It’s kinda funny, looking back and seeing my original review of The Binding of Isaac being posted in November 2011. 11/11/11, in fact. Nearly six years ago is a pretty long-ass time. And yet here I am buying the re-release of a game and its expansion for another go-around. Maybe.
The truth is: I don’t know.
Ostensibly, I bought Rebirth (and Afterbirth DLC) because it was on sale and I had read all the people praising it on Reddit as being far better than the original. One person mentioned that it was simply relaxing to play. Certainly, I felt slightly similar back when I first played the game insofar as I compared it to Solitaire. Just something to play for a little bit without a sense gravity.
At the same time, I constantly found myself pausing the game and going to the Wiki. What does this Tarot card do? What the hell is this buff? Why is this room empty aside from a spike pit in the middle? These mysterious things are traditional trappings of roguelikes in general, but I feel like Isaac spends an inordinate amount of time in being obtuse. Random effects or items? Fine. Obfuscated abilities? Not fine.
It took me three runs to make it down to and defeat Mom, which resulted in about 15 achievements. Among other things, this unlocks the other half of the game (post-Mom), new items that get added to the random pool, new characters to play as, and Challenges. The latter is new to me, but is basically normal Isaac runs with some kind of penalty added on. In fact, pretty much everything I’ve seen so far is just piling on difficulty.
I’m not sure this is me anymore though. It was certainly relaxing to play in the moment… until I started pausing every other room to double-check the Wiki. I’m not going to stop doing that either, as I find blind choices fairly abhorrent. I don’t need to win every time I play a roguelike, but I’m also not going to let myself ruin an otherwise good run with some bullshit “Gotcha!” moment either.
So, yeah. Perhaps this will be my 2nd Steam refund.
I am currently playing through a rougelike called “Wasted,” and the experience has been interesting. It is an Adult Swim Game that I believe came in a Humble Monthly Bundle or something, as I don’t remember purchasing it. The premise is very non-serious – think Borderlands rougelike with permadeath – but that’s not particularly relevant. What’s relevant is the addition of the SOB Purifiers.
The general gameplay in Wasted pretty common in terms of opening doors, killing enemies, avoiding traps, grabbing loot. After about two minutes on each floor though, an extremely deadly (albeit predictable) enemy spawns at the entrance and slowly makes it way towards you. The first few times I encountered these SOBs, I very nearly quit playing the game entirely. Why do they need to exist? How much bullshit is it that their miniguns basically stunlock you? The SOBs seem to have sucked all the fun out of exploring the levels.
After a while, I realized something. Namely, that I wasn’t experiencing Fallout-esque burnout.
As the developer has gone through great lengths to point out in the Steam forums (even getting a bit saucy in the process), the Purifiers exist as a gameplay element to shepherd the player around and drive them forward. You aren’t supposed to be exploring, you should be making some strategic gambles on your way to the exit. If I had all the time in the world, I would be fully healed before opening any door, spending 99% of the gameplay crouch-sneaking, and micromanaging an incredibly-limited inventory with the attention of Warren Buffet. In other words, I’d be playing it just like I play every other post-apocalypse game. Or most games, period, if I’m honest.
Other roguelikes have addressed the “problem” of over-exploring characters with Hunger mechanics and the like, but the Purifier feels really interesting to me now. Mechanics like Hunger don’t actually impact my behavior in those games; if anything, it just makes me more committed to looting all the things in the vain hope that there is some half-rotten morsel in that broken filing cabinet. Hunger also evokes that most-hated of all gameplay mechanics: the Breath meter in underwater levels. It feels oppressive, cheap.
After I got over the first few bullshit deaths to Purifiers that nullified hours of progression, I started to realize how… well, elegant is not the term, but perhaps “fair” they are. The Purifiers always spawn in the same location (the entrance to the floor you started on), after roughly the same amount of time, and always move towards your location decently slowly. If you happen to be in a circular sort of area, you can lure them to your location and then double-back behind them. Yeah, getting caught in a long hallway or dead-end sucks, but the Purifier’s arrival is announced both when they spawn and as they get closer to your location (the music changes).
