[Hearthstone] Remaining Concerns
My Press™ coverage of Hearthstone has been pretty glowing thus far, so I wanted to talk today about some lingering concerns about a few issues that cropped up in the last week. I do not believe these to be structural problems necessarily – I feel like they could be fixed within the Beta – but I also have no idea how Blizzard will address them, if at all.
1) Unbalanced Heroes
On paper, the nine Heroes you can pick between are balanced. Here is a rundown of their powers:
- Druid – Hero gains +1 Attack until end of turn, and +1 Armor
- Priest – Restore 2 health to target
- Warrior – Hero gains 2 Armor
- Paladin – Put a 1/1 creature into play
- Rogue – create a 1 attack/2 durability weapon, or +1 Attack to weapon this turn
- Warlock – Lose 2 Health and draw a card
- Hunter – Deal 2 damage to enemy Hero
- Shaman – Create a random totem (usually 0/2 creature w/ ability)
- Mage – Deal 1 damage to a target
By the way, all of the listed abilities cost the same amount of resources (2 crystals).
One of the more annoying classes to play against.
The problem in reality is two-fold. First, there is a huge difference in synergy between a Hero’s powers and the class-restricted cards. The Priest’s ability, for example, combos ridiculously well with one of the default Priest cards: Northshire Cleric, a 1/3 creature that let’s you draw a card when a creature is healed. In fact, entire mechanics revolve around and/or become enabled by the Priest’s ability. Enrage, for example, is an ability that triggers an effect when the creature is damaged. One of the most common cards that uses Enrage is the Gurubashi Berserker, a 2/5 creature that gets +3 Attack each time it’s damaged. Smashing into a 2/2 will beef the troll up to a 5/3, which is nice… but also puts it within range of a lot of counter-attacks. A simple heal from the Priest though, puts it back to 5/5, letting it snowball further. Then you have goofy cards like the Angry Chicken, which is a 1/1 with Enrage: +5 Attack. Obviously you need to combine that creature with some other effects to boost its Health, of which the Priest has many.
By means of comparison, nothing combos with the Hunter ability. In Magic: the Gathering, the devs eventually created the Bloodthirst mechanic that boosted a creature’s stats (or some bonus effect) if it was played the same turn as the opponent taking damage. No such thing exists in Hearthstone, at least for now. And while Rogue decks need no assistance, the Combo system on Rogue cards have nothing to do with the Rogue’s ability; at least the Druid, Warrior, and Warlock are thematically consistent with their class cards. Then again, perhaps we should look at the Priest as an outlier rather than the bar that other classes should reach.
The second problem is related to the first: what class cards are available by default radically changes the strength of your deck. Now, sure, technically everyone will be able to unlock all 20 basic class cards by simply playing against the computer (assuming they didn’t want to challenge players). But take my word for it: many of those early games suck. Hard.
Through either a combination of the first issue or the second, I can already tell that some Heroes are being left in the dust by the Beta population. I would say more than 95% of the Ranked games I have played have been against either the Mage, Rogue, or Priest. For a good reason: they’re strong.
There are a few clever things Blizzard is already doing to (presumably) combat this trend. One of the types of daily quests is to win 2 games as a specific class. When I logged on yesterday, for example, I had to win 2 games as a Druid and Warrior (two separate quests, as I had missed yesterday’s daily). Having played neither before, I created custom decks for both and then went for a spin against some human opponents. Those games played out very differently than my normal games, and were pretty fun to boot, although I doubt I will be spending much time with them until I luck into some of their non-basic class cards from booster packs.
The other clever move to improve class experimentation, if not promote diversity, is how Arena mode matches start by forcing you to pick between three random class Heroes before you start the actual Draft process. The other day, I had to pick between the Hunter, Druid, and Shaman, all of whom I had never played with before. While they let you mouse-over their Hero powers from that specific screen, the more critical aspect of the Heroes is ultimately their selection of class-specific cards. Spending some time in your collection looking at all of the class’ cards – which, by the way, Hearthstone allows you to do even if you don’t own them – is definitely recommended.
For the record, I chose the Hunter. And went 0-3.
Worst possible Arena result, I think.
2) Unbalanced Cards
Beyond the Hero issue and the class-specific card issue, I have a problem with the card balance in a few locations. Basically, I don’t feel like strictly-better cards should exist in a CCG, especially not when it appears it’s being “balanced” around rareness. Take a look at the following:
Balance!
There is precisely one scenario in which you might choose the raptor over the gnome: if you were playing some kind of Beast deck (e.g. with the Hunter). And actually, you might put in the gnome even in your Beast deck; por que no los dos? At least with the Ooze, you can convince yourself that there are certain scenarios in which blowing up the opponent’s weapon is better than whittling down their blockers for free.
By the way, only the Paladin, Warrior, and Rogue are likely to ever have weapons equipped. That Ooze is pretty much a dead draw 90% of the time in my experience.
A few other cards are simply ridiculous. Pint-Sized Summoner, for example, pretty much single-handedly caused me to lose an Arena game (I had no targeted removal at the time). Bloodlust is probably balanced, but 100% of the games in which I lost to a Shaman have been due to that one card… and a bunch of suddenly bloodthirsty totems. And so on.
