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Laika: Aged in Blood

About a month ago, I was hesitant to pick up Laika: Aged in Blood (Laika) because I was not certain whether I already had it as part of a random bundle. After a while, I decided to just go for it. And what I discovered is a extremely brutal and brutally difficult metroidvania with impressive artwork and a ridiculously great soundtrack.

They, in fact, did.

In Laika, you control the eponymous anthropomorphized coyote as she rides around the 2D post-apocalypse wasteland on a motorcycle. The game’s marketing really struck home with the “motorvania” tag, but it’s accurate. On a keyboard, W makes you drive forward, A & D will tilt you forwards or backwards, Spacebar will turn you around, and you use the mouse to aim in any direction and fire. If that sounds clunky… it is. Playing this game will require you to rewire your brain a bit. Especially considering you can only reload your guns by doing a backflip (!!). Yes, every time.

That is only the half of it though. Laika does not have a health bar because every bullet is fatal. Landing upside down is fatal. Hitting your head on a ledge is fatal. If you forget how the controls work, just pressing D for more than 2 seconds is fatal as you flip your bike over, even at a dead stop. Luckily, Laika takes a sort of Super Meat Boy/Hotline Miami approach where you respawn almost instantly… back at whatever checkpoint totem you last activated. Unfortunately, it also takes a halfway Dark Souls approach where you drop 50% of your upgrade currency in a bag at the location of your death.

With the exception of a few boss fights, I eventually just vibed with the (death) experience. Your bike will protect you from incoming shots from the bottom and there’s an extremely generous bullet-time feature. It was quite satisfying seeing myself go from timidly seeking out obvious ramps to reload my pistol after every encounter, to trying to backflip from every bump in the road, to eventually just driving into encounters with only one in the chamber knowing I would be spinning around in the air deflecting bullets and reloading automatically anyway. I would still die to dumb shit all the time, of course, but my reaction was mostly on the “haha, oh man!” side rather than frustration. Considering I died 336 times (per Steam achievements), you kinda have to.

As for the rest of the game, it’s equal parts bleak, ultra-violence and touching melancholy. Indeed, the opening sequence has Laika discovering the horrific torture and crucifixion (with his own guts) of her young daughter’s friend at the hands of Birds. And yes, you do see Poochie hanging there. Considering the rest of the game is not nearly as gory and violent – guns and blood and bodies notwithstanding – I assume the devs wanted something extra brutal at the beginning to justify Laika killing all the Birds. Which was not all that needed, IMO, as the Birds were clearly a continued menace to everyone.

Sage advice.

The final aspect I wanted to highlight is the soundtrack. Good Christ is the soundtrack fantastic. It is a lo-fi jazz-bar Western experience that perfectly fits the feeling of the game, or perhaps defines it. Even if you have no desire to play the rest of the game, I highly recommend browsing the soundtrack. The only negative is how some of these songs are collected or purchased from vendors in-game, which means after 18 hours of playing, you might be tired of the ones you heard more than others. Although I never seem to tire of The Whisper, or My Destiny, or even Bloody Sunset. There are technically “normal” non-voiced songs too, but they are more limited to certain locations, boss fights, and such.

So, yeah, that is Laika: Aged in Blood. It’s not a great game, and certainly not something I would play over again. But it joins that gnostic pantheon of games like LISA or Undertale where I am equal parts glad to have experienced it and glad it is over. Sometimes you just need the pathos.

Impression: Craft the World, pt 2

[Blaugust Day 4]

In the time since I wrote yesterday’s post (over the weekend) and today, I’ve “beat” the first campaign level and spent a total of ~18 hours in Craft the World. For the curious, you completing a campaign world involves finding the portal room, and then defeating the guardians in that and in five other rooms before reconstructing the the portal and getting out.

Across the hours, I believe I have figured out why I don’t like the game: the tech tree. Not the idea of a tech tree – which exists as a tutorial mechanism – but simply how poorly it is paced. For example, here is the beginning part:

Seriously guys?

Seriously guys?

Early on, you get the ability to craft wooden armor. Great! For that, you need rope. Which requires wool. Which requires sheep. Which might not be anywhere near your spawning location. In my first world, the sheep were all located beyond a goblin camp, which are a group of extremely tough mobs that you can’t hope to defeat without, you know, some armor. It was only later that I realized that the Portal spell you get at the beginning of the game could be used at any distance, but still.