In a real sense, Purifiers give you a sense of agency that Hunger does not. If I hit a fork early in a level, I might skip the locked door (which the exit is never behind) so as to give myself more time to explore a later fork. Or maybe I’ll lay some traps near the entrance to the level so that the Purifier spawns in a mine field that will hopefully cripple a leg and give me additional time. And, hey, even if I just barely escape through the exit at the last possible second, I know that I still get a full X minutes to explore the next floor without having to worry about them. That is a far cry different than Hunger or whatever, which often represents a cumulative loss of time.
For the record, I am taking this mechanic way more seriously than the game does. Indeed, the premise of the game is drinking Booze and getting radioactive hangovers that will help/hurt your next Booze run. But the problem that Wasted solves with Purifiers is a problem that exists in every roguelike (and arguably any survival game), and it’s the best solution I’ve seen in quite some time. I’m not sure it would be especially applicable in future games ala Fallout 5, but I hope the eventual solution is more akin to this than something else.
I don’t think I can stand the freedom to collect 10,000 tin cans anymore.
I was in a mood for a new roguelike for those times when you want to play something for 10 minutes (but end up spending 2 hours), so I picked up Dungeon of the Endless. After finally completing the first ship on Too Easy mode – having died a dozen times in frustrating ways on Easy mode (only two options at the start) – I’m not sure that I’m up to playing any more.
The core mechanics to this game are actually really novel and layered. The goal is to open new rooms until you find the exit, then move the crystal to said exit. Each time you open a door though, you trigger a Tower Defense-esque round where enemies may or may not pour from every unpowered room that you have discovered (unless characters are parked in those rooms). You can power and unpower rooms at will, but are limited to a certain number of powered rooms based on your Dust level. Dust is discovered by opening rooms and killing enemies.
Additionally, each door that gets opened gives you X amount of Industry, Science, and Food, which can be augmented by building components in powered rooms. Oh, and there are defenses you can place, new tech to research, items to equip, your characters can level up by using Food, and so on.
If it sounds complicated… it actually isn’t, amazingly. While you can order your characters (up to four) around, you can only tell them to go to given rooms; they attack automatically. Eventually you can unlock extra abilities, which generally last less than 10 seconds and thereafter take 2-3 rooms to recharge. You can sometimes get clever combos going, but it’s mostly panic button stuff.
What ends up being frustrating though, is how the game sorta becomes more of a Press Your Luck game than roguelike. Your accumulated resources carry over to each new floor, so there is always a tension between placing defenses (which cost Industry) to be extra safe, and/or just going for the exit, and/or opening a few more rooms to get some more resources/items. You can sometimes get screwed going the extra mile with Binding of Isaac or FTL encounters, but for the most part your twitch gameplay skills can save you. With Dungeon of the Endless though, there is a thin margin between being okay and getting slaughtered. Since everything is practically automated – you cannot choose which alien your characters shoot at – there isn’t much you can do when you get a gang of suicide enemies amongst cannon fodder or tanky enemies.
Hell, I’ve played the game for 10 hours now and I don’t know what the suicide enemies look like. This is definitely one of the those “discover on your own look up everything in the Wiki” games.
I dunno. I may play a little bit more to see if I’m just not grokking the experience. With Binding of Isaac and especially FTL, getting that “Aha!” moment was both sudden and mind-blowing in terms of how much further I could go. I’m not sure the same is possible here, but we’ll see.
Since writing the above, I played for another 5-10 hours and my conclusions are basically the same. I feel like I understand the essential essence of the game… but there isn’t anything I can do when things like this happen:
Opened 23 doors, still didn’t discover the randomly placed exit. GG. Since monster waves get worse and worse the more doors you open, there was literally nothing I could have done here. Other than chose to go south and west first, back when my map was blank.
Play perfectly and still get randomly screwed? Yeah, welcome to roguelikes. But in most other ones, I feel like you have room to improve your own skills. In this instance, my RNG was the only meaningful skill I was lacking.
This game is definitely going straight in my Steam graveyard category.
It is amazing how many games you can work through when you aren’t playing an MMO. For example, I cleared through Metro: Last Light, StarCraft 2, Ori and the Blind Forest, The Swapper, Wolfenstein: the New Order, and am currently plowing through This War of Mine. All in the last two weeks. Granted, many of those all had completion times below ten hours, so perhaps that isn’t too surprising, but nevermind.
While I am not entirely done with This War of Mine yet, I did want to talk about it a bit. Specifically, about how the game has one of my least favorite “features”: blind choices. Or maybe “blind choices” is not entirely the correct term, but rather (unintentional?) obfuscation.