3) Over-reliance on Taunt
This section is going to be short, because the title sums it up: Taunt is both ubiquitous and pretty much the only means of combat shenanigans.
This should have been a combo, dammit!
In case you aren’t aware, Taunt is a creature ability that forces an opponent to only attack the creature with Taunt, as opposed to being able to attack any creature or just smash the opponent’s face in directly. Without Taunt, basically whoever drops creatures first is at a huge advantage since they can decide to attack any “special” creatures their opponents play with their own creature or ignore them. Pretty much the only rational strategy then becomes A) play special creature and then immediately drop a Taunt meatshield, or B) beef up a Taunt creature and control the board. An all-in-one package example of the latter is Ancient of War, which is an absolute bomb drop in Arena, by the way.
4) Playing first puts you at a huge disadvantage
Another shorty, but basically I never ever want to go first when playing Hearthstone.
Each player draws three cards before a game, and can choose to send any (or none) of the cards back and draw different ones. Whoever goes second draws a fourth card during this phase, and thus can fish for their deck combo cards or removal that much deeper. Plus, after the first player’s turn, they get a 0 crystal card called “The Coin” that will temporarily give you 1 crystal for a turn. So, basically, going second you can cast a 2 crystal card on your turn 1, or 3 crystal card on turn 2, and so on. What makes it even worse is that The Coin counts as playing a card/spell, which can trigger all sorts of nonsense, such as a Defias Ringleader suddenly giving the Rogue a 2/3 and 2/1 creature on turn 1.
Conclusion
Having said all that, I do feel like these are solvable problems. For the most part. Given the simplicity of the resource system and the mechanics in this first set, I am not quite sure how things will get balanced. The Knife-Juggler and Pint-Sized Summoner could be reduced to 2/1 and 1/1 respectively, and still be worth playing. But what about those Hero powers? The Hunter power can’t be reduced to 1 crystal or the damage increased to 3. Would they buff the Hunter class cards instead? What if a player doesn’t actually use those “balancing” cards?
Time will tell upon release exactly how broken some of these interactions are. Time will also tell how much we or Blizzard particular care. I probably have the most fun in Arenas (I went 8-3 and 9-2 this weekend, the latter of which resulted in 310g) where dropping game-changing cards is the norm, and Ranked matches sorta feel like 2v2 Arena in WoW somtimes. I would rather it be balanced of course, but this is also a CCG – there being only a few viable decks at the upper-end is pretty much par for the course. But if Blizzard wants to do some (more) groundbreaking things with their game design, they are going to have to fix the above four issues at a minimum.
Reviews: Gunpoint, Rogue Legacy
Game: Gunpoint
Recommended price: $5
Metacritic Score: 83
Completion Time: ~2 hours
Buy If You Like: Indie puzzlers, Hilarious but too short games
Child’s play
Gunpoint is a short, 2D indie puzzler with some of the most hilarious writing I have ever seen in a videogame. You take control of Richard Conway, a freelance spy whose latest customer was murdered before he could get the details. From that classic film noir story hook, you get a classic film noir plot broken up by bouts of mildly interesting puzzles.
At their simplest level, the puzzles in Gunpoint revolve around interacting with a computer and then exiting the map via subway station. The central conceit is Conway’s ability to rewire a building’s electronic systems, such that getting caught on a surveillance camera actually opens the locked door instead of triggering the alarm. Some of a building’s circuitry is “hardened” (it has a different color), which means you have to reach a certain (color) breaker box before being able to reroute that circuit’s wires. Completing maps will give you currency to purchase more gizmos, including the ability to electrify certain devices or even the ability to (temporarily) reroute a guard’s gun – causing them to either open a door when they pull the trigger, or forcing them fire the weapon at a buddy when you flip a light switch.
The puzzles are fun, but… well, they end up being only mildly interesting. Rewiring electronics turns out to be fairly powerful as a sort of default ability, which is reflected by the fact that the latter half of the game basically features only 2-3 things you can actually interact with (one light switch, maybe a camera). There are some mechanics that prevent you from simply pouncing/shooting your way through all the guards (the subway gets locked down after any gunshots), and as a result the game becomes incredibly abstract by the end. Normally, that might not matter for, you know, a puzzle game, but I actually enjoyed the early gameplay over what it ends up “evolving” into.
Like I mentioned at the beginning, Gunpoint is extremely short, clocking in around ~2 hours of gameplay. Given that, and given my ambivalence towards the later gameplay, I would suggest waiting until Gunpoint hits $5 or a bundle. It is a game definitely worth your time to play at some point – trust me, the dialog alone is almost worth it – but that time doesn’t have to be now.
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Game: Rogue Legacy
Recommended price: $5
Metacritic Score: 84
Completion Time: ~13 hours
Buy If You Like: Roguelikes, Harsh action platformers, RPG-esque indie games
Not a boss run.
