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Mirror
I am still playing Valheim, off and on. I haven’t felt the need to write about it though, considering how many other bloggers are filling space with their survival narratives. How many times do you need someone to talk about taking down the 2nd boss and (initially) struggling in the Swamp biome? For a minute there, even I started to wonder whether we all entered some kind of writing prompt class and had to elaborate on the same Youtube video of someone else playing Valheim.
What I have come to understand though is that all of us playing the same game and making progress in roughly the same timeframe really puts a mirror to us as gamers. Blog posts by their very nature do this all the time, of course, but when the base experience is so austere, we can’t hide in the minutia.
In examining my own narrative though, I keep coming back to… annoyance.
The above is a map of my adventures, starting from the 2nd boss who was like two major islands away. Which is fine. Having them so far away serves as an enforcement mechanism to engage with better boats and creating portals. Which highlights how you can’t take ore with you through portals, and oh you still need to explore the Black Forest to sweep dungeons for the necessary cores. And since you drop everything on death, you have to really be on point when exploring or else you’ll have to build a new boat and sail all over again, so make sure to stop and drop a portal every so often.
The real non-fun happened after killing the 2nd boss though.
The Swamp biome is fine. It’s oppressive and dark and tough to navigate and does a real good job of highlighting how much you do not belong there. The prep work necessary before venturing in (Poison Resist, etc) is precisely the sort of things that make survival games so addicting. If you never bothered to learn what the Wet debuff means on a practical level before, you sure as hell are paying attention now. The desperate struggle to flee while both Wet and Cold, spending what precious Stamina you have left zigging and zagging to avoid Draugr arrows in your back, all while you watch with dread as Poison ticks your remaining HP away is something that I think all of us experienced in our bones.
The non-fun for me was how it took more than 5 hours of “exploration” to find a Swamp biome that even had a Sunken Crypt in the first place. I found Swamps, yes. But Sunken Crypts with their Scrap Iron is the only real reason to ever set foot in one. What I found instead were crypt-less Swamps and a world seed that is apparently 90% Plains, which is a biome two ahead of where I should be. And so I sailed and sailed and slapped portals as far apart as I dared, knowing that dying too far out would likely put an end to my playing Valheim at all.
Then this happened:
With portal “Swamp 5” I finally located a Swamp biome that actually had Sunken Crypts. Three of them. All within sight of one another. And within one such Crypt I got a read that the 3rd boss was… right next door. Next to another 3-4 Crypts.
Now, perhaps it would be too much to ask that every Swamp has a Sunken Crypt. Too formulaic. On the other hand… come the fuck on. Legitimate Swamps 1-4 were not legitimate enough, eh? I keep thinking how much my perception of the game would be different had I discovered a Sunken Crypt in the first Swamp biome I went to. Then again, maybe not, considering how I’ve clocked another 3-4 hours of “gameplay” finding and exploring Mountains that contain no Silver.
“Okay, you just don’t like exploration.” I mean… maybe? I can agonize for hours and hours in 7 Days to Die or ARK where is the ideal place to create a base. Because that sort of thing actually matters in those games. Valheim is about creating shanty towns next to resources and then portaling everywhere or white-knuckle sailing back to “home base” with a hold filled with ore. Really reminds me of Starbound and No Man’s Sky in that way – “home” is all but an abstraction, a loading screen at the end of an ever-expanding portal chain. The only real anchor in Valheim are carrots, beets, and beer, as those take a few game days produce. But, again, those be located at the ass-end of the world for all it matters.
In any case, I do not consider Valheim’s present state to be a particularly compelling argument for “exploration.” Am I literally “traveling in or through an unfamiliar area in order to learn about it?” Yes. But if procedurally-generated emptiness is what floats your boat, allow me to introduce you to No Man’s Sky, (vanilla) Starbound, and another small indie title called Minecraft.
There doesn’t have to be a treasure chest behind every waterfall, but if there are never any chests or my progress through your game is dependent upon a 10% chance of a randomly-generated waterfall spawning a chest 5% of the time, well, fuck you.
Perhaps I am being too harsh. I talked about ARK a lot before, but I sure as hell wasn’t using standard settings that would require 10 real-world hours of unconscious dino-sitting. So perhaps I uncover the Valheim map a bit via cheats (or view my world seed map) and at least note the next 5 mountain ranges of adequate size so I stop spinning my oars in the wrong direction. Because I have no problem collecting 500 whatever to do the next thing. But I have a huge problem spending the time going to the place where the whatever is supposed to be, and finding that the princess is in another castle, in a different game, and have fun playing through it all over again.
Plate Spinning
You’d be forgiven for wondering whether my resolution to “continue to be a passably responsible gaming dad” meant not posting anything in 2020. Luckily, that is only partially the case.
I don’t actually know how other people do it. My wife and I both work, which means that gaming time is typically limited to when she and the baby go to sleep. But said gaming time is really “do everything else time,” so in practice, it’s like 30 minutes. What can you meaningfully play in that amount of time?
The kicker is work changes. I used to have some downtime in which I could write posts. Now that I’m in an interim position, that’s out the window. It’s been out the window for a while, but not all the plates had stopped spinning. Now that they are slowing down, well… I should probably learn how to spin them, yeah?
I’m kidding – I’m amazing at everything I do. It’s the choosing to do things that needs some work. So I’m going to do that.
And maybe shorter posts? We’ll see.
Open World, Closed Story
Having made it well into hour 30 of The Witcher 3, I am beginning to realize something about the plot. Namely, it is entirely incongruent with the actual gameplay.
Take your time, the Wild Hunt is not going anywhere.
The basic premise of Witcher 3 is that Geralt is looking for his adopted daughter, Ciri, who is also being chased by The Wild Hunt. So already there is a trajectory here to the plot, which is “quickly follow the clues to find Ciri.” But every other single element of the game clashes with any sense of urgency that the premise should be bringing.