I first complained about blind choices nearly four year ago:
Perhaps I am simply too far down the metagame hole at this point, but how can anyone consider a choice with unknown consequences as meaningful? I mean, fine, all decisions and choices we make technically have unforeseen consequences. But these game designers are literally giving you nonsense to choose between on top of said unforeseen consequences. I don’t consider the choice between door #1 and door #2 to be meaningful at all – I may as well flip a coin or roll a die for as much thinking as it requires.
The game I was referring to at the time was the original Witcher, when the game asked me which quest reward I wanted to choose. While the game didn’t hide the the rewards themselves, the relative utility of each choice was very much in question. A book about vampires, your own hut, or the Wreath of immortelles? I chose the latter because italics, and it allowed me to easily bypass a long, involved quest.
Despite having chose the one with the most overall utility, I did not feel particularly clever because the choice itself had no real meaning. Do we praise the stopped clock for being right twice a day? Avoiding a designer trap only highlights the fact that the designers included a designer trap in their game in the first place, which automatically lowers my view of the overall design. It’s a cheap gimmick – one that is overcome only with knowledge that a player obtains after the choice is made. “Giving players the choice to fail” really just means the designers were unable to give players two or more good (or bad) options to choose between.
This concept get a bit murky when it comes to the roguelike genre though. Many roguelikes specifically include things like colored potions that have randomized effects on each playthrough. Sometimes you can minimize the mayhem such potions can cause, by being at full health and in a safe place before sampling the rainbow of colors you have collected. Such testing technically involves risk assessment and valuing the odds, which are pretty high-brow player skills. I was fine with The Bind of Isaac’s random pill effects, for example, largely because everything else about that game was so random it almost didn’t matter. When you could find out early which pills did what though? It sets you way ahead of the curve.
This War of Mine is more or less a roguelike. While the loot you can scavenge is random, it is also random which “scenario” you might encounter when going to a new location. This is generally fine. Roguelikes need randomness to maintain replayability in what otherwise would be short playthroughs. What I found less fine was when I realized that you didn’t need a lockpick to open locked doors, you simply needed a crowbar. That “makes sense” in a sort of logical way, but not always in a game logic way, especially not in a game that also features vegetables that grow to maturity in four days under a heat lamp.
Should the crowbar’s in-game description mention it opens locked doors? I would say yes. There is still a meaningful choice between crafting a lockpick over a crowbar (specifically the amount of noise it generates) when you know the full depth of information about the two. At the same time… well, Minecraft certainly doesn’t give you all the information you might need for a successful¹ run. I haven’t played it in a while, but the last time I did, I knew there was no way I would have ever guessed the correct configuration of materials necessary to craft a bow or shears.
Examining my discomfort in more detail, I suppose it comes down to wasting resources when outside knowledge is readily available. I had no problem playing Don’t Starve for hours and hours despite dying and losing all progress to the most mundane of causes. Murder Bees are serious business, after all. But chasing down the mats to build a blowgun and darts in what ended up being a nigh-useless tool? That pisses me off. I will happily fail in service to muscle memory, even if I lose progress along the way. I will not, however, be so keen to fail because I didn’t read the Wiki first.
There is a distinction between the two that I can feel, even if I cannot enunciate it clearly.
¹ With what constitutes success in Minecraft being left undefined.
I was browsing Kotaku the other day, and came across an article/review of a mobile game called Wayward Souls. Truthfully, I only read it because the byline mentioned Secret of Mana, which is relevant to my interests; it is, incidentally, probably my second-most played game of all time right behind A Link to the Past. Did you realize that SoM came out in the US 20 years ago this past October? Two decades.
Anyway, Wayward Souls is whatever – doesn’t seem to capture much of SoM’s magic beyond the pixel and music style based on the video alone. What was interesting to me though, was when they mentioned in the video that they’re going with the MineCraftian business model, e.g. selling it for $5 at first, and increasing the cost as time goes by. To me, this raises a number of interesting questions. First… is there a term for this payment model? I use MineCraft as perhaps the most well-known example, but surely it was tried beforehand.
Second, does it feel bad to anyone else?