Rogue Legacy is a sort of indie hybrid RPG roguelike action platformer. The developers describe the game as “Rogue-Lite,” as the central premise is that while the game features permadeath, your children will take up the family mantle and invade the procedurally-generated castle to avenge you. This design is actually pretty compelling, especially considering that while purchased equipment/abilities cary over from one character to the next, the gold used to purchase these things do not. So what ends up happening is failed runs (usually!) end up leaving you with enough gold to be stronger for the next one, while not encouraging you to hoard gold in the meantime.
The castle itself is divided into four main areas, each with a boss at the end. While the general location of the areas are stable, all of the individual rooms and transitions are randomly determined. I say “random,” but the vast majority of rooms have a high level of coherence, as opposed to the truly random nonsense of games like A Valley Without Wind. You do not technically need to clear a room of enemies to move on, but it is generally a good idea considering getting better equipment and stats requires gold. That being said, there is an entire class (Miner) that encourages you to avoid combat as much as possible while quickly snagging as many treasure chests as you can.
The gameplay itself is pretty unforgiving. While you can equip a bunch of Vampiric gear later on, and occasionally find a piece of health-restoring food when destroying furniture, for the most part damage you take is permanent. This can lead to frustrating scenarios in which an otherwise solid-looking boss attempt is stymied on the way to the door because you landed on some spikes in the prior room. Or misjudged a screen full of projectiles. Or faced one of those goddamn wolves that seem to charge half a second earlier than you’re prepared for.
And by “solid-looking boss attempt” I mean that at least one of the three children you can select for your next castle run had a good class/characteristic/ability combination. For you see, sometimes your favorite class might be Farsighted (makes the center screen fuzzy), or the screen is upside down, or they have an enormous character model (increased weapon reach, but increased hitbox too), or maybe everything is good except they have a weak magic ability.
I am not attempting to dissuade you from purchasing Rogue Legacy, but I do want to point out that while the devs say “Rogue-Lite,” the game is still pretty roguelike. I had a pretty solid 9 hours of fun, and a less fun 4 hours of being stuck grinding gold and new abilities to give me the hope of downing some of the bosses. Admittedly, being better at the game might have reduced that time, but then again, being worse would have increased it exponentially. So in your game purchase decision, be sure to take into consideration how good you are at semi-twitch platformers.
Hearthstone’s UI
As you may have picked up on in my Hearthstone Impression post, I am a huge fan of its UI. In fact, it is one of the best UIs I have ever seen in a videogame. Which is… kind of an unusual thing to say about videogames in general, right? Who cares about UI anyway?
Well, technically everyone. A game’s UI is how you interact with the game itself, or glean useful information about the game state. Sometimes you can get away without having an UI at all, like with LIMBO. Other times the designers might get all fancy and try to integrate the UI into the game world itself, like with Dead Space. Most times though, a game’s UI is simply there, and the most you can hope from it is to get the hell out of your way (Skyrim).
It is an extremely rare game that features a UI that actually makes the game itself better. Hearthstone is pretty much the only example I can think of. But why? Let’s break it down:
Emulates the Warcraft Experience
This might sound obvious, but Hearthstone: Heroes of Azeroth is derived from the Warcraft franchise and prominently features characters from said game world. It is one thing to use the likenesses though, and a completely different thing to emulate the color palette, the visuals, and the ineffable mood of the game as well. Everything from the menus to the animations to the sounds feels like it could have been pulled straight out of either WoW or Warcraft 3. In fact, I am pretty sure they did outright copy/paste a lot of the sound effects, at a minimum.
Not all of the iconic cards are good, mind you.
The result of this is that an otherwise completely new gameplay experience will instantly feel familiar to someone who may not have ever played a CCG before. And more subtly, assuming you still have fond memories of the other games, some of those are likely to bleed through via nostalgia.
UI Elegantly Informs the Gameplay
Digital card games differ from regular video games in that their UI essentially is the entire game; beyond the cards themselves, the rest of a CCG match takes place in each player’s head. Hearthstone is literally the first CCG I have played that has attempted to – and successfully accomplished – bring(ing) the mental game back into the visual realm.
For example, when your hero plays a Weapon card, it clanks and rattles next to your hero, while the hero tile itself lifts off the board and goes smashing into your intended target. Then, at the end of your turn, the weapon card (which has long since ceased being a rectangular object) gets hidden behind an oval sheet of iron, which sounds and looks like a full-plate helm shutting. You don’t have to know anything about the specific rules of Hearthstone to know intuitively, from this very UI design, that A) weapon cards let your hero attack, and B) your hero can’t use the weapon during an opponent’s turn.
There are “little” touches like this all over the place in Hearthstone. Creatures with Taunt have a different shape on the battlefield to distinguish them. Creature with Death-rattle (an ability that triggers on their death) has a little skull and crossbones icon on them, whereas a creature with a normal triggered ability has a lightning bolt. Even if you did not know what those icons meant at a glance, hovering your cursor over the creature quickly brings up an unobtrusive cheat sheet description. This is a UI scheme that both enables and enhances your ability to “grok” all the moving pieces extremely quickly.
3) Genre Game-Changing Innovation
Seriously guys, this screenshot has pretty much ruined all other CCGs for me:
We can never go back.
