Another Klei game has graduated Early Access, showing the world how Early Access should be done.
I had stopped playing Oxygen Not Included (ONI) back in March, because I was getting a bit overwhelmed with my longest-running base, but didn’t want to start over with a fresh one because there were some pending updates. I continued holding off because the release date was going to happen soon, then it got delayed, so I waited some more. Booting up the launch version last night was satisfying, like slipping into a well-worn chair after a month-long vacation.
For the most part.
New biomes have been introduced, new machines, new elements, new critters, and a new selection of theme asteroids with random modifiers like “metal-rich” or “magma channels” or “frozen core.” There are trees now, in certain locations, and an entire engineering path in which you can burn trees for fuel, turn them into ethanol, and so on. There are also some major changes to heat deletion, specifically removing some of the cheesy methods and making it more of a hassle.
At the same time… the (optimal) early game is pretty much identical. Construct some Outhouses, dig out some 16×4 rooms, make your vertical shafts three tiles wide for airflow and future-proofing reasons, dig out a basement for your Carbon Dioxide to settle so the Dupes don’t smother in their sleep, and so on. The Research tree has been rearranged, Skills have undergone a third (final?) revision, but everything you learned about the first 50 cycles or so is pretty much the same.
The one thing that stays interesting is the placement and types of geysers that can spawn. In the beginning there were only Steam geysers and volcanoes and such, but now there are ~19 different varieties that can radically change the trajectory of your entire game. For example, having a nearby Natural Gas Vent (i.e. geyser) means you can rush an early Natural Gas Generator and otherwise skip Coal power entirely. A water geyser, in whatever form, is pretty much required for any kind of long-term survival, so it’s good to find an early one and get that concern out of the way.
In many ways, ONI reminds me of Civilization in this regard. Many of the steps you undertake are the same, although early environmental resource placement can cause you to switch strategies. By the mid-to-late game though, all roads lead to Rome and you end up doing the same sort of things, e.g. the one that work, as you coast to an inevitable conclusion.
Granted, I haven’t made it to the endgame in the released version of ONI – or in the beta for that matter – so maybe they changed things up. Hell, there are some asteroid options like Rime, wherein everything is basically frozen except for the starting biome, causing you to be very concerned about generating heat instead of having to worry about cooling everything down like normal.
In any case, Steam says I have played 80 hours of Oxygen Not Included already, so even if the release version doesn’t capture my long-term attention, it’s because I have already spent a long time enraptured in its systems. It is decidedly NOT Rimworld or Dwarf Fortress, but it is another fun game from Klei (makers of Don’t Starve). If you like failing miserably several times before becoming lord of the elements, I recommend the game.
Syp has a post up about how Battle for Azeroth really isn’t that bad.
[…] I had left last October after burning out a couple months into the new expansion, feeling both overwhelmed at the grind and underwhelmed by the direction and features. I think I needed that, as I had been playing more or less nonstop for two-and-a-half years before that point.
And with a somewhat negative exit alongside of many others who were very vocal with expressing their displeasure over the expansion, it kind of got cemented into my mind that BFA is terrible. Coming back, I can’t say that’s the case, and while it’s trendy to bash BFA these days, I’m also seeing that it’s not as bad as some of the hysterics have made it out to be. It’s no Cataclysm, and it’s not suffering the content drought of Draenor, that’s for sure.
As I commented over there, I find it kind of glib to suggest that an expansion that has had almost 11 months worth of time to be fixed, including two major content patches, is “not as bad as some of the hysterics have made it out to be.” Indeed, the two initial points Syp brings up – overwhelming grind, underwhelming features – have not, to my knowledge, actually been fixed. We may not still be in the situation of needing to grind out Azerite Power to unlock abilities we already had before upgrading a piece of gear, but the very fact that Ion and the rest of the clownshow at Blizz HQ thought it deserved to make it off the whiteboard is embarrassing. Or how Titanforging makes it so that you are never actually done with gearing, ever, with zero possibility of being “complete” save for the sweet release of death (or subscription lapse). Or how you never gained anything from level from 110 to 120, and only grew weaker against the same mobs you had been fighting all along.