Another example: wooden doors. One of the first “quests” you receive is to construct a shelter for your dwarves. Like most games, a shelter is only a shelter when the walls (including the background ones) are filled in, with the exception of any doors. You can make a wooden hatch pretty early on, which implies the ole Minecraft shelter approach of just digging a hole. However, your Stash is immovably placed on the surface. Thus, right from the start, you experience the uncomfortable dissonance of either A) building a shelter underground, leaving your Stash exposed, or B) crafting an incomplete shelter around your Stash and waiting possibly hours before unlocking “wooden door” technology.

What is almost worse than this clunkiness is how intentionally bad or misleading the entire scenario appears to be. Creating a Shelter requires you to place a Totem, whose description specifically says:

Creates an aura around the house that protects from monsters.

First, I have never seen it actually “scare off” the ghosts that come each night, so either that functionality doesn’t exist, or it requires the Totem to be closer to the Stockpile and not just within the Shelter, which is unintuitive. Second, for the Totem to even be closer to the Stockpile, you either need Wooden Doors or to construct a goofy system of vertical Wooden Hatches, severely slowing down your dwarves’ harvesting of trees/ground-level resources. Or maybe going even further into the Minecraft approach of boxing yourself in at night, then breaking the walls down in the morning?

Regardless, the Tech Tree is poorly designed and badly paced. I still remember getting about halfway through – which requires a ton of useless crafting – and then… suddenly, inexplicably having fun. Like a lot of fun. I was crafting Mine Carts and Elevators and using Scaffolding to reconstruct the terrible Shelter I had been enduring previously. Instead of creating useless items over and over, I was progressing naturally through the Tech Tree. Things faltered a bit more later, but by that point I still had more than enough things to do to keep me busy as I gathered more resources.

Technically speaking, the Tech Tree is only relevant in Campaign mode; if you enter the Sandbox mode, you can ignore the Tech Tree entirely. But it is one of those things that hold back the entire game with its terribleness. After beating the first Campaign world, I unlocked the next, which is an Ice World. I’ve played about 1-2 hours into that world, but everything that was bad originally is still bad now. Do I seriously want to spend another 5+ hours until I get Scaffolding? Or, you know, make heroic efforts tracking down Sheep in order to get Rope? Nope.

The bottom line here is that Craft the World is servicable if you especially like this genre of games, but only if you have already played the much better titles to death.

Unintended Main

I hit 90 last week on the paladin.

The funny thing is that the reputation concession to alts (i.e. 100% rep gains if you buy a token at Revered) has resulted in some strange behavior on my part. I still don’t like the paladin very much; I chose it as my first 90 because of other considerations, like how it was my only toon with max Archeology (mainly the BoA weapons). Combat as Retribution still feels clunky, especially if I miss with Crusader Strike. Exorcism, Judgment, Crusader Strike, then either Inquisition or Templar’s Verdict, then… wait for procs. Having a 6-second window to Flash of Light after a mob death is infinitely worse than a warrior’s intuitive and satisfying Impending Victory.

Regardless, since I am 90 though, I find myself doing all the dailies that I can. Not just because they are dailies, e.g. the sense that I fall further behind in my future, hypothetical endeavors, but also because I am already near Honored (or well into Honored) with these factions. It feels a waste to start leveling someone else up before getting the 100% rep boost. And thus I continue playing a class I no longer love, earning rewards I can’t use (Coins, Valor, Spirits of Harmony), for the possible betterment of a new main I haven’t even chosen yet.

Obviously I’m getting some form of entertainment, but it is not at the desired level.

On Sunday, I ran ~4 heroics with guildmates and walked out with 8-10 pieces of gear; I zoned in there with maybe two pieces of 450 quest blues and the rest crafted PvP gear. Ended up getting two Strength 2Hs, boots, chest, plus a smattering of tanking drops. As far as I could tell, my DPS on the runs was just shy of 40k, which I am assuming is decent.

Maybe the universe is trying to tell me something. In which case, let me tell the universe: make Retribution more fun.