If you are not quite sure what you are looking at, it is pretty simple conceptually: you can see what your opponent is looking at. If your opponent is hovering their cursor over your creature (to perhaps read its text), the creature glows. If they then cycle through their hand looking for a way to turn the game around, you see their cards glow one at a time. If they decide to target you with a creature or spell, a huge arrow appears where their cursor is, and you can watch as they debate with themselves as to which would be the better move.
This sort of thing is simply unprecedented in a digital CCG. And mandatory from now on, IMO.
Not convinced? Think about playing Chess in person versus playing against someone online. The pieces are all the same, the board is the same, everything is the same… except for the feedback. When you are face-to-face with someone, you can see where they are looking on the board, you can see them pick up a piece and start to move it before putting it back again. Aside from the mind games this opens up, at a minimum it might give you pause to consider that Bishop over in the corner that you had forgotten about until your opponent had briefly considered moving it.
Like I mentioned earlier, CCG battles always took place in the theater of the mind. You never really knew what your opponent was thinking or about to do… unless you happened to be lucky enough to be dueling them in-person. Can you imagine other games operating with this lack of feedback? Think about playing a FPS in which you could not hear another player walking or even which way they were facing when you did see them. An incredible amount of nuance would be lost.
Finally, at the bare minimum, consider the benefits of knowing that your opponent is actually at their chair and not AFK. I’m more than willing to wait a few minutes for someone to make their move as long as I know they are actually in the process of determining what move to make. Compare that to most other CCGs like Scrolls or SolForge or Magic Online where you are basically left watching the round timer count down.
4) Evokes the Physical Space
This last one is a lot more subtle than the others, but welcome nonetheless. Essentially, everything in Hearthstone feels… real. Like a three-dimensional object, with heft and contours and such. You don’t play cards by just clicking on them and then clicking on a target, you actually have to drag them from your hand and drop them on the target (assuming the card doesn’t automatically turn into a ball of flame or whatever midway through the action).
The way creatures are handled is similarly finely detailed. You might have noticed how creatures are sort of oval shaped, right? Well look at an unplayed creature card:
Clever girl.
That’s right, the creature oval “breaks off” from the card when you play it. When a huge creature is played, the oval crashes onto the playing surface, creating shock waves and a small crater. Attacking with said creature involves the oval flying towards the enemy hero, smashing into them and shaking the screen. You start to forget you are playing a CCG at all as it feels sorta like a miniature game at this point. And yet there is still a connection between the cards and their products. Compare that to Scrolls, which also summons creatures but has no real tie between the product (parchment scroll) and the result (animated sprite).
And let’s not forget how this oval thing also solves the problem in CCGs when it’s not easy to distinguish between creatures, enchantments, spells, and so on. Cards are generally of uniform size, and the artwork (which usually takes up 50% of the real estate) can sometimes work against your quick assumptions by having a bunch of dragons or whatever on a “Deal 5 damage” spell. This is not a problem in Hearthstone, as all creature cards have ovals inside them.
Seriously, this is like goddamn paperclip levels of elegance here.
Conclusion
As I mentioned in my Impression post, Hearthstone feels both visceral and whimsical simultaneously. The further pillow fight analogy comes from the sense of “slamming” the cards down on the table, almost feeling the creatures smash into your opponent’s face. Then there are the spell effects like Consecrate that could have easily gotten away with simply dealing 2 damage to all enemies and been done with it. Nope: all your opponent’s creatures and hero tile are lifted high off the table as cracks of golden light bleed through, and then everything slams down at once.
The whole thing reminds me of how it feels to roll dice in D&D campaign – the physicality of the action imparts a gravitas completely independent of the otherwise unremarkable generation of a random number. For Hearthstone to evoke this feeling using just sounds and what could be Flash animation is pretty amazing.
If CCGs are not your proverbial cup of tea, it’s unlikely that even an amazing UI is going to change your mind. If you enjoy the genre at all though, or are merely ambivalent, then suggest you give Hearthstone a try at release. Watching Youtube videos of other people playing does not replicate the experience dropping late-game bombs on your opponent and watching them futilely cycling through their hand trying to come up with a response.
More People Equals More Content
While I want to talk more about Hearthstone, I also did not want this particular tidbit about WoW proper to be consigned to Draft Hell:
The team size has increased 40% and another 40% increase is planned, which will hopefully allow for a new content patch every month, a new raid tier every three to five months, and an annual expansion.
Now, this was just unattributed MMO-Champ paraphrasing, coming from some Gamescom interview. I made an effort to try and see if this was an exact quote by watching a few of the Gamescom interviews myself, but didn’t see it anywhere. The statement was, however, “confirmed” in a roundabout way by Nethaera’s response to the thread asking the obvious question of “If more people = faster content now, why not back then?” Neth’s response was basically that circumstances changing doesn’t retroactively make older statements a lie.
That is all well and good, but I seem to distinctly remember Ghostcrawler or somebody saying that more people = more cooks in the kitchen, some problems can’t solved throwing more money at it for everything else there’s Mastercard, and so on. So, after some digging, I dusted off this interview with Ghostcrawler from October 2010, on the eve of Cataclysm’s release:
Slashdot: A lot of players, when they hear you talk about how you didn’t have time to make a feature good, their question is, “Well, why can’t you just go out and hire more people?”