For example, during a beginning segment of the game, Geralt finds out the baron of the area has met with Ciri. However, the baron refuses to give Geralt any details until he finds the baron’s own missing wife and daughter. Before you can do that though, you will likely need to gain some levels completing other side quests in the area. So you complete quests, level up, go find the wife, then daughter, then head back to the baron to get the full story, 15+ gameplay hours later. The end result is, spoiler alert, Ciri is no longer in the area.
Which of course she isn’t. Literally nobody is the world expects to find Ciri in the very first area indicated by the quest objective. It would actually be incredibly novel for a videogame to feature a “quickly chase down this person” plot structure and actually allow the player to find them in the first area if they are quick enough. It would also make said game really short, and almost punish the player by removing gameplay, but very novel just the same.
The problem in Witcher 3 goes deeper than just using a false sense of urgency though. The problem is actually having any plot whatsoever in an otherwise open-world game. Every time I decide to strike out on my own and investigate every abandoned shack in the woods, inevitably I encounter the end-result of some quest I have yet to accept. For example, I spotted a shack, looted it, found out there was a cave system beneath it, explored and looted that, noticed all the red-highlighted spots (indicative of quest markers), then left the area. An hour or two later, I got a quest to investigate the same shack, “discover” a monster nest in the cave below, and then fight said monster. I ended up feeling punished for exploring on my own.
I didn’t want to complete that level 4 quest anyway.
The irony here is that Witcher 3 would have been screwed either way. It’s bad the way it is. It would almost be worse if there was some kind of plot lock on the cave system, because it would engender a feeling of false open world-ness. “Go anywhere you want! …except here. And there. And over there too.” It wouldn’t be much of an open world if you could only explore the empty bits.
The other thing that Witcher 3’s open world is demonstrating to me is how much I do, in fact, loathe fixed-level monsters in open-world settings. It is getting beyond frustrating to be exploring and exploring and all of sudden, skull-level monsters. I mean, it makes sense that there might be monsters out in the world that are super-deadly and Geralt would need to become more powerful to overcome. But quite often there is no delineation going on – you’ll be killing level 10 Drowned one moment, and then 50 ft away is a level 20+ monster. I suppose that it is more “organic” than just having all the monsters coincidentally more powerful near the edges of the map, but again, it feels bad to me as a player wished to engage with the “open” world. Especially considering all this really tells me is that the “right” way to play is to not explore anything until level 20+ so I don’t have to skip areas.
I don’t know. I suppose the conclusion I am coming to is that if a game offers an open-world setting, I almost want it to have little-to-no plot, or really level-based progression of any kind. Fallout 3 allowed me to explore every corner of the non-DC map by level 3 (and had scaling monsters), which is probably why I enjoyed that game so much. Minecraft of course lets you punch trees anywhere. I don’t remember being too put-off by Dragon Age 3 either. In the Witcher 3’s case however, I may as well go back to treating it as the hemmed-in, plot-centric game its two earlier iterations were.
Learning to Let Go
For the longest time, I was a believer in playing games to completion no matter what. A large part of this sentiment was codified back in my semi-official reviewing days in which we were required to beat a given game before we could review it. That always seemed like a reasonable request, and it meshed rather nicely with my general sense of optimism (…stop laughing) regarding the possibility of a game making up for its earlier shortcomings in the 11th hour. Kind of like… err… huh. I can’t think of any examples at the moment, but I’m sure there are some. And maybe this next game will be the one!
In the past few weeks, I have made a concerted effort to abandon such sentiments.
You might have noticed that I am reviewing less games these days. While I still enjoy writing reviews, I’m less convinced that many of the games I play either need or deserve them. I finished Batman: Arkham Asylum a few days ago, for example, but who out there would really benefit from my take on a game which has two sequels and a derivative (Middle Earth: Shadows of Mordor) already? It’s an open question if anyone benefits from any review I do, but at least more topical games are easier to justify to myself. Once the “review potential” of a game is reduced to zero, I no longer feel any need to finish it.
Or, in some cases, even start them. My original plan was to start playing the old Tomb Raiders before starting the Square Enix reboot, but I just “Nope’d” out of there after seeing some screenshots. Company of Heroes was played just long enough to start realizing that I liked Dawn of War better. I started playing Thief Gold two days ago and stopped this afternoon. Minutes before writing this post, I was going through the tutorial of Fable: the Lost Chapters; camera was a little too wonky for my tastes though, and now here we are.
I still do feel a little bad when I banish a Steam game into my Finished category, as obviously I spent some amount of money acquiring it at some indeterminate point in ages past. But on the other hand? I can acknowledge that I have likely past the threshold beyond which there are more legitimately fun games that I am actually excited to play than I have time on this mortal coil to do so. Perhaps it is crass to say, but… if I had cancer, would I spent my remaining time playing the original Hitman? Or, really, any of the Hitman games (I’ve heard Blood Money is the best though)? Probably not.
It pains me to know other people will not likely experience the joy that was Xenogears or Tenchu or whatever, but I understand the dilemma now more than ever. No matter how good Game X was for Y reason, sometimes the Z era was what made it so. Can I really appreciate the original Thief in the proper context of its time? Well, I did make it to the third level before shutting it down. I have heard conflicting reports as to whether the Thief reboot lived up to its lineage, but I am now more inclined to spend the $6 (deal is over, alas) to purchase the new one than I am to play through the original(s).
In any case, that is where I am at the moment. I’m not opposed to older games, but they will have to work extraordinarily hard (and quickly) to keep my attention, starting now. Ain’t nobody got time to play games out of some misguided sense of obligation.
In An Age 