Official reviews are coming in regarding Fallout 76, and almost all of them are universally bad. Like, real bad. In reading them though, it’s very clear that Bethesda did not live up to games these people invented in their head:
The collision of Fallout and multiplayer sparks all sorts of exciting ideas in my mind, most of which have to do with post-apocalyptic role-playing. What if I ran a town, hosting elections and keeping the peace? What if I opened a shop, selling exotic items to other players in a desperate bid to raise enough caps to survive the harsh wasteland? What if I worked behind a bar, serving drinks to other players, passing on gossip and words of wisdom? What if I was the head honcho of a group of raiders, ordering other players to attack camps and loot the corpses of our enemies? What if I founded my own faction, something like Caesar’s Legion from Fallout New Vegas, perhaps? What if I wanted to infiltrate a player-run faction I didn’t get on with, befriending their leader before stabbing them in the back?
Unfortunately, Fallout 76 does not facilitate any of those fantasies. What it does instead is facilitate boredom, frustration and game-breaking bugs.
Like, what the shit, Eurogamer? “Bethesda didn’t make EVE/Star Wars Galaxy mashup, 0/10 stars.”
The rest of that review is slightly less ridiculous. There are complaints about the tutorial quests that ask you to boil water and pick up bottles:
Most missions are little more than fetch quests. Go here, get the thing, bring it back, interact with a robot, job done. It’s mind-numbing in the extreme. It’s Fallout at its worst: basic, monotonous and lacking nuance.
Of course, that had me trying to reach back and remember the quests in Fallout 4, New Vegas, 3, and so on. Replace “interact with a robot” with “talk with an NPC” and… does that not describe basically everything, in any game? A lot of people post memes about how Fallout 3 was finding your daddy and Fallout 4 was about finding your son, and yet here we are lamenting about being free from such mundane burdens.
To an extent, that’s an unfair comparison. Fallout’s best stories were always side-quests, with the main narrative basically acting as a vehicle to drive you around the wasteland looking for them. While holo tapes can be poignant, they just aren’t the same when you can never affect the world.
At the same time… I don’t know that I miss any of that.
I want you to remember all the things you did in Fallout 3, New Vegas, and Fallout 4. Think about what was fun for you. Was it…
- Striking out and going wherever you wanted to go
- Exploring ruins, caves, and cities
- Collecting junk to craft gear
- Leveling up skills, getting Perks
- Shooting things in the face
- Solving moral dilemmas among various NPC groups
Hey, what do you know, Fallout 76 has five out of those six things! And arguably does those five better than any Fallout has before.
I am not trying to denigrate story and narrative here. I’m just saying that I don’t miss it in Fallout 76. In fact, the whole thing is making me question the cohesiveness of the prior games. For example, how much does the ability to strike out and roam around really improve, say, New Vegas’ narrative? Back when I played, I didn’t give two shits about finding Benny beyond the fact that I had a quest entry that wouldn’t go away otherwise. As I wrote back in 2013:
But the overarching narrative of revenge never felt personally compelling, and the coming clash between NCR and Caesar’s Legion seemed a digression. This game was Fallout when I was just wandering around, eager to scavenge what I can out of crumbling ruins I see just on the horizon. When I was the Courier just trying to make a final delivery for no particular reason? Not so much. […] I wasn’t protecting my home, my family, nor was I my own person. I was… the Courier, a stranger in familiar skin, following a past everyone knows about but me.
This is the same problem I had with Witcher 3 – the setting and the story were at complete odds at each other. Your motivation is to find Ciri before the Wild Hunt can, but oh hey, look, there are 40 hours of sidequests you can do over here first. All of which are a hundred times more interesting and immersive than the main, ostensibly racing against time one.
I appreciate the fact that you could kill just about anyone in New Vegas. Or kill next to no one. It is fairly uncommon in gaming to be able to resolve conflict in many different ways. But you don’t need the Fallout scaffolding to do that. By which I mean the wandering around, the looting abandoned buildings, the Power Armor, the Fast Travel ferrying of dozens of pipe rifles to sell to vendors for Caps to buy new shit. I was not “the Courier” when I was hunting for Wonderglue in a half-collapsed shack. I did that for gameplay reasons and because it physically felt good to do so.