Greg Street: Yeah. The mythical man-month.
Slashdot: Can you explain why you don’t find that to be a viable solution?
Greg Street: The other example that gets used a lot is: if it takes a woman nine months to have a baby, then if you have two women, it’d only take four and a half! Our development process is hugely based on iteration and communication. It’s more important — for, say, class design and item design — it’s more important for me to have a small team that’s totally in sync than to have a large team and have no idea what anyone else is working on. We would end up with Hunter talents working one way, the Priest would work a different way, and it wouldn’t feel polished. It wouldn’t feel good to players. Often, when we say, “We didn’t have time,” players say, “You shipped it before it was ready.” That’s not the way we look at it.
The way we look at it is: we are extremely critical of our own designs. We have very long lists of things we want to fix in the game. Some of these things have been around forever, and some of the things are new that we just added recently. If we waited until we addressed every single one of those things, we would never ship anything. It would be years and years before games came out, and that’s just not realistic. That’s not what players want; they’re not going to wait six years for a new expansion. So, instead, we do what we can and we keep other things on the back burner. We’ve got Paths — this great idea. A dance studio — we’re going to do it some day. Just not yet. We’re saving it for the right time.
It is not quite the smoking gun that I remembered in my head, although perhaps I had a different interview in mind. Or maybe it never existed. Regardless, I still think it is a legitimate question to ask “what exactly changed here?” Are the Blizzard devs less concerned about additional people and faster content leading to less polish? Did Titan getting scrapped free up some additional talent? Or is it simply the case that losing 4.4 million subscribers between October 2010 and today puts things like polish vs actual content into prospective? Given how the status quo a year ago was 8 months without a content patch, I am assuming it’s the latter.
The interesting thing will be to see how “monthly content updates” are integrated with the game overall. Guild Wars 2 has their events every 2 weeks, for example, but I believe GW2 has a much lower emphasis on gear, story, and… well, things one might traditionally associate with RPGs in general. I feel like the dozens of daily quest hubs thing isn’t going to work a second time around for WoW, but neither can Blizzard really afford to hand out gear upgrades mid-tier. Or maybe they will, and simply de-emphasize the sort of full tier/BiS gear game they have crafted all these years.
Either way, WoW is definitely veering off into some uncharted territory here – at least, uncharted for as large an MMO as it still is. I am much more interested in how this particular change with shake out, as opposed to the much more mundane F2P possibility.
Beta Impression: Hearthstone
Yes, I made it into the beta with that ridiculous email and Press™ credentials. It just goes to show you that with hard work and a can-do attitude Camus was right. Embrace the Absurd.
Anyway… Hearthstone!
Momentum is extremely fluid.
For those not following along at home, Hearthstone is a free-to-play CCG made by a small team at Blizzard, all of whom likely had an awkward conversation with their bosses as to why they were apparently hiding their goddamn genius game development and UI skills under a bushel.
Indeed, that is exactly the first thing anyone should talk about when it comes to Hearthstone: it has perhaps the best UI in any game ever made. It is both visceral and whimsical, simultaneously. You know that feeling in a pillow fight, about ten seconds in, when you are just wailing on somebody and clearly winning before Jason knocks over the lamp and your mom comes upstairs and makes everyone go to bed? It is kinda exactly like that. Or close enough that I am going to continue using this ungainly metaphor for the rest of the post.
The basic premise of the pillow fight is that each player creates a 30-card deck, limited to 2 copies of an individual card, and then tries to reduce the opposing player from 30 life to zero in a turn-based manner. A few unique gameplay wrinkles show up immediately. First, players have to choose a Hero to represent them, corresponding to one of the original nine classes in World of Warcraft. Each class has their own unique set of cards that cannot be used by the others, although there is a large portion of “neutral” cards that can go into any class’s deck. In addition to the unique pool of class cards, each hero has a “hero power” which is an ability that costs two resources and can be used once each turn. The Paladin hero, for example, can create a 1/1 creature whereas the Warlock can pay 2 Health to draw a card (ala Life Tap).
The second gameplay wrinkle comes from the gameplay flow. Each turn, a player gains another resource point (aka Gems, Crystals, whatever), up to a maximum of 10, with them reseting at the start of each turn. While there are technically “Secret” cards with hidden triggers that can be played, there is otherwise no action possible during an opponent’s turn.
Finally, combat plays out a little differently than you might expect, coming from SolForge or Magic: the Gathering. Summoning Sickness and Haste (i.e. Charge) is all there, but there really is no concept of “blockers”; unless your opponent has a creature with Taunt, you are free to send your units to attack the player or his/her creatures at your leisure, in whatever sequence you choose. While the optimal move is sometimes obvious – sending your 1/1 into that 5/1 – the math becomes exceedingly fuzzy when you start having to compute whether it’s better to just send all the damage to their dome and hope you maintain enough initiative to win the damage race.
Here is an example of some strategery:
This Warlock is in for a bad time.