Suppose those things had been fixed though. I stopped playing mid-October of last year, so maybe they even have. Could that mean Beta for Azeroth was actually a good expansion?
The question seems nonsensical. It was clearly a terrible expansion for me and tens of thousands of others. It was a terrible expansion for Syp who identified the precise flaws and quit too. I can understand being able to “come back” and revisit the experience with a fresh pair of eyes and expectations. But is it even the same game? Is Syp playing it in the same way? Can an MMO expansion be “good” if the limited PvE content is fun, but everything else about its design suffocates long-term play?
Less than two months ago, I wrote a post called Bygones in which I talked about how holding game grudges doesn’t always make sense. If someone asks about Diablo 3 these days, bringing up the Real Money Auction House is basically a non sequitur. No Man’s Sky’s original release state might give you some perspective about its developers, but… actually, it wouldn’t, because the current difference is night and day.
Should Beta Battle for Azeroth receive the same courtesy?
Maybe. Perhaps some grudges take deeper root when it feels personal. The last time I played WoW was a whole baby ago, so maybe everything feels improved. Nevermind the fact that it does matter what sort of experience you are looking for in the first place – an endgame being crap shouldn’t concern a tourist just looking for leveling thrills and some plot.
And yet… nah. I won’t begrudge Syp’s fun anymore, but I do take BFA’s design almost personally. I wasn’t a big subscriber to the whole A Team vs B Team thing, but there isn’t a whole lot of explanation as for why BFA released in the state it did on the tail end of Legion, which got so many things right. When you look back, it goes BFA (bad), Legion (good), WoD (terrible), MoP (good), Cata (awful), Wrath (amazing), TBC (eh), vanilla (supposedly good). This probably bodes well for whatever comes after BFA.
In my still-limited free time, I have been playing Graveyard Keeper.
Even before I purchased the game – or got it through a bundle, I forget – Graveyard Keeper had been unfavorably compared to Stardew Valley. Specifically, how the game devolves into an inordinate grind. Having played the game now for about 25 hours, I have to agree. But it is not the grind that is the problem, but the overall disjointed experience.
As you might imagine from the name, the primary task is the maintenance of the graveyard and nearby chapel. Bodies will be delivered periodically, and interring them can not only improve the overall quality of the graveyard, but gives you a Burial Certificate which you can trade for coins. As things progress, you get the ability to perform autopsies to improve the “quality” of the bodies before burial – primarily by removing “sinful” organs – such that higher quality headstones and such can unlock the full potential of a buried corpse.
So, the gameplay loop starts relatively tight. You chop trees and mine stones/ore to build headstones and such to improve the graveyard. Improving the graveyard eventually allows you lead sermons that generate Faith resources, which allow you to research further technology.
Things fall apart in the mid to late game. The ultimate goal of the game is to collect six items from certain NPCs in town and spend 12g on a last item. 12g is 1200 silver and you get 1.5 silver for each buried/burned body. Thus, you need alternative means of making money. Which is fine, because the quests necessary to get the special items are long and involved and require you to do all sorts of tech-tree development, building dozens of workstations, and basically creating a little empire. However… you can’t specialize. The bartender will purchase the wine you make, for example, but each bottle sold will reduce the price of the next bottle, and prices only recover slowly over time. Which means you need to do all the things all the time, when there will never be enough of it to matter.
To me, that is not even the worst part. The worst part is that your time horizon is ever only seven in-game days. In Stardew Valley, you had seasons and yearly events to plan towards. Sometimes that was a massive pain and source of min-maxing, given that you could spend a lot of time on crops only to have them all die a day before harvesting because the calendar changed. But it also gave you a focus. Hell, you could focus on just a few things, e.g. fishing vs animals vs growing crops, depending on your mood. Graveyard Keeper requires a generalized approach of running around all day every day, never really getting a sense that you’re making progress on any particular thing.
