Spoiler-Free Beginner Ark Guide
There is no tutorial or hand-holding in Ark. The game is unfair, the world hostile, and the dinosaurs are without remorse. While that is part of the appeal of the game for some people, it can also serve as a barrier to others who might otherwise enjoy the experience. That’s the purpose of this guide: provide enough hand-holding to get you out of the nest safely, and into free-fall.
Whether you flap your wings afterwards, is up to you.
When you first start Ark, you will have to choose a general starting area to spawn into the world, but the specific location will be random within that area. As the game text mentions, some areas are easier than others. While you cannot do much about the randomness at the beginning, one of the first things you will want to accomplish is removing the randomness by building a bed, and NOT a Sleeping Bag. Beds have infinite respawns, sleeping bags have one respawn.
Note: You can build more than one bed. In fact, I highly recommend you build at least two, even in your first starter base. There is a respawn cooldown of 5 minutes, but that’s per bed. This will allow you a 2nd chance at collecting your stuff if the first naked run doesn’t work out.
At the beginning, think Minecraft: punch trees for Wood and Thatch, collect rocks from the ground, then craft a Stone Pick. Use that to collect some more material to craft a Stone Hatchet. Between the two, the Hatchet will collect more building material (Wood, Stone, Hide) from an object, whereas the Pick will collect “special” material better (Flint, Metal, Meat). For the majority of the game, the Hatchet is where it’s at.
By the way, save every piece of Flint, Charcoal, and Spoiled Meat you find/create. You’ll be using those quite a bit for mid-game stuff.
Dying in Ark is practically an everyday experience in the beginning, especially before you get to taming a lot of dinos. When you die, everything that you were carrying will drop to the ground into a backpack, which will despawn in 15 minutes. Additionally, your backpack will (usually) have a beam of green light shooting out of it, to assist in recovering your gear.
There are some key things to note here, given the above. The biggest is the fact that whatever killed you will still be hanging around your corpse. Dinos will wander around randomly, but they frequently do not roam large distances, and certainly not within a tidy 15-minute timeframe. So, you will need to make a decision about whether or not it’s worth trying to grab your stuff. That decision will also be informed about whether or not you can grab your stuff naked, which is your immediate condition having just respawned.
Here is a good breakdown off “the rules” then:
- Only carry what you are willing to lose.
- Die in a convenient location.
- Don’t be greedy.
The first rule is just a basic philosophy that you will need to embrace in Ark. Do you really need to be running around in your best armor and weapons all the time? Are you sure that carrying two rafts in your inventory is a good idea when exploring a cave? Unlike a lot of games, the basic armor and weapons of Ark are still viable for a large portion of encounters you’ll face. Once you have tons of resources and duplicates, sure, go out there in your Sunday best. But only do that if you’re not afraid of losing what you got.
A convenient location to die would be one in which is farther from whatever killed you to begin with, but easy to access for your replacement. Sometimes this means throwing yourself from a cliff, sometimes this means not throwing yourself from a cliff. Similarly, forcing that Carno to chase you into the water means there will be a buffer to snag your stuff back. Then again, there could be a swarm of sharks in the area too. Try your best, but also acknowledge that sometimes you will need to cut your losses and move on.
Finally, being greedy means hitting up one last node despite having already collected more than you need. Every moment away from home is a risk, and nothing in your inventory is really yours until it makes it back into container. Besides, you’ll likely have more than one death due to something dumb like Compys who ate your ankles because you gathered 20 more pounds of Metal Ore and became too encumbered to run away.
By default, E is the button to interact with just about everything: containers, campfires, dino inventories, etc. This will get annoying over time though, because pressing E around a campfire will light/smother the flames rather than giving you access to the Cooked Meat you wanted. Get in the habit of pressing F to access inventories instead. Pressing F will directly access the inventory of your target, up to and including a dino you might be riding.
This might seem silly to mention, but this is a dinosaur taming game. When I first started playing, I didn’t tame anything until level 21 when I unlocked Tranquilizer Arrows. This was a mistake. You can and should be taming dinos as soon as you have your basics covered, e.g. hut with some storage and a bed.