It’s turn 7, and the Warlock has a 7/7 mob. On my side, I have a 3/2, a 1/1, and a Young Dragonhawk (1/1 with Windfury, which lets it attack twice per turn). In my hand is Raid Leader (2/2, gives my other creatures +1 Attack), Blessing of Might (gives creature +3 Attack), Lord of the Arena (6/5 mob with Taunt), and Shattered Sun Cleric (3/3 that gives a creature +1/+1 when it comes into play). My moves? Blessing of Might on the Young Dragonhawk, Shattered Sun Cleric also targeting the Young Dragonhawk, and then playing the Raid Leader. Attack the Warlock directly with all my creatures, dealing 6 + 6 + 3 + 1 damage to the dome, bringing him to 8 life with more than lethal damage still on the board.
Why play this way? There are a few reasons I chose to, and a few more that argue for a more conservative approach. Warlocks have a lot of removal by default, including Hellfire that deals 3 damage to everything. As amazing as my 16 damage was the prior turn, a single Hellfire would have wiped my entire board and left the Warlock with a 7/4 creature wailing on me. I could have perhaps played the Lord of the Arena and then Blessing of Might on the Dragonhawk, dealing 12 damage and leaving a sort of Taunt barrier that would survive (and trade) a Hellfire. Or I could have done my big play like last time, and sent the 6/2 Dragonhawk into the 7/7 as its second attack and finishing it off with the 1/1, having dealt a total of 9 damage to the Warlock.
Having actually wrote all this out, it has become apparent that my original play was monstrously dumb. A single Hellfire would have wrecked me, to the point of not being able to recover. At the time, my thought process was that the Warlock had to remove my Dragonhawk or lose the next turn, so he’d send in his 7/7 targeting my 6/2, leaving it as easy picking on my next turn… which would be irrelevant because I’d have lethal damage available anyway. Shit, I was probably just too damn excited to contain myself. “Sixteen damage in one turn! Ka-Pow, right in the kisser!”
While there are moments of high excitement, there are also moments of extreme depression. Hearthstone, like many (most? all?) CCG games, forces one to become intimately acquainted with the Three Sisters: Tempo, Card Advantage, and RNG. Take a look at this screenshot which, days later, still causes me to groan:
Seriously?! C’MON!
My opponent is at 1 HP, and it’s their turn. They send their 3/3 (which makes a 2/1 at death) at my 5/5, and then the 2/2, and then send a 1-damage fireball at my 1/1 creature. Approximately 247 days or five turns later, whichever is worse, the Mage wins. Wins. I never draw a creature with Haste Charge, or any “direct” damage (by Paladin standards), and nothing on my side of board lives long enough to attack. I created a 1/1 each turn only to have it pinged away.
You will have games like this, and it will suck. It is not quite on the same level as being Mana Screwed in Magic, but games possibly grinding to a halt is at least one problem that Scrolls solved beautifully – in Scrolls, you either turn a card into a resource or discard it to draw 2 new cards. With Hearthstone, some heroes like the Paladin have a severe problem with running out of steam. There are technically some Paladin-specific trickery to “solve” this issue – Divine Favor is a 2-cost spell that let’s you draw cards until you have as many as your opponent – but that is heavily dependent on actually having said cards in your collection, and drawing into them at the opportune moments.
Speaking of which…
The Business Side
So where are the Hearthstone F2P hooks? Well… it’s kinda weird. I mean, not really, but it sorta is. Here is how you spend money:
Almost… reasonable?!
You can buy 5-card booster packs for 100g or at an escalating discount; they come out to be $1.50, $1.43, $1.33, and $1.25 apiece in the various quantities. Entrance into the Arena (which used to be the Forge) is 150g or $1.99. Purchasing boosters for 100g is almost always a waste of precious gold, considering that even if you go 0-3 in the Arena, you will receive a booster pack at a minimum in addition to some other prizes. Supposedly, if you win 7 or more Arena matches, you will make enough gold to purchase another entry. I went 4-3 and came out with 45g and some dust (used to create cards) in addition to the booster, so I technically “paid” a 5g premium for a series of fun games and dust instead of simply having a booster.
What are sources of gold? There are basically two: daily quests and winning matches against people. The “daily quest” is really just a random quest that asks you to win 3 matches, kill 40 creatures, play some games as a specific class, and so on, with a reward of 40g. Winning matches gives you 5g after you win a total of 5, e.g. 1g apiece. I think there might also be a gold award when you level a class up to 20.
So you can sort of see the outline of the F2P hooks. You are not going to be playing in the Arena every day without forking over some serious cash. Being competitive in the Ranked games will require Legendaries and other power cards, which come from random packs. All pretty standard for a CCG, really.
But honestly? Blizzard is pretty much doing everything wrong if their goal was pure F2P exploitation. There are no special classes of booster packs (more expensive versions that have guaranteed rare cards) like in SolForge or the upcoming Hex. You can play the equivalent of Booster drafts using in-game currency. And the biggest jaw-dropper once you think about it? You can manually create any card in the game via the dust. Including Legendaries. Yeah, it takes like 1600 dust to craft a Legendary and your sole source of dust is going to be from activities that involve money (e.g. boosters or Arena), but again, you can substitute in-game currency for the costs. So, eventually, a person that spends $0 can have a full set of all the cards in the game.