I mean, I understand the logic behind it. Traditionally, game companies are going to want to charge full MSRP at release to capture the dollars of whom we now term “whales,” e.g. the people who would have paid $100 for the game, if they had charged that much. As time goes by, the price comes down via sales and whatnot to capture the players who would have bought it for less than MSRP. The MineCraft model seems like it should never work, but actually makes a lot of sense when you realize that the traditional model relies on a well-informed and excited playerbase for your game – in an ocean of crappy mobile games, you’re not going to have the whales spending money out of the game. This alternative model lets you build buzz somewhat organically, and then try and capture the big spenders as you ride the wave home. Plus, it sort of short-circuits the “wait until the Humble Bundle sale” strategy insofar as it will supposedly be more expensive the longer you wait (which ironically sorta is how Humble Bundles work).
Like I mentioned though, the MineCraft model doesn’t particularly work for me. It grates, like a piano out of tune. But I can’t fully articulate why though, especially when you consider nearly all games do this via cheaper preorders. Damn near everything is 20% off on GreenManGaming before it comes out. Sometimes a game will drop in price within the first three months (and sometimes faster these days, if they miss the forecasts), but it’s usually quite some time before it drops below the preorder price. So… what’s the difference, really? I can’t even claim that it’s because of psychological manipulation, because that’s pretty much behind all sales strategy. It just feels… bad, somehow. And causes me to mentally dig my heels in and wait for the Humble Bundle because screw you for defying the natural order of things. Or something.
Recommended price: $5
Metacritic Score: 83
Completion Time: ~2 hours
Buy If You Like: Indie puzzlers, Hilarious but too short games
Gunpoint is a short, 2D indie puzzler with some of the most hilarious writing I have ever seen in a videogame. You take control of Richard Conway, a freelance spy whose latest customer was murdered before he could get the details. From that classic film noir story hook, you get a classic film noir plot broken up by bouts of mildly interesting puzzles.
At their simplest level, the puzzles in Gunpoint revolve around interacting with a computer and then exiting the map via subway station. The central conceit is Conway’s ability to rewire a building’s electronic systems, such that getting caught on a surveillance camera actually opens the locked door instead of triggering the alarm. Some of a building’s circuitry is “hardened” (it has a different color), which means you have to reach a certain (color) breaker box before being able to reroute that circuit’s wires. Completing maps will give you currency to purchase more gizmos, including the ability to electrify certain devices or even the ability to (temporarily) reroute a guard’s gun – causing them to either open a door when they pull the trigger, or forcing them fire the weapon at a buddy when you flip a light switch.
The puzzles are fun, but… well, they end up being only mildly interesting. Rewiring electronics turns out to be fairly powerful as a sort of default ability, which is reflected by the fact that the latter half of the game basically features only 2-3 things you can actually interact with (one light switch, maybe a camera). There are some mechanics that prevent you from simply pouncing/shooting your way through all the guards (the subway gets locked down after any gunshots), and as a result the game becomes incredibly abstract by the end. Normally, that might not matter for, you know, a puzzle game, but I actually enjoyed the early gameplay over what it ends up “evolving” into.
Like I mentioned at the beginning, Gunpoint is extremely short, clocking in around ~2 hours of gameplay. Given that, and given my ambivalence towards the later gameplay, I would suggest waiting until Gunpoint hits $5 or a bundle. It is a game definitely worth your time to play at some point – trust me, the dialog alone is almost worth it – but that time doesn’t have to be now.
Game: Rogue Legacy
Recommended price: $5
Metacritic Score: 84
Completion Time: ~13 hours
Buy If You Like: Roguelikes, Harsh action platformers, RPG-esque indie games
Rogue Legacy is a sort of indie hybrid RPG roguelike action platformer. The developers describe the game as “Rogue-Lite,” as the central premise is that while the game features permadeath, your children will take up the family mantle and invade the procedurally-generated castle to avenge you. This design is actually pretty compelling, especially considering that while purchased equipment/abilities cary over from one character to the next, the gold used to purchase these things do not. So what ends up happening is failed runs (usually!) end up leaving you with enough gold to be stronger for the next one, while not encouraging you to hoard gold in the meantime.
The castle itself is divided into four main areas, each with a boss at the end. While the general location of the areas are stable, all of the individual rooms and transitions are randomly determined. I say “random,” but the vast majority of rooms have a high level of coherence, as opposed to the truly random nonsense of games like A Valley Without Wind. You do not technically need to clear a room of enemies to move on, but it is generally a good idea considering getting better equipment and stats requires gold. That being said, there is an entire class (Miner) that encourages you to avoid combat as much as possible while quickly snagging as many treasure chests as you can.
