosystem” in the first place?
But, never mind that. What I really wanted to talk about is the Minecraft bit. Because sometimes I get the feeling that “procedurally-generated” as a concept is being elevated as some paragon virtue of game design – a silver-bullet to boredom – when it is really nothing of the sort.
A procedurally-generated game solves exactly one problem: metagaming. That is not quite the correct word I want to use though, as you can still technically metagame a procedurally-generated world in several ways. Namely, by knowing its procedures. For example, no matter what Minecraft world is created (mods aside), diamond only spawns in layer 19 and below. Indeed, there is a whole bunch of Minecraft constants to consider (accurate circa 2010 anyway). All the Minecraft map being procedurally-generated does is prevent you from following a guide telling you to move North a hundred steps and then walk East to find a nice batch of Iron Ore near the surface. Avoiding those scenarios is certainly useful, and it’s always fun running into the truly bizarre and whimsical creations of the RNG gods.
The problem arises in treating the procedurally-generated whatever as “endless content,” when it is really not anything of the sort. As I talked about before, your knowledge of a game’s systems really only ever increases as you play; novelty has diminishing returns within the same game. Each Minecraft world generated may be completely different, but you are going to be doing the same sort of things each time: punch wood, make tools, make structure, dig for ore, etc. Different starting locations and details can spice up the gameplay for a time, but your “build order” is unlikely to change much no matter where you are.
Procedurally-generated content definitely has a place in gaming, usually in the context of roguelikes, but it will not solve any of EQN or any other MMO’s problems. Not that its application in MMOs made much sense in the first place – one of the defining characteristics of an MMO is a persistent world, which is incongruent with procedural generation. Even if it was just one world of infinite size (expanding at the edges), the amount of space surrounding objects of player interest would remain finite. And that’s assuming players would be willing to trudge out very far from their starting location in the first place.
No, just adding more space isn’t going to solve the issue. If anyone claims that an MMO’s world cannot be too big, simply point them at any given low-pop server of any game anywhere.
So once again, Gevlon accidentally makes a compelling argument in the midst of a pompous rant:
“Work ethic”, “hamstering”, “completionalism”: I don’t have a good name for this skill, but I’m completely sure it exists. The lack of it provides the lazy bum, and we all know the good feeling of “Well done!”. The ancient hunter who went out hunting when he wasn’t hungry had better chance of survival than the guy who started hunting when he was starving. The guy who felt fun from watching his pot filling up with beans had much better chances during winter than the guy who foraged just for today. We are descendants of hard working people and we inherited the genes that give the fun feeling when we see our stockpiles filling. The traditional MMO use this form of fun. […]
Now let’s analyze the glorious rise and then the shameful stagnation and fall of WoW. Vanilla WoW was a pure “hard working” game. Your progress depended on how much and how effectively you worked. There were action in the game, but due to the GCD and cast times, it demanded dexterity that vast majority of people easily had. Of course you had to understand the game, but for non-retards it wasn’t a challenge. So you could concentrate on one form of skill: “hard working”.
People completely wrongfully assume that WoW beaten EverQuest because it was “less grindy” or because it had smaller death penalty. No. It won because EverQuest had forced grouping, making the game mixed “hard working”-“social skills”. WoW was pure “hard working” until the endgame, where raid organization needed social skills which did not belong to the game. No wonder everyone referred it as “the organizational nightmare”.
As someone who still has a Light of Elune in his paladin‘s bags, I really enjoy the bean counter metaphor. It is a concept I was musing on while playing hour 37 of The Witcher. Why was I looting every house and making several trips across town to the one vendor I know will buy damn near everything in my bags? The gold is undoubtedly superfluous at this point, especially as I now how enough ingredients and in-game knowledge to steam-roll whatever is coming my way. Then I peeled one more layer down, and wondered why gaining experience points was still fun, when The Witcher is likely my 75th+ RPG. If gaining XP is fun, then why am I not just playing Xenogears forever? It was with that thought in mind that I commented a rebuttal to Gevlon:
The “shameful stagnation and fall of WoW” has nothing to do with undermining the hardworking element, which is alive and well even now; it has everything to do with the natural reduction in the novelty of the experience.
The guy having fun “watching his pot filling up with beans” will NOT have fun filling up an infinitely large pot. There has to be an end-point – the reward of a survived winter – in order for the fun of collecting beans to be realized. Those beans also meant he could relax in his tent instead of scrounging around in the snow. The guy would have less fun filling up a pot with beans as a slave, even if the survival benefit of a full pot is the same. Why? For this guy knows that, as a slave, his task is never-ending.
As Morhaime has commented, the WoW market is saturated: there are more ex-WoW players than WoW players. The people who enjoy hardworking in games have picked up WoW, enjoyed it for many winters, and are now moving on to pick beans in new fields. It has nothing to do with anything WoW has or hasn’t done. Frequent gear resets, at most, act as more frequent winters. After so many winters in one place, it is time to move on regardless of whatever other claims of quality the game has. The novelty of gathering beans fade, and slave-like, rote gathering sets in.
In any case, a WoW that was simply building on vanilla for the last seven years would still experience a “shameful stagnation and fall.” Unlike sports/chess/etc, which have the benefits of tens of thousands of years of iteration, there will always be better, more novel iterations of videogames on the horizon.