Probably around the same time a new set comes out, but hey.
Bottom line: Hearthstone has some legs. In fact, it’s about to have a few more pairs after it chops the current (and upcoming) competition off at the knees. The game is fun, the UI is a feast for the senses, and the few issues I do have with the game can easily be addressed by the end of Beta. This Impression post is already absurdly long, but you can be certain that there will be more to say about Hearthstone in the weeks and months to come.
Dear PR@Blizzard.com
Subject: Hearthstone Beta Press™ Request
Hello,
My name is nice try, NSA , aka Azuriel, and I run a gaming blog called In An Age (inanage.com) that has a focus on PC games. While the topic of my posts varies between what I’m playing, to game reviews, to MMO design critiques, I am especially passionate about my Beta Impression posts. I have wrote beta impressions about WoW expansions, Guild Wars 2, Darkfall, Card Hunter, and more. In fact, I just completed two more within the last week: Scrolls and SolForge.
I would be extremely honored if you allowed me to add Hearthstone to that list. By letting me in the Hearthstone beta. As a member of the Press™.
In return, I can promise you a minimum of one (1) brutally honest Beta Impression post, and possibly dozens more if the game is as amazing as it looks. In fact, since I would likely spend money in the store for the tournaments (as investigative journalism), you could almost say that I’m paying you for free advertising. Just think: a Hearthstone article by me could be seen by hundreds (!) of people! That’s a PR coup if I’ve ever seen one.
In any case, I want to thank you for your time, and stalwart support of the blogging community. Your willingness to give members of the Press™ (such as myself) beta keys is an inspiration to us all. Hopefully.
Shamefully yours,
– don’t doxx me, bro (aka Azuriel)
P.S. If you ever need to fill a slot on a Press™ tour of Blizzard HQ or on the WoW dev team, I am available.
When PopCap Jumped the Shark
heavy sigh
Yeah, yeah, it’s a dev hack to get around the bizarre inability for iOS apps to figure out if the given device can run it. And the actual shark-jumping likely happened two years ago. But, still, it’s like… really? I’m not mad, just depressed about the first signs of the somewhat arbitrary obsolescence of my iPod touch. PvZ2 is not necessary by any means, but it’s still clear that winter is coming.
Beta Impression: SolForge
After becoming increasingly disenchanted with Scrolls while still craving a card-game experience, I found out that SolForge was in Open Beta as a F2P game. On Steam, no less. Score!
I have to consciously not read that as Solf Rge.
SolForge plays a lot differently than many other CCGs (there is no trading that I’m aware of): it has the most distilled, fast-paced card gameplay that I have ever seen, outside of maybe Dominion. The basic premise is that you build a 30-card deck with the goal of reducing your opponent from 100 HP to zero. There are four “factions” that roughly correspond with certain card themes, and your deck is limited to having cards from only two factions. Each player draws five cards, someone is selected to play first, and then you see this screen:
*rubs hands together*
The first big twist is that there are no resources to manage. On your turn, you can play two cards from your hand, be they creatures or spells. When you play any card, an upgraded version of that card is shuffled back into your deck. There is a combat step where all creatures attack, and you can trigger it at any point during your turn (before, in the middle of, or after you played your cards). At the end of your turn, any leftover cards in your hand are also shuffled back into your deck and you draw a new hand of five cards. Every four turns or so, your avatar “levels up” and then you are able to start actually drawing the upgraded versions of the cards you played previously (even if the original is still on the board).
A quick note about the leveled-up cards: it is way more strategic than you think. A lot of cards might have an especially weak Level 1 form, only to ramp up in power with Level 2 and Level 3. Others are strong Level 1 contenders, but feature a definite lack of scaling that almost make them dead-draws in the endgame. Still others sort of force you to use them early to keep them relevant at all. An example of the latter is Cull the Weak, a removal card which destroys a creature with 4 Attack or less, which ramps up to 7 or less and finally 14 or less at Level 3. Played early, Cull will serve you immensely well into the late stages of the game; drawing into a Level 1 Cull around Turn 15 though, and it may as well be a blank card.
Examples of the first two types of cards (late vs early game focus) can be seen here:
The Darkshaper is by far my favorite card in my collection.
Where things really get (further) mind-bending is combat. Creatures you play have Summoning Sickness are “On Defensive” until the start of your next turn, meaning they won’t initiate combat. Creatures will also stay in the lane you played them in (unless they have the Mobility trait), attacking anything directly across from them. Once creatures are “On the Offensive,” they will attack every turn. As in, creatures will attack on your turn, and then attack again on your opponent’s turn. Damage a creature takes is permanent, as are most boosts and the like. As you might imagine, creatures die pretty quick; conversely, this means that any creature that does stick around (especially if they have a nice ability) start becoming increasingly dangerous.
What I am failing to get across in words is this: the tempo is SolForge is insane. And addicting. Let’s say that I play a 5/5 creature and my opponent then plays a 7/7 across from it. If I do nothing, my 5/5 will automatically run to its death, and my opponent will begin dealing 7 damage a turn with the now 7/2 creature. Before the attack phase, I might cast a spell that gives one creature +3 attack and another creature -3 attack, making the match-up a 8/5 versus a 4/7. On my opponent’s turn, if he/she doesn’t kill the creature with a spell or throw another creature in front of my now 8/1, it will attack again on his/her turn.