So when I hear people say things like this:
To be fair what the hell is Fallout without the story and the player options/personalised quests/interesting world side of things beyond a clunky shooter.
…I feel like I’m going crazy. Open the map, walk over there, kill something along the way in an alternative-history post-apocalyptic 1950s. THAT’S FALLOUT (since 2008). You sure as shit aren’t playing New Vegas for 300+ hours for the storyline alone, son. You play it for that long because it’s fun walking around in that world, fun interacting with things, fun immersing yourself in the wasteland life.
Fallout 76 has systemic problems. The main one being the random server system, from which all other problems follow. All that glorious made-up shit Eurogamer was pining for could become a reality if there is a Moonguard-esque server that people specifically sought out and congregated on. Always-on PvP servers could also be a thing, with forced respawn areas and such. Pretty much everything is solved with servers, actually.
But all these people talking about the gunplay and the “emptiness” of the world? Clunky compared to what? New Vegas? Empty compared to what? Human NPCs with relatable human stories are fantastic, I agree. I just don’t need them to push me over the horizon and into the ruins – the hunt for Gears and Ballistic Fiber is motivation enough. There is still map to see, still ever-stronger enemies to face, and more guns to shoot them in the face with.
Fallout 76 is like when you finish (or ignore) the main story in a Fallout game but you just keep playing anyway. If you don’t do that sort of thing, then yeah, this game is not for you.
Game: Fallout: New Vegas
Recommended price: Full Price ($20)
Metacritic Score: 84
Completion Time: 70+ hours
Buy If You Like: Fallout 3, Oblivion
When I played Fallout 3, it completely revolutionized the series to me. A storied veteran of the original Fallout, Fallout 2, and Fallout Tactics, the idea of a first-person non-grid-based combat game filled me with dread. Would it feel like Fallout? Why turn this series into a FPS?
By the end of the first hour, my fears (and free time) melted away in the vast furnace of Fallout 3’s immersive, brilliant post-apocalyptic world. I had already played games like Oblivion, but it was not until Fallout 3 that I truly appreciated the depths in Bethesda games; the ability to just strike out and roam. While it lacked the brilliant storytelling of the prior games, I felt it made up for it in all the unspoken narratives of the world around you. Suffice it to say, Fallout 3 remains in my top 5 games of all time.
This is not, of course, a Fallout 3 review.
Fallout: New Vegas is a noble attempt at having it both ways: the exploration and the narrative. You start not as a fresh-faced Vault Dweller, but as a middling Courier, shot in the head in media res ala Uma Thurman in Kill Bill. And in typical narrative-driven fashion, your quest for revenge starts at Point A and leads inexorably to Point B.
This is roaming on rails, at least for the first few dozen hours, with the slightest deviation leading to certain death. Strike North from the starting city and you will face level 20 Giant Radscorpions. Stray too far West outside the plot-directed Southerly route and Super Ghouls will eat your face off. Cut through the mountains to the East and you will inexplicably face the Blind Deathclaw guarding the path, conveniently immune to the effects of even your Stealth Boy invisibility cloak.
Between the visible fences of high-level monsters and being able to see New Vegas’s Lucky 38 tower from any vantage point in the game, F:NV starts off by feeling microscopic in comparison to Fallout 3. But a curious thing happens as you finally reach the Southern reaches of I-15 and turn East. “Tutorial Mode” over, the game suddenly opens up, blooming with hidden depth and density like some desert flower. There is still the highlighted yellow-brick plot road to follow, but you can actually strike out on your own at this point with less risk of instant death. I decided to plow my way to New Vegas proper at this point, stopping only at the various locations within sight along the way.
It ended up taking me over 40 hours just to reach the gates.
Combat in F:NV is more or less identical to Fallout 3: you can still treat the entire game as a normal FPS or you can pause the action in VATS mode to specifically target enemy extremities. Weapons skew a lot more towards traditional Spaghetti Western fare as befits the motif, but classic laser/plasma guns are not too far behind.
F:NV does feature some interesting innovations compared with its predecessor, including the use of Factions with mostly independent reputations. Don’t like the New California Republic? Join Caesar’s Legion. Or vice versa. Or screw them both and embrace Mr. House’s vision of the future. Or screw him too and embrace your own brand of justice. While the burgeoning complexities of the midgame collapses into an endgame constant, fundamentally the ending is one you can choose. Classic Fallout.