I even have some zombies now to assist in automating resource collection, and I still never have time to do all the things I need to do to feel satisfied on my progress. At one point, I just abandoned the whole corpse part of the game for several in-game weeks because I couldn’t be bothered. I was trying to unlock the second-tier Alchemy Bench so that I could actually start using the Embalming techniques I had unlocked 10 hours beforehand, but the convoluted tech tree and components meant I couldn’t do much of anything. Even when there are interesting choices to make, such as removing more organs than necessary to turn them into alchemical ingredients at the cost of corpse quality, all it becomes is just another chore to do on the path to something else.
It is difficult to discern why I still like playing this game. Well, perhaps not too difficult: it’s a game that encourages planning and thinking even when not actively playing. Same with Fallout 76, really, in that even at work I am strategizing on what I plan to do in-game when I get home. But this chronic tension and sense of never making particular headway is also exhausting, and the last thing I need more of in my life.
It’s amazing the value of doing nothing.
Recent Steam sale? Bought nothing. There are like 30 items on my wishlist, but none of them are particularly… buyable? For example, I have Sekiro on there but A) it’s a newer game that won’t see a deep discount, and more importantly B) I have no means of playing. I’m actually coming up on the end of my 4-week baby probationary period (i.e. paternity leave), but that just means a new reality of daily babysitting and the same lack of any ability to do much of anything after work still.
Recent Amazon Prime Day? Well, I did buy some house stuff because I’m a bleeding heart liberal that nevertheless enjoys next-day delivery of… let me check… 100 ft extension cords, razors, fish food, and USB chargers. More importantly though, I did not buy that PS4 Pro $300 bundle despite the fact that I was actually browsing Amazon right when it went up.
If I’m honest, it was less willpower and more dithering. “Surely I would play it! Totally different scenario from the PS3 I have hooked up next to the monitor I’m currently typing on.” “If I’m buying a console for no reason, why not a Switch instead? There are fewer Playstation exclusives I’m interested in, plus it’s portable when watching the baby!” “Yeah… but Final Fantasy 7: Remake.”
“…aaaaaaand it’s gone.jpeg.” “Success baby.jpeg.”
I have talked in the past about my digital hoarding predilections, insofar as it is more centered around avoiding paying MSRP. A good deal on a game that I want to play eventually is very enticing, because when the mood strikes, it strikes hard and turns any other game into ash in my mouth. This used to be a big problem.
Now? I have accepted my fate. I play phone games and browse Reddit for nine hours, then maybe play something equally mindless, like Fallout 76 or now Graveyard Keeper when off baby duty. Could I jump back into Divinity: Original Sin 2? Not really. I mean, I could play it, but I’d probably be interrupted every 30 minutes or so, and only have about two total hours in any case. When that becomes your gaming time horizon, your tastes shift.
I am hoping that things will eventually settle down. My child doesn’t sleep through the night, or even in a crib for longer than 15 minutes yet. I think babies are supposed to though? I have no idea. All I do know is that sometimes doing nothing is the correct answer, which just so happens to correspond to my existence at the moment.
Christ, I just want to sleep. And play videogames.
There was an interesting, albeit depressing, exchange on Reddit concerning the release of Dr. Mario World, Nintendo’s latest foray into mobile nihilism. Basically, it’s Dr. Mario meets Candy Crush (e.g. stamina meters) with a dash of gacha game lootboxes. Which is a little weird, considering Nintendo seems to make a point about not being too greedy with their monetization strategies. What changed?
Whales vote with their wallets. There is nothing the other 90% of us can do about it. They are an insurmountable minority.
Five years ago, I made the point that “voting with your wallet” was a losing strategy, in comparison to complaining about things and thereby possibly voting with other peoples’ wallets. That sentiment seems almost quaint these days. The current reality we inhabit is one in which the mere existence of people willing to drop $100 (or $1000) in a sitting dictates how mobile games are developed.