The gameplay itself is pretty unforgiving. While you can equip a bunch of Vampiric gear later on, and occasionally find a piece of health-restoring food when destroying furniture, for the most part damage you take is permanent. This can lead to frustrating scenarios in which an otherwise solid-looking boss attempt is stymied on the way to the door because you landed on some spikes in the prior room. Or misjudged a screen full of projectiles. Or faced one of those goddamn wolves that seem to charge half a second earlier than you’re prepared for.
And by “solid-looking boss attempt” I mean that at least one of the three children you can select for your next castle run had a good class/characteristic/ability combination. For you see, sometimes your favorite class might be Farsighted (makes the center screen fuzzy), or the screen is upside down, or they have an enormous character model (increased weapon reach, but increased hitbox too), or maybe everything is good except they have a weak magic ability.
I am not attempting to dissuade you from purchasing Rogue Legacy, but I do want to point out that while the devs say “Rogue-Lite,” the game is still pretty roguelike. I had a pretty solid 9 hours of fun, and a less fun 4 hours of being stuck grinding gold and new abilities to give me the hope of downing some of the bosses. Admittedly, being better at the game might have reduced that time, but then again, being worse would have increased it exponentially. So in your game purchase decision, be sure to take into consideration how good you are at semi-twitch platformers.
Game: Don’t Starve
Recommended price: $10
Metacritic Score: 79
Completion Time: 20-60 hours (variable)
Buy If You Like: Roguelikes that don’t kid around, amazing indie games
Don’t Starve is a harsh, survival indie roguelike with dark humor, a fairly unique visual style, and a pointed lack of hand-holding. You control a man named Wilson who suddenly wakes up in the wilderness, is told that finding some food before dark would be a good idea, and then… you are on your own. From there, the basic idea is to scrounge for some carrots/berries while using available materials to craft torches, tools, traps, and other basic gear as you do your best to survive in a world that wants you dead.
Moving around and interacting with the world is surprisingly easy and intuitive. You can move around via left-clicking the ground/objects or by using WASD. Interacting with objects is done either with left-click or right-click. Pressing the Spacebar will cause your character to perform some context-sensitive activity, like start chopping a tree if equiped with an axe, pick up something if it is nearby, or attack an enemy. Combat is not particularly deep, but the “shallowness” combined with the roguelike nature of the game lends a tremendous amount of gravitas to battles. It reminds me of survival horror games that have clunky combat on purpose, to ratchet up the implicit difficulty.
The default game starts you in Survival Mode, which is really more of a Sandbox mode. While there is not really an “endgame” in this mode, the game’s structure naturally (and ingeniously) lends itself to a sense of progression and escalating danger. Establishing a base camp is pretty typical and allows you to stockpile materials and research structures, making the maintenance of your Hunger, Health, and Sanity easier. On the other hand, resources generally do not regenerate very quickly, which forces you to forage farther and farther from your base camp with each passing day. And ultimately, the arrival of Winter will stretch your capacity to survive to the very limit, given how traditionally easy sources of food dry up (plants don’t grow, ponds freeze over). This is on top of an escalation of random hostile encounters by the Hounds, or other boss-level mobs.
Those in search of a more structured endgame can seek out Maxwell’s Door, a set piece randomly located somewhere on the map. Once entered, you are in Adventure Mode, tasked with surviving five randomly-determined theme worlds while collecting four Things in order to open the gate to the next world. Even if Don’t Starve consisted entirely of Adventure Mode, it would be enough to cover at least 20+ hours of gameplay. Especially given how the brutality of Survival Mode holds nothing to Adventure Mode worlds in which you are trapped in an endless Winter, or constant rain, or even a world with zero sunlight.
While I have been infatuated with Don’t Starve for quite some time, the game isn’t for everyone. Don’t Starve is extremely unforgiving, even in roguelike terms, where death is both easy to stumble into and results in a deletion of your save file. That said, while death is easy, it is almost always going to be due to mistakes you have made, rather than randomized deathtraps. Even if you get one-shot by a particular mob, that is only because you chose not to wear armor at the time, or because you were being reckless in not running away. Compare that to a game like The Binding of Isaac, where a white pill might randomly give a buff in one game and permanently reduce health in another.