Here are the steps to taming:
- Render a dino unconscious.
- Feed it food it likes.
Some dinos are tamed “passively,” which means skipping step 1). For the vast majority though, you need to knock them out. You accomplish that by dealing Torpor damage. The early game options available for inducing Torpor are: Slingshot, Wooden Club, and Tranq Arrows. While it will be quite a challenge to knock out fast-moving predators like Raptors with something like a Slingshot, there are a lot of dinos that are fairly slow and can be kited around. In the early game, for example, Dilos make excellent guard dogs. And if you manage to make it on top of a rock or cliff that the dino can’t reach, you can typically knock out just about anything.
Once unconscious, go up to the dino and access it’s inventory by pressing E or F. Transfer food from your inventory to theirs, either by left-clicking for individual items, or by pressing T to transfer the entire stack. While there is special “kibble” that can be used to speed up the process, you can stick with raw meat for carnivores and berries for the herbivores. Special note for the latter though, do NOT give them Stimberriers – eating those can make the dino wake up faster.
Depending on the server settings, taming dinos can take a long time. To keep them unconscious, you’re going to need to keep their Torpor meter up. Beating them with a Wooden Club can do this, but any damage taken will reduce Taming Effectiveness, which in turn makes the dino gain fewer bonus levels. Typically, you’ll want to use either Narcoberries or Narcotics. Place either one into the dino’s inventory, hover over the icon and press E. This will “force-feed” the dino the item. The Torpor gain will not be immediate, but rather gradual. Depending on the dino, you may need to force-feed them quite a few.
Note: many older videos/guides used the term “Remote Use Item,” which doesn’t exist in the game anymore. Pressing E on an item in the dino’s inventory does the same thing.
Once you have tamed a dino, there are several means by which you can control them. If you have a saddle available, you can directly mount them and ride around. Some dinos are more useful than others as actual means of transportation though. Raptors are extremely fast, for instance, whereas Trikes are extremely slow. That said, saddles give you access to a given dino’s special talents, which sometimes more than makes up for its other deficiencies. For example, that same slow Trike can harvest 100s of berries at a time from nearby bushes, but only if you are riding it with a saddle.
Dinos are still extremely useful even without a saddle. If they are on Follow Mode and Attack MY Target, they will, well, follow you around and help kill your foes. This can and will save your life many a time if you happen to stumble into a bad situation you were not prepared for. If you are trying to tame additional dino pals though, be sure to switch your current bodyguards to Passive.
Surviving the Early Game
As mentioned previously, Ark is unfair. But it is unfair in fairly consistent ways. There will be times when there really is nothing you can do to avoid death. Other times? You can survive. Here are some quick tips for the common causes of death in the early game.
Dilos – Counter: Spears. The biggest gimmick with Dilos is their spit attack. It’s sometimes difficult to juke, so I like to jump right before they spit, which usually causes it to sail over my head. Beyond that, a simple Wooden Spear has greater reach than their melee attack, and will knock them back far enough to strike again with relative impunity.
Raptor – Counter: Bolas. Raptors are too fast to outrun, and spears aren’t near strong enough to keep them at bay. But a single Bola will automatically root them for ~30 seconds. Once rooted, shoot them in the face, or maybe beat them unconscious with a Wooden Bat if you have one handy.
Carnos – Counter: Turtles. Truly one of the more annoyingly unfair dinos in the early game, Carnos have a HUGE aggro radius and will relentlessly chase you down with what seems like infinite Stamina. One trick though, is that if you can kite them into the path of a turtle (i.e. Carbonemys), the Carno will injure itself and start attacking the turtle instead. Take that opportunity to book it or try and take it down.
Hopefully the above is enough get you started in your Ark experience.
Moving Past Mass Effect
Posted by Azuriel
First, I apologize in advance for another “blank” entry.
As someone who typically plays games that are old and on Steam sales, I can appreciate the frustration of people who are waiting on ME3 and yet are inundated by spoiler-laden posts on their Readers/blogrolls. In fact, I do not even like friends telling me they liked or disliked an ending to anything – my mind immediately starts analyzing the kinds of things my friend likes/dislikes (“Hmm, he wasn’t a fan of FF7’s ending…”), and extrapolates possible ending scenarios from there.