I would like to believe there is some kind of silver lining in all this. And maybe there is. If you are just looking for something to do on your phone, there are tens of thousands of options available for free. Not all of them are even horrible. Hell, go play Dr. Mario World if you want!
As someone who loves the purity of elegant game design though… I’m fucked. I could vow to never play these games again, convince thousands more to join the boycott, and it wouldn’t matter. When 90% of the playerbase is already not paying for anything, and the average lifetime value of paying customers is single digits, one $99 purchase justifies a lot of nonsense. Not just in one game, but every game. There will be exceptions, but they exist as deliberate acts, fighting the ocean current.
When money is speech, the richest speak the loudest.
…er, when did we decide that was a good idea, again?
When the videogame historians look back on this particular monetization strata, it will undoubtedly be the Season Pass era. Or perhaps the Microtransaction era more generally, to include loot boxes, but with legislators and science slowly turning against loot boxes, I feel like more and more games will be making a hard turn into the Season Pass model.
To be clear, I am not referring to the Season Passes of yore, in which you essentially pre-ordered DLC. The new hotness is basically a month-to-month subscription. This most recently slapped me in the face in Clash Royale:
Someone on Reddit wrote up all the incentives that your $5 will purchase, and the list is somewhat enticing. None of them are technically P2W, which is itself a moot point because you could drop $99 on shit from basically day 1 in Clash Royale anyway. Indeed, if you look at the package in comparison to what your hard-earned cash could buy normally, you’re effectively getting 10x-11x the normal value. Five dollars will get you 500 gems, which can convert to 10,000g or two emotes or two Lightning Chests… or basically give you 40,000+ gold, 800 more cards (including 60+ Epics) and a bunch of other stuff.
Of course, Supercell doesn’t want it to be an either/or scenario. You can do both. Having an exceptionally generous Season Pass can lure F2P players into making their first purchase, after which it is easy to make another. One of the “perks” of the one in Clash Royale is an auto-announcement in Clan chat that you purchased the pass, and thereafter your name shows up in gold coloring in chat and battling. Turns out that adding gold leaf to a scarlet letter makes it rather desirable.
The dilemma I face is the same as always: I am caught in eye of the monetization storm.
As the screenshot shows, I am one Miner card away from having a fully-maxed deck. I am sorely tempted to purchase the Season Pass entirely to get that last Miner card. It would normally not be too difficult to trade for it within my current clan, but there are at least three other members currently asking for Miners themselves, and none seem keen to trust me in giving up one of their so I can max the card and satisfy an effectively infinite number of trades thereafter.
After that though… what then? I have dozens of technically maxed cards that I cannot actually max out because I lack the gold to upgrade them all. Not that I would need to max them out in the first place, considering I don’t use them in decks. The deck I have is the one I enjoy the most. The last two slots are technically flex slots, but I have tried a bunch of alternatives and found them lacking.
Would the new Fisherman legendary card be a good fit? Completely irrelevant. New legendaries may as well not exist, because I would need literal dozens of them to get them anywhere near usable levels where I’m sitting on the ladder (~5800 last season) and in 2v2. Granted, the Fisherman has some utility outside of his base HP and damage – the ability to hook and pull troops around like Roadhog from Overwatch – but I’m still not bringing that to match that matters.
In any event, the Season Pass model gives me pause. In the context of cash purchases within Clash Royale, it’s a great deal. Would I pay a $5/month subscription to Clash Royale though? Nope. It’s not a subscription though, as there are no reoccurring payments. “Cancel any time!” And yet there will be tens of thousands who do re-up every month, for the rewards or the conveniences lost.
Technically this should be positive Consumer Surplus territory… so why do I feel so dirty?