Well… mostly. While all of the set pieces are in place, including many of the same (recycled) posters last seen around the D.C. area, I could not help but feel that F:NV was… missing something. Something ephemeral, something intangible. F:NV is set in the same Fallout universe with the same people and the same post-apocalyptic problems. And perhaps that is what felt off. If this were the 1990s, F:NV would have been an expansion pack to Fallout 3, not a spiritual sequel.
Don’t get me wrong, there is more than enough to do in F:NV to justify its own existence. But it felt more like Fallout 3.5 than its own game. And yet, at the same time, F:NV feels like it didn’t have to be a Fallout game at all. Sure, there are Vaults and Nuka-Cola and Super Mutants aplenty. But the overarching narrative of revenge never felt personally compelling, and the coming clash between NCR and Caesar’s Legion seemed a digression. This game was Fallout when I was just wandering around, eager to scavenge what I can out of crumbling ruins I see just on the horizon. When I was the Courier just trying to make a final delivery for no particular reason? Not so much. The Platinum Chip is not too different from the Water Chip when it comes to plot McGuffins, but it felt different just the same. I wasn’t protecting my home, my family, nor was I my own person. I was… the Courier, a stranger in familiar skin, following a past everyone knows about but me.
Ultimately, Fallout: New Vegas is not Fallout 3. For some people, that will be a relief; for others, a deficiency. But it is important to keep in mind the scale of this particular comparison. I am pulling out the microscope and judging the relative merits of Mt. Everest versus the Grand Canyon. I am quantifying and comparing the love felt for a firstborn son with that for a granddaughter. Fallout: New Vegas cannot be fairly judged by a jury of its peers because it has no peers other than Fallout 3… and possibly Skyrim/Oblivion. So while I still feel that Fallout 3 is better than Fallout: New Vegas, the latter is better than damn near every other videogame I have played. I am being so critical not because Fallout: New Vegas is a bad game, but precisely because it is so good.
There are four main pieces of DLC for Fallout: New Vegas, although at this point they will all likely be bundled with any Game of the Year copy you will buy. Briefly though, I will describe them for posterity.
Honest Hearts: Technically speaking, this was my least favorite of the DLCs. Heading into the outskirts of New Caanan, the Courier gets to interact with Burning Man, the hitherto presumed-dead former leader of Caesar’s armies. While there is a main plot concerning the story of revenge/redemption, it simply does not flow too well, in my opinion. I never really cared about the plights of the tribes or the lands they occupied.
Conversely, the sort of understated plot line of “The Father in the Cave” revealed via in-game computer archives was one of the more poignant mini-narratives I have seen in Fallout, if not in games period. If you’ve chosen to never play F:NV (and are still reading this review for some reason), go read the transcript here; it is presented in the Wiki exactly as you see it in-game, aside from actually exploring some of the locations (and seeing the traps) mentioned in the text.
Outside of that, the Hearts DLC does feature a lot more plant materials for use in homemade stimpacks, and an abundance of clean drinking water for those doing a Hardcore run.
Old World Blues: Modeled on 1950s-era space dramas, I found this DLC to be exceptionally fun and funny both. The premises push the boundaries of believability even in the Fallout universe (your brain is scooped out right at the start), but after a while it ceases to be particularly relevant as you blast giant mechanical radscorpions and other ridiculous enemies. As a sort of bonus, by the end of the DLC you essentially receive a remote mountain base with all sorts of crafting stations and other amenities that you can teleport to at any time.
Dead Money: While this DLC opens up with my least favorite gaming trope – the sort of Metroid-esque “remove all your gear” mechanic – it does sort of ratchet up the tension and make the rest of the storyline work. Collared with explosives, you are forced to try and open up a vault underneath one of the few surviving casinos outside of the New Vegas area. The limited weapon selection and deadly dust clouds skews the DLC more towards survival-horror than Fallout sidequest, but I was pleased with the plot, imagery, and ultimate payoff.
Lonesome Road: Out of the four, this DLC most fits the narrative of the game proper. I felt it a smidge too linear for my liking (although not as linear as Dead Money) and a bit too ridiculous in other places (trigger nuclear bombs to move wooden debris out of your way, what?), but out of the four this most fit the tone of Fallout games.