If you are someone willing to play and lose dozens of hours of progress in a roguelike though (or cheese the system via console commands or making backup save copies), I cannot recommend Don’t Starve enough. It has style, it has substance, and it is receiving developer updates every 3 weeks (at the moment). It is simple to get into, impressively complex when you start planning ahead, and always engaging while you struggle to survive.
Okay, I am contractually obligated to divulge that I sit on a THRONE OF LIES.
To be fair (to myself), I already mentioned how I was was getting bored with Don’t Starve’s Adventure Mode, in part, due to not being able to change characters. When I created a new Save with a new character in an attempt to start Adventure Mode with them, I was stymied by the requirement of trudging across the map trying to locate Maxwell’s Door. So what changed?
As befits my new (?) seating arrangement: cheating. Specifically, I enabled console commands. And with my new god-like powers, I… just teleported to Maxwell’s Door. Problem solved.
Now, it should be noted that I still feel a bit wary. Cheating is, well, cheating. I don’t actually care what other people think about the act per se, but I wonder if this will diminish the accomplishment of actually beating Adventure Mode. Technically, I haven’t actually cheated in Adventure Mode – just getting there. And considering I was at the end of my enjoyment with the game proper, any entertainment gleaned at this point is entertainment that would not have existed otherwise.
On the plus side, the character I chose, WX-78, is a robot that starts with lower stats in exchange for the ability to eat Gears to both replenish Health/Hunger/Sanity and increase their maximum stats. And he also takes damage when it rains. So, of course, my very first world is A Cold Reception, aka Waterworld, aka the world where it rains (frogs) for approximately 14 hours every day.
Nice try, Maxwell, but I’m still coming for you like a hungry ghost.
Game: Dungeons of Dredmor
Recommended price: $10 (with DLC)
Metacritic Score: 79
Completion Time: 28 hours
Buy If You Like: Roguelikes, Turn-ish-Based RPGs, Indie Humor
Dungeons of Dredmor (DoD) is an indie roguelike RPG wrapped in a fluffy layer of humor and genre in-jokes. The goal is simple: navigate your way to the bottom floor of the dungeon and kill Dredmor. Along the way, you will explore rooms, evade traps (a LOT of traps), kill monsters, loot treasure, and level up.
The core of DoD is its extremely interesting combat/exploration system. Essentially, everything is turn-based: for every step or action you take, all enemies make one too. These “turns” occur instantaneously, so you are never waiting on some action on the part of the AI, which makes the action go as fast or slow as you want. This ends up feeling rather amazing, as it avoids the “spacebar fatigue” that accompanies other tactical games. This system ends up putting a premium on actions though, and it’s quite easy to get surrounded and murdered if you’re not careful.
The statistics part of DoD is intentionally obtuse – your six base stats affect 18+ other stats – but the “joke” belies a pretty robust equipment and talent system. When you first roll your character, you can choose seven different categories of talents, which either grant new abilities or a direct increase in stats as you spend skill points. For example, taking the Swords talent will let you get new abilities (not all of which require a sword), and perhaps some bonuses for using swords. There is a pretty huge number of talents though, and it’s entirely possible to pick a combination that simply won’t work. On the other hand, you could pick 6 warrior-ish talents and then grab the one that let’s you shoot fireballs. Armor generally decreases your magic ability, but it’s possible to either craft or come across armor that hurts it less.
DoD is definitely a roguelike (although you can turn off permadeath at character creation) and thus contains certain abilities/scenarios in which you are likely to die pretty quickly, if not arbitrarily. This is… dangerous, for lack of a better word, in a game where you can spend 22 hours on a single character exploring every room of each level (which you may want to do to stay ahead of the curve). Indeed, in the titular Dredmor encounter, I about died within three moves before I “cheesed” the rest of the encounter via judicious use of invisible mushrooms and the all-powerful ability to close doors.
At the end of the day, I spent 28 hours in Dungeons of Dredmor and could see myself replaying it again with another character setup, or perhaps after picking up the two DLC. It’s a fun game, perhaps a more cerebral version of Binding of Isaac, but where Binding of Isaac and FTL come out ahead is giving more focused gameplay with their permadeath. Had I lost my 20+ hour character, I probably would have quit altogether right there. Luckily for me, I didn’t, but I’d be lying if I said I did not make three backup copies of my savegame. So if this game sounds fun to you, I recommend turning off permadeath until you wrap your mind around the game’s many idiosyncrasies.