Possibly because I felt the hook twitch. Supercell isn’t reeling in the line yet, but it’s there. Subscription versus Season Pass is a distinction without a difference, and yet those who would riot about the former in their game are praising the latter. It is a trick of psychology, a stark reminder we can be tricked, and evidence that we face amoral corporations that have a fiduciary obligation to their shareholders to trick us out of as much money as possible.
For however bad loot boxes may seem, never forget that loot boxes are apparently not enough.
As I have begun my homebound tour of baby duty, I have a new appreciation for mobile gaming. Because it is the only gaming I can conceivably complete. While there are only three games in particular that I’m playing at the moment, I’m becoming well acquainted with the specific attributes of each one.
How long it takes from the moment you press the icon until you can start making selections. This probably shouldn’t matter as much because if you’re counting seconds you likely weren’t going to be having a lot of fun to begin with. That said, it became important to me once I realized that it takes Hearthstone 38 seconds to boot up.
Thirty. Eight. Seconds.
That’s just to get to the quest screen, by the way, not actually playing. In contrast, Clash Royale takes 17 seconds and Gems of War takes… huh, 32 seconds. For some reason, Hearthstone seemed more egregious.
How the game reacts to being minimized or otherwise losing focus. This attribute is a bit tough to precisely quantify because apparently it matters for how long the interruption lasts. Sometimes you can minimize to shoot off a text and be fine, and other times the app requires you to log back in.
Hearthstone used to be the worst at this, not only requiring a re-login, but also counting a Dungeon Run as a loss if you minimized in the middle of a boss instead of on the reward screen. As of some patch ago, you can safely minimize without losing progress.
Clash Royale is finicky, but even when there’s the equivalent of a re-log, it’s very brief. Things are significantly different if you are in the middle of a battle though. In some cases you can get back in, but you are generally penalized as “leaving the match.”
Gems of War, in my experience, doesn’t care and will be right back up instantly.
Can the game be played with one hand… if you know what I mean. Because you have a baby in the other hand.
Both Hearthstone and Gems of War are perfectly playable with one hand. Both games are basically turn-based, and even if you’re playing a human opponent in Hearthstone, you have a minute and a half to complete your turn.
Clash Royale on the other (one) hand is technically playable, but sometimes entire matches can be decided on pixel-perfect placement of troops at precisely the right moment. So in this respect, I’d say this isn’t a one-handed game.
They all have them.
Overall, I will say that Hearthstone’s Dungeon Run modes have been the MVP for me this far. When I said I had no desire to play Dalaran Heist anymore, that was before I got stuck watching a baby for 12+ hours a day. I’m already halfway through beating Chapter 1 heroic mode with every class, and being grateful I have something to do.
One of the most enjoyable things out of Hearthstone have been the roguelike deck-building modes (Dungeon Run) launched with each expansion since Kobolds and Catacombs. The exact formula has changed a bit each time, but the idea is that you start with a deck with only a few cards, and as you face off against increasingly tough bosses, you get to pick a “bucket” of three cards when you win, punctuated with the occasional passive effect or uber-powerful cards. This mode is something that could almost stand on its own, given how engaging it has been for me these past few weeks.
With the latest version though, Blizzard might have gone too far with the options.
The original Dungeon Run featured all nine classes to choose from, each with a simple starting deck. While it could be frustrating to lose over and over with the same class, knowing you would still have to deal with some subpar cards, the Treasures (passive abilities) and bosses you fought and the buckets of cards offered would quickly change how each run would go. Then came Monster Hunt, which featured four made-up classes with new Hero powers to play with. Then was a puzzle-mode interlude with the Boomsday Project. Then came Rastakhan’s Rumble, which featured “shrines” that did special things, but you otherwise used troll versions of the basic classes.
With Dalaran Heist, we are back to choosing one of the nine classes. However, you can also unlock two additional new Hero powers (per class!) by doing things like casting 25 elementals and other achievement-esque things. You can also unlock two additional starter decks (per class!) to shake up the early game. Finally, in addition to passive abilities and uber-cards, there are two sets of Tavern encounters which allow you to do a random assortment of things, like add new cards to your deck, increase your starting health, or even remove some cards.