If you are such a person, or don’t want ME3 spoilers generally, last chance to bail.
Yeah, we kinda do.
Since finishing Mass Effect 3 Monday night, I have been in turmoil. Post-game depression is fairly typical for me, and endings like this one are a sort of double-whammy.
Rohan described the break as being “pre-beam” and “post-beam,” but it actually started earlier for me. The invasion of Earth itself was curiously… off. What should have been a momentous emotional occasion was, well, not. Where was the stirring music? Fires and Reapers and silence. For a while, I was actually worried that there was a bug preventing any music from playing.
Once back aboard the Normandy, things started feeling right again. This was Mass Effect, this was what it was about. In fact, it was not until ME3 specifically that I even felt I knew what the series was about. Interstellar war was one thing, but what I cared about was landing in a situation, and being the right man at the right time. Shepard was not setting out to dictate galactic policy, Shepard was not some god-figure who arbitrates which species lives and which dies. He (or she) simply happened to find himself in that position, at that turning point in history, and does the best that he can.
It is in that context that I felt the post-beam sequence was fine, for what it was.
Through the prism of the ending, I felt that Shepard the character got the closure he needed in the hours leading up to the end. The romance section put it in sharp relief: I was so worried about getting “locked-in” too soon that I accidentally past the point of no return without anyone at all. When I reloaded and made my choice, the stark difference between my feelings of the game – based simply upon those two scenes, one alone and the other with Liara (sorry, Tali) – drove home the fact that I love this series, no matter what happened.
Ever read The Wheel of Time series by Robert Jordan? As of today, the series is one book away from completion, and I have become so invested in the final outcome that I can barely stand it. But… what kind of ending should there be? The one I want, or the one I deserve? What if the ending is simply terrible, like how I felt ME3’s was at the time I was experiencing it?
With Wheel of Time, that answer is largely moot. There was one point in Winter’s Heart (book 9), one perfect moment, when everything in the narrative came together for me; a great character catharsis, independent of any kind of grand action event. I remember sighing, and a tension I did not even know existed, releasing. No matter what happens in Book 13, no matter what the Wheel weaves, they can never take that moment away or cheapen it.
I am coming to understand the same with Mass Effect.
Bioware cannot take away the feeling of immense depth with Mordin, when the Salarian stereotype fell away to reveal a reservoir of guilt for necessary evils; a doctor moved to inflict harm, faced with impossible choices. Bioware cannot take away my own feeling of guilt when I heard Kaiden’s “Belay that order!” command repeated in the forest dream sequence; a sacrifice I readily accepted at the time to save a woman I had feelings toward and ultimately passed over. Bioware cannot take away EDI and Joker and all the other hilariously poignant moments in the entire series, but ME2 in particular. Bioware cannot take away the bromance with Garrus, or the absolute struggle I had in choosing whether to intentionally miss that shot or not.
So, if you struggled as I have, or struggle still, I have a recommendation. Listen to To Build a Home by The Cinematic Orchestra. Listen to it again. Then read this Kotaku article. Then remember every time you felt this way before – maybe Cowboy Bebop, maybe End of Evangelion, maybe Saving Private Ryan – and try to remember the last time you have felt so wounded by a video game. Have wanted something different so bad you could taste it.
And then… try to let go. If you are anything like me, I am having an exceedingly difficult time wanting to.
Good game, Bioware. Good game.
P.S.Epilogue: For what it’s worth, I still believe Bioware should have handled the ending better (and I am aware of the “secret ending”). The tone and recycled outcomes were one thing, but the incongruent Normandy bit was quite another. At first, I railed against the notion that Bioware was planning on going the “if you want the true ending, it’ll be $9.99 DLC” route, and the implicit dream/indoctrination sequence that implies. But the precedent already exists: Bethesda did just that in the Fallout 3 “Broken Steel” DLC.
The difference being, of course, that Fallout 3 was immensely cathartic in wrapping things up at the end, straight out of the box.
Posted in Commentary
Tags: DLC, Ending, Kafka, Mass Effect 3, Post-Game Depression, Spoiler