Goddammit, words aren’t working. Here was board position of the closest fight I have ever seen:
There has to be a way out…
It is my opponent’s turn, late in the endgame. His creatures are the 6/10 Savant that let’s him give a creature -3/-3 whenever he casts a Level 1 spell, and “just” a 24/7 wurm. Mine are all just vanilla creatures aside from the Dryad, which gets +1/+1 each time a creature comes into play on my side. He just cast the +3 Attack/-3 Attack spell I mentioned earlier, targeting his wurm and my dryad, taking out one of my 2/3 Ether Hounds with the -3/-3 trigger. He then plays his own Ether Hounds, providing blockers for my Dryad and Marrow Fiend, using the Savant’s trigger to kill my last Ether Hound. He attacks, creatures die, and we go down to 7 and 4 HP respectfully.
What are my options on my upcoming turn? Well… the 6/5 is just a vanilla creature; the 4/6 will spawn a 1/1 creature in its space after it dies; the 14/14 creature has Mobility and gets +6/+6 when a creature dies across from it; the card Enrage gives a creature +5/+5; and the last card gives a creature -3/-3. Hmm. After I make my moves, the board looks like this:
Not horse-shoes or hand grenades, unfortunately.
I had tossed my 14/14 in front of the Savant because the -3/-3 triggers were generating insane card advantage, and would basically negate my center lane gambit. Said gambit was tossing in the 4/6 creature in the path of the 24/7, and relying on the 1/1 that spawned after its death to give me the reprieve I needed to win. And, in fact, I would have won on his turn, but he managed to cast either another Savant or perhaps a Gloomreaper Witch (kills a 1-power creature when it comes into play) to remove my 1/1 and block my 20/14, and then some other throwaway creature to stand in front of my 17/11. The wurm, unopposed, kills me. GG.
Whether all of that sounds like gobbledygook or a smashing good time probably depends on how familiar you are with card games, or with Magic specifically. Oh, did I forget to mention that? Richard fucking Garfield had a hand in SolForge’s development, along with the guys who made Ascension, who were already pro Magic players. Now that I think about it, Richard fucking Garfield worked on Card Hunter too. Dude gets around. Considering how everything he touches seems to directly trigger my nucleus accumbens, I’m going to say that this is a Good Thing.
Less so for my wallet.
Endless Loop of Nonplaying
Aug 30
Posted by Azuriel
The final Season Pass DLC – Tiny Tina’s Assault on Dragon Keep – has been out for Borderlands 2 for a while now. I have not even finished Sir Hammerlock’s Big Game Hunt yet, having gotten bored with what the BL2 gameplay devolves into in Ultimate Vault Hunter Mode difficulty (I started playing Sir Hammerlock after the UVHM was released).
Actually, that is not entirely true. What happened is I’m stuck in an endless loop of nonplaying.
See, one of the big changes in UVHM difficulty is that you pretty much have to own some form of gun that features Slag damage (a Slagged enemy received extra non-Slag damage). Since Slag wasn’t required in the prior difficulty, I never really bothered to pick a gun with it up. And since I never saw a point in farming the final boss back when True Vault Hunter Mode difficulty and level 50 was the highest you could go, my normal level 50 weaponry is pretty weak. This was one of the contributing factors to my boredom with the Hammerlock DLC insofar as the enemies took forever to kill on UVHM and yet none of the weapons I was receiving were technically any more powerful. Lack of character progression = lack of interest.
And yet… where is the off-ramp to this endless loop? Completing the Hammerlock DLC isn’t required to start up the next one, but I’m not likely to start it in UVHM difficulty due to the weapon issue. But I’m already level 51, one past the prior cap, from my progress in Hammerlock. So not only will my Dragon Keep adventure start at a reduced difficulty, I also won’t receive any actual gun upgrades throughout it. But I can’t play UVHM without better guns. Which I can’t get without farming the last boss in story mode, or perhaps farming another of the other DLCs. But I don’t want to farm content that I have technically seen multiple times already, and certainly not to acquire guns that will likely be better than what I’ll see in the DLC I need to have them for.
This is, like, a Catch .2206.
Technically, I have shit-ton of Golden Keys from nearly six months of not using any; these will open a chest with high-grade, level-appropriate weapons of a random nature. Also technically, I could use a Save Game editor and just give myself appropriate weapons. In fact, I was considering the Editor because I’m tired of Zer0’s gameplay but don’t want to have to beat the game twice, again, just to get back to where I already am. But I kinda feel like using the Editor would remove any meaning to loot drops much as the AH did in Diablo 3.
So what typically happens is that I’ll be in the mood for some FPS game, think about Borderlands 2, try and navigate the thought process behind what I need to do to play it, and then… go play something else. Because, Christ, I just wanted to shoot things, not map out the plot of Primer.
Posted in Commentary
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Tags: Borderlands 2, DLC, Endless Loop, Primer, Ultimate Vault Hunter Mode