In short, the whole thing is kinda nuts with the options.
One would think this would be a good thing. “Lots of replayability there!” But too much of a good thing is a problem. I finally cleared the Heist on Heroic mode and I am beyond done. Not because I only needed to beat it once, but because there is too much to contemplate. I beat Act 5 (Heroic) with Paladin, Boon of Light Hero power, and Old Hero starting deck. I could try and do the same with all the same settings but changing the starting deck to Adventure. Or Holy Flames. Or use the default Hero power and Old Hero starting deck. Or any of the five other permutations. Nine total combinations across nine classes on two separate difficulty levels.
[Fake Edit] I knew there was a Random Deck option too, but I thought that meant it would randomly pick between the three starter decks. I have just now read that it actually gives you a purely random set of cards as your starter deck. Not only does that add another three permutations, it arguably adds a quasi-infinite variety of starting positions.
Oh, and have I mentioned there are Anomalies you can activate too? Stuff like “After a player casts 3 spells in a turn, that player summons a 5/5 dragon.” I don’t know how many of those effects there are (Edit: Fifteen! 1-5!), but that would again layer on additional RNG and permutations.
Like, Jesus Christ, Blizzard. You guys crammed pretty much every possible idea on the whiteboard and put it into one game mode. I’m actively wondering if this might be the last Dungeon Run-esque version we get for a while. Where could they go from here?
SynCaine has his 30-minute impression of Fallout 76 up and, spoilers, he’s not impressed:
If you ever wondered what a Fallout game would be like if you removed all the story, all the reasons why you might play and care, F76 is the answer. It’s the same gameplay, the same systems, basically the same world, just empty of reasons to care.
While I am sure that is intended to be a damning indictment of Fallout 76’s failure… it really isn’t, IMO. The overwhelming vast majority of any Fallout gameplay is, well, gameplay. Specifically, it is wandering around, collecting junk, killing Super Mutants and Ghouls, experiencing environmental storytelling, and otherwise exploring the post-apocalypse wasteland. You know, all of the fun bits that occur inbetween questing. So when SynCaine says something like:
In Fallout 3, you also start in a vault, but as a child surrounded by other humans, including your family. Shortly after leaving the vault, you had to a fairly large settlement of humans that gets you rolling.
…I had a puzzled expression on my face. When I emerged from the Vault 101 for the first time – still in the top 5 videogame experiences in my entire life, by the way – I must have gotten turned around because Megaton was not where I went next. Instead, I explored some burnt-out buildings, fought some raiders, collected a bunch of junk, and basically hit up a bunch non-story locations.
I was not trying to avoid whatever the main story quest was supposed to be, but I wasn’t particularly bothered in speeding towards it. And while it was interesting finally getting to Megaton and having to make those moral decisions regarding the sheriff and the nuclear bomb in the middle of town and all the rest… that wasn’t everything that Fallout is. Shit, some of the best narratives in the entire series do not involve NPCs either, e.g. Father in the Cave.
Is there anything approaching Father in the Cave level so far in Fallout 76? Nope. Of course, there really hasn’t been anything of that level even in the main story quests for any Fallout game. Were you really that enmeshed with finding your father, finding your son, or deciding who rules the Mojave? Or was the main plot just a vehicle in which you drove around the wasteland, finding all the poignant stops along the way? Fallout 76 has that same vehicle, that same main story quest, getting you to explore every corner of the map. It’s a beater instead of a Porsche, but it still gets you from A to B.
Which is astounding for a survival game.
SynCaine would surely not care that Fallout 76 was never intended to be anything but a spin-off survival game and not some Fallout 5 substitute. But that is a distinction that matters. There is no plot reason to care what occurs in ARK, or Rust, or Conan: Exiles, or most other survival games. And yet there is an overarching plot to Fallout 76, complete with hours of voice acting, tragedy, and dark humor. There are no moral decisions, true, and yet that is about to change with upcoming patches in a natural way, e.g. everyone died from Scorchbeasts, Vault opens, we followed in footsteps of the dead but succeeded in eliminating the threat, newcomers are now moving in.
The devs did not set out to construct the plot this way; they honestly felt like “players are the NPCs” would work, which is some Silicon Valley startup fantasy bullshit and any actual player of videogames would instantly say is dumb. Bethesda is trying to turn the ship around though, and they have largely succeeded thus far with monthly patches and new quests. Some of it is a bit grindy, like the recent Boy Scouts-esque stuff which comes down to Achievement hunting to unlock a backpack. But, well… it fits this game, and gives you a reason to go back around the block.
I dunno. People aren’t still playing Diablo 3 for the plot, or Destiny 2, or Anthem (at all, *rimshot*). They play because the gameplay loop is fun. Complaining about Fallout 76 not having the same narrative quality of actual Fallout games just makes me question why you played Skyrim so much, and possibly still do. Was it for the engaging faction warfare? Or for whatever the situation was with that one dragon final boss that I 2-shot from stealth? Is that why any of us played and enjoyed Skyrim so much? Or was it perhaps the walking around, the fighting, the exploring caves, and otherwise existing in that world?
Maybe I’m wrong. Perhaps you played Fallout and Skyrim exactly one time, never went anywhere other than towards a quest marker, and turned it off the moment the credits rolled. If you don’t play these games that way, well, you are in for a treat. Not because there is a grand narrative you are missing – although it ain’t that terrible – but because there is a huge map full of nooks and crannies actually filled with things worth picking up, killing, or looking at. And it’s getting better all the time.
In doing some research on my last article about digital reselling, I found this article talking about Robot Cache, a new storefront coming out in roundabout competition with Steam and Epic. The primary selling point of this store is… reselling. Specifically, you can resell digital games you purchase and get 25% of the cost back.
The gist of Robot Cache is that it’s a new store that uses a blockchain certificate as a form of DRM. That certificate allows the store to track individual copies of a game so they can be resold. The price is the same as a new copy—you’re really just selling a license to a digital good, so it’s never really “used”—and you get a 25 percent cut put on your credit card, while the publisher gets 70 percent and the store takes 5 percent.
“Used” copies up for sale are put into a queue alongside brand new ones and the sales alternate between new and used copies, so on some sales publishers will get 95%, and on others 70%, as long as there are players selling their games back. Crucially, Jacobson says, you can’t sell a game back in the first 90 days after release, when publishers make the most money.
The “used game sold at retail price” thing kind of threw me for a loop at first, but… no, actually, I’m still looped. I understand the concept that used goods are generally cheaper to account for diminished value, which is not entirely relevant with a digital game. I can also appreciate the obfuscation going on insofar as you never really buy explicitly “used” games on this new store, as the keys will be mixed together with new ones.
But it’s difficult to grok how all this works in practice. Is the resell basically guaranteed then? Or will it sit in a queue until enough licenses have been sold/resold? Are there mechanisms in place for banning users instead of revoking licenses? What happens when you go to resell and there’s a sale on the base game? Hell, that 90-day stipulation all but guarantees that the base game will be at a lower MSRP by the time you’d be eligible to sell your own copy.
What I do enjoy though, is the candor:
While Jacobson said Robot Cache’s goal isn’t to compete with Epic or Steam, it’s notably not a reseller like Humble or GreenmanGaming, selling Steam keys at reduced prices. To some extent it has to compete, because its games will be sold elsewhere, too, sometimes with superior features like the Steam Workshop’s mod support. But it does seem like out of the gate, Robot Cache will actually be more fully featured than Epic’s store with an SDK meant to replicate most of Steamworks’ major features, from multiplayer to chat to cloud saves.
I do not expect Robot Cache to succeed as a storefront. But I am hopeful that it will be enough of an agitator to possibly move the needle on digital resells in some small way.